[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

O Cavalo de Turin

Título original: A torinói ló
  • 2011
  • 12
  • 2 h 35 min
AVALIAÇÃO DA IMDb
7,7/10
20 mil
SUA AVALIAÇÃO
O Cavalo de Turin (2011)
A rural farmer is forced to confront the mortality of his faithful horse.
Reproduzir trailer2:36
1 vídeo
61 fotos
Drama psicológicoTragédiaDrama

Um camponês é forçado a enfrentar a mortalidade de seu fiel cavalo.Um camponês é forçado a enfrentar a mortalidade de seu fiel cavalo.Um camponês é forçado a enfrentar a mortalidade de seu fiel cavalo.

  • Direção
    • Béla Tarr
    • Ágnes Hranitzky
  • Roteiristas
    • László Krasznahorkai
    • Béla Tarr
  • Artistas
    • János Derzsi
    • Erika Bók
    • Mihály Kormos
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    20 mil
    SUA AVALIAÇÃO
    • Direção
      • Béla Tarr
      • Ágnes Hranitzky
    • Roteiristas
      • László Krasznahorkai
      • Béla Tarr
    • Artistas
      • János Derzsi
      • Erika Bók
      • Mihály Kormos
    • 100Avaliações de usuários
    • 182Avaliações da crítica
    • 80Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 15 indicações no total

    Vídeos1

    U.S. Version
    Trailer 2:36
    U.S. Version

    Fotos61

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 55
    Ver pôster

    Elenco principal5

    Editar
    János Derzsi
    János Derzsi
    • Ohlsdorfer
    Erika Bók
    Erika Bók
    • Ohlsdorfer's daughter
    Mihály Kormos
    Mihály Kormos
    • Bernhard
    Ricsi
    • Horse
    Mihály Ráday
    • Narrator
    • (narração)
    • Direção
      • Béla Tarr
      • Ágnes Hranitzky
    • Roteiristas
      • László Krasznahorkai
      • Béla Tarr
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários100

    7,720.4K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    8fat-thor-163-288906

    Potatoes

    The way in which the characters eat their potatoes is fascinating. I'll never look at a potato the same.
    10MartinTeller

    Brilliant final(?) film for Tarr

    I can't organize my thoughts so I'm just going to spill them out and sort them out some other time. Although it is a shame (a tragedy) that Bela Tarr will make no more films after this, but perhaps it is a fitting end. A farmer (we assume... he has a horse but it's unclear exactly how he makes a living, if he does at all) and his daughter trudge joylessly through their monotonous routine. Getting dressed, schlepping water from the well, eating a meal of simply boiled potatoes, and for relaxation, staring out the window. Over the course of 6 days, we see -- in a manner mildly reminiscent of JEANNE DIELMAN -- the routine start to break down as some sort of vague apocalypse seems to be descending upon them. Life, what little is left of it, is draining out of the world. A neighbor delivers a monologue about the degradation of humanity, how the good people have quietly faded away while the rest debase everything they touch. A wandering pack of gypsies leaves the daughter ("eyes of the devil") a religious text. Is it these two particular people who are doomed, or being judged? Or all of mankind? Tarr, as usual, not only doesn't give answers, he doesn't even let you know if he's asking the question.

    Which is to say, if you loved any of Tarr's previous four films, you will probably love this one, although it is his bleakest. The cinematography is, as one would expect, jaw-droppingly rich. From the opening shot of the horse defining the word "struggle", to Ohlsdorfer's sunken, skull-like eyes, to the spine-chilling image of the daughter's beaten-down face staring out the window, the film is loaded with stark, gorgeous, unforgettable visions. Mihaly Vig once again submits an incredible score, a funereal dirge that shares the soundtrack with the incessant howling wind. Tarr's films have a tactile effect, and here you can truly feel the bitter cold of the landscape and the house that surely does little to protect its occupants from the elements.

