AVALIAÇÃO DA IMDb
5,7/10
5,2 mil
SUA AVALIAÇÃO
Surgindo do horror da Guerra Civil Espanhola, um candidato à canonização é investigado por um jornalista que descobre que seu próprio pai distante tinha uma conexão profunda, sombria e devas... Ler tudoSurgindo do horror da Guerra Civil Espanhola, um candidato à canonização é investigado por um jornalista que descobre que seu próprio pai distante tinha uma conexão profunda, sombria e devastadora com a vida do santo.Surgindo do horror da Guerra Civil Espanhola, um candidato à canonização é investigado por um jornalista que descobre que seu próprio pai distante tinha uma conexão profunda, sombria e devastadora com a vida do santo.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 indicações no total
Jordi Mollà
- Don José
- (as Jordi Mollá)
Juan Cruz Rolla Knight
- Young Josemaría
- (as Juan Cruz)
Avaliações em destaque
Spanish/US co-production developing dramatic deeds during Spanish Civil War and the historic figure about Jose Maria Escriba De Balaguer . Enjoyable biographic movie well written and played , being compellingly directed by Roland Joffé . Arising out of the terror of the Spanish Civil War, a candidate for canonization is investigated by a reporter (Dougray Scott) who aware his own estranged father (Wes Bentley) had a deep, dark and devastating connection to the saint's (Charlie Cox) life .
This interesting film is full of compelling drama with love , passion and subsequent betrayal , touching scenes , historical events and good feeling . It is a simple , dramatic and intelligent portrait of a time when the Spanish people live taking on among them . This is an agreeable account of the survival of the human spirit against difficulties ; an epic portrayal of Faith, Forgiveness and Redemption . The movie is plenty of graphic , striking and memorable moments about timeless power of forgiveness and dictating a strong emotional response from the spectator , though some moments is unrealistic . Interesting and thought-provoking movie with evident excitement that can sometimes be undercut by inadequacies in the screenplay , being written and adapted by the same Roland Joffé . This moving picture results to be a breathtaking spectacle about dramatic consequences of Spanish civil war , including strong emotions , brooding dialog and a heartbreaking final . ¨There be dragons¨ or ¨Encontrarás Dragones¨ results to be other of the innumerable stories to deal with dramatic deeds regarding the Civil War background , a familiar theme about the global horrors of a fratricide war , impossible to forget to Spanish cinema . However the story needs a vibration more real than the one offered in this slow-moving and sometimes dull film . But anyway, its is compensated with the great performances from main cast as Charlie Cox as Josemaría Escrivá , Wes Bentley as Manolo Torres as Dougray Scott as Roberto Torres as Rodrigo Santoro as Oriol , Olga Kurylenko as Ildiko and sensational support cast , mostly Spanish , such as Unax Ugalde , Ana Torrent and Jordi Molla , interpreters who provided a considerable boost to the result . Furthermore , a spotless pictorial cinematography by Gabriel Beristain and a willingness , almost perfect of the elements of each shot , every sequence, every space .
The film develops an intrigue by means of flashbacks and dealing with Jose Maria Escriba De Balaguer's life . The events were the following : during the Spanish Civil War , Escrivá was hidden in a psychiatric sanatorium and fled from Madrid, which was under republican control, via Andorra and France, to the city of Burgos, held by the nationalist forces of General Francisco Franco. After the war ended in 1939 with Franco's victory, Escrivá was able to resume his studies in Madrid and complete a doctorate in law. His principal work was the foundation, government and expansion of Opus Dei.
The motion picture was well directed by the British Roland Joffé , being realized in academic style and general coldness , filmed in his usual formal and stylistic scholarship , without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement . He is a good filmmaker mainly of epic subjects . After a long career filming for television , he made his movie debut in a big way with ¨The killing fields¨ winner of three Oscar and dealing with madness and atrocities committed by humans , Joffe's usual theme. ¨The mission¨, one of his greatest hits , had Palme d'or at Cannes , a graphic monument to Portuguese oppression in South-America , but Joffe has not quite held his place at the top level . He subsequently directed ¨Fat Man and Little Boy¨ referring to two atomic bombs dropped by America on Japan . Joffe's meagre output for the cinema makes it all the more surprising that he has turned out three splendid films and several others near-disasters such as ¨The scarlet letter¨, ¨Captivity¨, and ¨You and me¨. Rating ¨Encontraras Dragones¨ : Better than average , worthwhile watching .
