Filhos do Divórcio

After watching A.C.O.D. on Netflix I immediately logged onto IMDb to see what sort of ratings the movie had received from critics and other users. I was in fact very surprised that the reviews were not stronger for this movie.

I believe the main problem with this movie is that it must be listed as a comedy. A.C.O.D. is not the traditional comedy with one liners, slapstick, and crazy over the top situations, but is more of a drama dealing with the struggles of an adult living with the trauma of growing up the child of divorced parents. The protagonist Carter's character arc is quite engaging and mostly well written. Even things that he did that I felt were out of character seemed passable when his overall emotional state was considered. The movie was quite deep and could be potentially very meaningful to real life adult children of divorce.

Other positives of this film are in its acting and direction. Most of the actors in this movie were quite good. Adam Scott was typical Adam Scott, nothing new there. The direction was also quite good and I enjoyed the soundtrack.

If you plan to go into this movie expecting laughs though, you won't probably enjoy it as much as I did.

So first of all, it stands for Adult Child of Divorce and its the main reason no-one heard of this one. It sounds like a disorder, and people go see comedies that seem like a good time, not a lot of work.

Adam Scott's little bro wants to get married, and its his job to try and get his warring divorced parents to be in the same room together.

Jane Lynch, Mary Elisabeth Winstead, Amy Poehler, Katherine O'Hara and Richard Jenkins are all great. Funny likable cast, terrific situation comedy, its only about 20 minutes too long. Truly the only reason this got buried was that terrible unwieldy title.

6/10 outwore its welcome by the end, but still, underrated.

As I started watching this movie, it became very obvious that this was a very personal, cathartic movie. I have no problem with that, it's done all the time--but what's important, interesting, funny, and meaningful to the writer/director, doesn't always translate into something meaningful to the viewer unless there is far more skill in the storytelling. And that is what I think this movie lacked.

The plot simply covers the story of a a kid named Carter (and his younger brother Trey) who's father was a philanderer as a husband, as well as fairly cold and distant as a father. The father and mother haven't spoken for 20 years and the father has gone through several other step moms over those years.

I'm sure the "seminal" moment of Carter's 9th birthday was a huge deal to writer, but it was thrust at us so quickly at the beginning of the movie that we didn't have time for any background/setup to even know or care what was going on. To me, that scene which was apparently so pivotal ended up a throwaway scene because the writer seemed so eager to tell it that he told it too soon without any context whatsoever.

So we fast forward to Carter's now-successful (at least career-wise) life. There are a lot of funny moments here, but nothing we couldn't see in a half-hour sitcom. But the road the movie takes us down is a bit meandering and it seems very clear that we're going to have some sort of too-neatly wrapped up happy ending designed to close every loose end with a perfect situation and end all the pain of all the children who've gone through this situation.

To me, it just smacked too much of someone dumping his messed-up life on us and his wish of what could have been. It didn't make for an entertaining movie. Maybe a half-hour episode of Trophy Wife or something would have been a better venue for this story. Jimo

Think the reviews are unfair - it's a well made film, it's different and the cast are great.

No, it's not perfect. It's the not the best film ever made - but it is a good film, it's not the same story line that's been churned out a million and one times. Its definitely worth a watch, and the cast is great.

I love the multiple genres included in the film, it created a real life feel to it. Adam Scott is a great lead with a great cast around him. This is a great film to just chill out and watch without to much thinking that be enjoyed by all.

A nice to surprise to find this. Well-crafted, a really original story (worth points just for that), with one of the best casts you could ask for.

I'll watch anything with Catherine O'Hara. I could say the same thing about Amy Poehler, or Adam Scott. Or Jane Lynch. And here they are, all in the same picture, along with the always, always reliable Richard Jenkins.

I'm also surprised to find how polarizing this movie is. People seem to ether hate it or love it. I can't quite understand the haters, except that maybe they wanted something more obvious. I wouldn't call this movie subtle, but it's perhaps a little too worldly and knowing for some. Not for me. I loved it.