    It's a haunting film, and perhaps Tarr's most difficult... although only a third the length of SATANTANGO, the repetitiveness gives it less forward momentum. But it completely worked its way under my skin. It's mesmerizing, thought-provoking, breathtaking. If Tarr makes another film, I'll be thrilled, but if he doesn't, at least he's left me some of the greatest works of art I've ever seen.
    10labanchrist-545-334368

    'Visionary Miserablism'

    Girl:What it is Papa? Father:I don't know.. It is my first Bela Tarr movie and I don't think that words can help me to write a review on 'The Turin Horse' and it is my first review. I have been watching movies since my childhood, reading literature and philosophy in order to understand human condition but the visual and sound sensation I have had with 'The Turin Horse' is matchless. There is a modern novel in which a girl commits suicide because she think that she had to brush her teeth everyday with the same brush. Bela Tarr's characters are eating raw potatoes everyday,fortunately they don't commit suicide but what is the point in living? Bela will compel you to think about it. Father: Eat. we have to... To be very honest 'The Turin Horse' is the most powerful work of cinematic art I've ever came across, it is not social but ontological rather cosmological. What it is to be human? Want to know? Go and watch it, the 'heaviness of human existence' to put it in Bela's words.
    10bananasandtomatoes

    A review

    It is very hard to review a film like this.

    It's one of the films that leaves a permanent mark on you. You think about it for days and days, and even after several months or years you remember it, and remember how it made you feel. And it made you feel bad. A feeling of impeding doom.

    One of the films that are so magnificent, but are so hard to watch, that you're never gonna watch it again.

    The ending is so powerful, that I set there as it ended and wept for a while without even knowing why I was weeping.

    In short, it's a story about creating of the world, but in reverse - the destruction of the world through the eyes of two people.
    9dtopuz

    A moving piece, I would give a 10 if there was a 7th day

    I watched Turin Horse the very day (2.April.11) and heard the director warning the already clapping audience "do not before you watch the movie". I was among the ones who were moved by the piece, not just because its originality, excellent cinematography, impressive music, the acting but because it really touched me from the very heart. I am not a fan of Nietzsche or literate on his works but probably I was in the right state of mind to get a meaning out of the movie in my life. Two main characters were holding on to life, in a loop-like setting. Despite the desperation of the situation, they were carrying on almost mechanically or instinctively to survive. The horse was everything for a living and when the horse was no longer, the universe would fall apart.

    Special thanks to the director and the ones who financially supported this piece because it is one of rare films with originality value. And a comment for Ms. Alvarez's review, with respect to his opinion, it is clearly a flaw, his generalizing his point of view to majority of the audience in that theater. And where else audiences be able to see such films if not even at film festivals. If there are people seeing this movie as a torture they are always free to leave the theater.

    While the director humbly accepts the existence of second opinions, why some audiences can't?

    Mais itens semelhantes

    A Harmonia Werckmeister
    7,9
    A Harmonia Werckmeister
    O Tango de Satã
    8,2
    O Tango de Satã
    Danação
    7,6
    Danação
    O Homem De Londres
    7,0
    O Homem De Londres
    Fora de Satã
    6,4
    Fora de Satã
    Luz Silenciosa
    7,2
    Luz Silenciosa
    Zama
    6,7
    Zama
    Sobre a Eternidade
    6,8
    Sobre a Eternidade
    A Morte do Sr. Lazarescu
    7,8
    A Morte do Sr. Lazarescu
    Missing People
    7,2
    Missing People
    Prazeres Desconhecidos
    6,8
    Prazeres Desconhecidos
    Almanaque De Outono
    7,1
    Almanaque De Outono

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The movie consists of only thirty shots.
    • Citações

      Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid; on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.

    • Conexões
      Referenced in Paul Schrader on Revisiting Transcendental Style in Film (2017)

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes20

    • How long is The Turin Horse?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 7 de janeiro de 2016 (Brasil)
    • Países de origem
      • Hungria
      • França
      • Alemanha
      • Suíça
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Facebook
      • Official site (Japan)
    • Idiomas
      • Húngaro
      • Alemão
    • Também conhecido como
      • The Turin Horse
    • Locações de filme
      • Hungria
    • Empresas de produção
      • TT Filmmûhely
      • MPM Film
      • Vega Film
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 56.391
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 9.145
      • 12 de fev. de 2012
    • Faturamento bruto mundial
      • US$ 162.088
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 35 min(155 min)
    • Cor
      • Black and White
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.66 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.