This interesting film is full of compelling drama with love , passion and subsequent betrayal , touching scenes , historical events and good feeling . It is a simple , dramatic and intelligent portrait of a time when the Spanish people live taking on among them . This is an agreeable account of the survival of the human spirit against difficulties ; an epic portrayal of Faith, Forgiveness and Redemption . The movie is plenty of graphic , striking and memorable moments about timeless power of forgiveness and dictating a strong emotional response from the spectator , though some moments is unrealistic . Interesting and thought-provoking movie with evident excitement that can sometimes be undercut by inadequacies in the screenplay , being written and adapted by the same Roland Joffé . This moving picture results to be a breathtaking spectacle about dramatic consequences of Spanish civil war , including strong emotions , brooding dialog and a heartbreaking final . ¨There be dragons¨ or ¨Encontrarás Dragones¨ results to be other of the innumerable stories to deal with dramatic deeds regarding the Civil War background , a familiar theme about the global horrors of a fratricide war , impossible to forget to Spanish cinema . However the story needs a vibration more real than the one offered in this slow-moving and sometimes dull film . But anyway, its is compensated with the great performances from main cast as Charlie Cox as Josemaría Escrivá , Wes Bentley as Manolo Torres as Dougray Scott as Roberto Torres as Rodrigo Santoro as Oriol , Olga Kurylenko as Ildiko and sensational support cast , mostly Spanish , such as Unax Ugalde , Ana Torrent and Jordi Molla , interpreters who provided a considerable boost to the result . Furthermore , a spotless pictorial cinematography by Gabriel Beristain and a willingness , almost perfect of the elements of each shot , every sequence, every space .
The film develops an intrigue by means of flashbacks and dealing with Jose Maria Escriba De Balaguer's life . The events were the following : during the Spanish Civil War , Escrivá was hidden in a psychiatric sanatorium and fled from Madrid, which was under republican control, via Andorra and France, to the city of Burgos, held by the nationalist forces of General Francisco Franco. After the war ended in 1939 with Franco's victory, Escrivá was able to resume his studies in Madrid and complete a doctorate in law. His principal work was the foundation, government and expansion of Opus Dei.
The motion picture was well directed by the British Roland Joffé , being realized in academic style and general coldness , filmed in his usual formal and stylistic scholarship , without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement . He is a good filmmaker mainly of epic subjects . After a long career filming for television , he made his movie debut in a big way with ¨The killing fields¨ winner of three Oscar and dealing with madness and atrocities committed by humans , Joffe's usual theme. ¨The mission¨, one of his greatest hits , had Palme d'or at Cannes , a graphic monument to Portuguese oppression in South-America , but Joffe has not quite held his place at the top level . He subsequently directed ¨Fat Man and Little Boy¨ referring to two atomic bombs dropped by America on Japan . Joffe's meagre output for the cinema makes it all the more surprising that he has turned out three splendid films and several others near-disasters such as ¨The scarlet letter¨, ¨Captivity¨, and ¨You and me¨. Rating ¨Encontraras Dragones¨ : Better than average , worthwhile watching .
A decent sketch. About war, friendship, courage and compromises, about faith, jealousy and parenthood. Decent, interesting for actors more than for story, obvious answer of Opus Dei against propaganda created by Da Vinci Code, it is a beautiful sketch of tragic events.
What a dirge of a movie. Trying to be an epic film about the Spanish War, the Catholic church and the unearthing of grave secrets...it really doesn't hit any of those points well.
The problem with this film at IMDb is to know the real and final score. Right now is eight (8). 119 users of 147 voted ten (10), 14 voted nine (9), 6 voted eight (8). The others users voted lower than six (6). Well, or this is a spectacular film or we have a problem here. This score seems to me a little unreal and unbelievably.
Knowing Opus Dei since 1980, I think these 119 users are probably Opus Dei voters only and want to keep the score so higher as possible.
Why does this matter? Because a score should be representative and product of neutral or spontaneous voting. Well, I can barely believe this is the case. Let's see what happen in the next months.
And what about the film? Well, if somebody wants to know about Escriva and his Opus Dei, this film does not tell too much.
This is a very light film without any real information and questions like: How Opus Dei as organization was actually built since 1928? Why Opus Dei is in a very deep internal crisis since ten or fifteen years ago? Why a lot of people are leaving Opus Dei in the last years (in Spain, Mexico, Argentina, etc.)? Why is not so easy to leave Opus Dei? Yes, it is not easy but a lot of people fight for. Is it true that Escrivá declared whoever leaves Opus Dei will suffer a lot in this life and his eternal salvation will be in danger? Why so many celibate members suffer from depression? Is it possible that Opus Dei psychiatrists do not keep the professional secrecy and inform to Opus Dei superiors if a member talks about leaving Opus Dei? Yeah, that is a tough question to be made. How is possible that Escrivá became saint mainly because the testimony of his confessor? Why celibate members have to make a will (pro Opus Dei) like monks do before the perpetual incorporation? Why celibate members have to give their salary away like some monks do? Why lay members have to request a pardon of departure (dispense) to leave Opus Dei (like monks do) only need in the case of sacred vows? Is that because without knowing they really are bounded by some kind of sacred vows? Why lay persons have obligations - without knowing and without consent- that the Code of Canon Law established only for a consecrated life? Is there any kind of deception in all of this?
After these questions, you know a serious film about Opus Dei and Escrivá is waiting to be made.
I am not going to vote. I rather write this brief review.
Knowing Opus Dei since 1980, I think these 119 users are probably Opus Dei voters only and want to keep the score so higher as possible.
Why does this matter? Because a score should be representative and product of neutral or spontaneous voting. Well, I can barely believe this is the case. Let's see what happen in the next months.
And what about the film? Well, if somebody wants to know about Escriva and his Opus Dei, this film does not tell too much.
This is a very light film without any real information and questions like: How Opus Dei as organization was actually built since 1928? Why Opus Dei is in a very deep internal crisis since ten or fifteen years ago? Why a lot of people are leaving Opus Dei in the last years (in Spain, Mexico, Argentina, etc.)? Why is not so easy to leave Opus Dei? Yes, it is not easy but a lot of people fight for. Is it true that Escrivá declared whoever leaves Opus Dei will suffer a lot in this life and his eternal salvation will be in danger? Why so many celibate members suffer from depression? Is it possible that Opus Dei psychiatrists do not keep the professional secrecy and inform to Opus Dei superiors if a member talks about leaving Opus Dei? Yeah, that is a tough question to be made. How is possible that Escrivá became saint mainly because the testimony of his confessor? Why celibate members have to make a will (pro Opus Dei) like monks do before the perpetual incorporation? Why celibate members have to give their salary away like some monks do? Why lay members have to request a pardon of departure (dispense) to leave Opus Dei (like monks do) only need in the case of sacred vows? Is that because without knowing they really are bounded by some kind of sacred vows? Why lay persons have obligations - without knowing and without consent- that the Code of Canon Law established only for a consecrated life? Is there any kind of deception in all of this?
After these questions, you know a serious film about Opus Dei and Escrivá is waiting to be made.
I am not going to vote. I rather write this brief review.
"There Be One Draggin' Movie" is more like it... I respect the tragedy of the Spanish Civil War and the hatred for Franco but pullllllease... get to the point... I don't want to feel EVERY bullet... the ones that should have been meant for me.... ugh!
I liked that the film reflected the pain, confusion, and agony of war but it's not the first time something has been made of the topic... the movie goes on and on and on switching between battles scenes, treachery, religious strength and doubt, love... thank God for no cheap sex scenes... maybe I just don't get it but the wringing of hands can only be put up with for so long... and NOT for two hours.... aaaaaargh!
I liked that the film reflected the pain, confusion, and agony of war but it's not the first time something has been made of the topic... the movie goes on and on and on switching between battles scenes, treachery, religious strength and doubt, love... thank God for no cheap sex scenes... maybe I just don't get it but the wringing of hands can only be put up with for so long... and NOT for two hours.... aaaaaargh!
Você sabia?
- CuriosidadesThe title comes from the phrase "here be dragons" which was written on old maps to denote dangerous or uncharted areas.
- Erros de gravaçãoThe sub machine gun that the rebel leader Oriol takes from the wrecked combat car to pose with Ildiko is a Thompson M1 or M1-A1, as shown by the charging handle on the right and the simplified rear sight. This was not introduced until 1942, six years after the events in the movie.
- Versões alternativasBecause of poor box-office performance in 2011, the film was re-edited and re-released in the USA in 2012, under the title "There Be Dragons: Secrets of Passion". This new version is shorter (106 minutes) and has a new music scored by Robert Folk.
- ConexõesFeatured in Saint of the Ordinary: The Making of There Be Dragons (2011)
Principais escolhas
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- How long is There Be Dragons?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- There Be Dragons
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 36.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.069.334
- Fim de semana de estreia nos EUA e Canadá
- US$ 705.537
- 8 de mai. de 2011
- Faturamento bruto mundial
- US$ 4.372.642
- Tempo de duração
- 2 h 2 min(122 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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