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IMDbPro

O Cavalo de Turin

Título original: A torinói ló
  • 2011
  • 12
  • 2 h 35 min
AVALIAÇÃO DA IMDb
7,7/10
20 mil
SUA AVALIAÇÃO
POPULARIDADE
2.642
5.981
O Cavalo de Turin (2011)
A rural farmer is forced to confront the mortality of his faithful horse.
Reproduzir trailer2:36
1 vídeo
61 fotos
DramaDrama psicológicoTragédia

Um camponês é forçado a enfrentar a mortalidade de seu fiel cavalo.Um camponês é forçado a enfrentar a mortalidade de seu fiel cavalo.Um camponês é forçado a enfrentar a mortalidade de seu fiel cavalo.

  • Direção
    • Béla Tarr
    • Ágnes Hranitzky
  • Roteiristas
    • László Krasznahorkai
    • Béla Tarr
  • Artistas
    • János Derzsi
    • Erika Bók
    • Mihály Kormos
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    20 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.642
    5.981
    • Direção
      • Béla Tarr
      • Ágnes Hranitzky
    • Roteiristas
      • László Krasznahorkai
      • Béla Tarr
    • Artistas
      • János Derzsi
      • Erika Bók
      • Mihály Kormos
    • 100Avaliações de usuários
    • 182Avaliações da crítica
    • 80Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 15 indicações no total

    Vídeos1

    U.S. Version
    Trailer 2:36
    U.S. Version

    Fotos61

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 55
    Ver pôster

    Elenco principal5

    Editar
    János Derzsi
    János Derzsi
    • Ohlsdorfer
    Erika Bók
    Erika Bók
    • Ohlsdorfer's daughter
    Mihály Kormos
    Mihály Kormos
    • Bernhard
    Ricsi
    • Horse
    Mihály Ráday
    • Narrator
    • (narração)
    • Direção
      • Béla Tarr
      • Ágnes Hranitzky
    • Roteiristas
      • László Krasznahorkai
      • Béla Tarr
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários100

    7,720.4K
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    Avaliações em destaque

    10bananasandtomatoes

    A review

    It is very hard to review a film like this.

    It's one of the films that leaves a permanent mark on you. You think about it for days and days, and even after several months or years you remember it, and remember how it made you feel. And it made you feel bad. A feeling of impeding doom.

    One of the films that are so magnificent, but are so hard to watch, that you're never gonna watch it again.

    The ending is so powerful, that I set there as it ended and wept for a while without even knowing why I was weeping.

    In short, it's a story about creating of the world, but in reverse - the destruction of the world through the eyes of two people.
    9treywillwest

    Two people pretend the world isn't ending.

    Bela Tarr claims this will be his last film, and damn does it have finality written all over it. I guess there's few ways to be more final than to devote a work to the end of humanity. And I've never seen a film that struck me as more authentically apocalyptic than this one. It is immediately strange to say then, that one of the things that most impressed me about this juggernaut is its ultra-sly humor. Tarr really is a nihilist and a misanthrope, at least philosophically. The fall of our silly little species really is funny to him, in the darkest way possible, and in half audible beats he makes it funny for us too. All of the other species have sensed the death of the world and have, reasonably, stopped trying to survive. Only homosapiens, represented by a half-functioning horse-carriage driver and his daughter, are clueless enough to continue their wretched routine in the face of a blatant apocalypse. We, along with Tarr, laugh at, pity, and admire the duo for this all at the same time. This is why I call Tarr a misanthrope in philosophy only. In practice, he has love for his fools, even as he leads them towards annihilation. The film includes many references to cinematic finality as well. Fading lanterns, windows that show a world that is becoming not, opaque, all suggest an abandoned cinema. The empty shell of a cinematic artist imagining his own abandoned corpse.
    9erejones

    A misunderstood - but brilliant - film

    I really liked this film. I didn't like watching this film. Tarr pushes the audience to the limit of their patience but after a while it gets under your skin. You fall into its all-encompassing, hypnotic pattern. It's humanity at its most bare - its most bleak. It is a look into humanity's most raw, pained existence. It emerges you. Philosophically rigourous, Tarr goes to great efforts to make the Nietzsche analogy and whatever you think of Nietzsche, or even if you don't, there's a bitter comedy to the way in which Tarr looks at the human condition here. It laughs in the face of meaning. Yet, paradoxically, it's a film of distinct humanity, as shown to us in the last scene. It won't be for everyone, I know. It's cinema at its most cutting; its most applied.
    8fat-thor-163-288906

    Potatoes

    The way in which the characters eat their potatoes is fascinating. I'll never look at a potato the same.
    9dtopuz

    A moving piece, I would give a 10 if there was a 7th day

    I watched Turin Horse the very day (2.April.11) and heard the director warning the already clapping audience "do not before you watch the movie". I was among the ones who were moved by the piece, not just because its originality, excellent cinematography, impressive music, the acting but because it really touched me from the very heart. I am not a fan of Nietzsche or literate on his works but probably I was in the right state of mind to get a meaning out of the movie in my life. Two main characters were holding on to life, in a loop-like setting. Despite the desperation of the situation, they were carrying on almost mechanically or instinctively to survive. The horse was everything for a living and when the horse was no longer, the universe would fall apart.

    Special thanks to the director and the ones who financially supported this piece because it is one of rare films with originality value. And a comment for Ms. Alvarez's review, with respect to his opinion, it is clearly a flaw, his generalizing his point of view to majority of the audience in that theater. And where else audiences be able to see such films if not even at film festivals. If there are people seeing this movie as a torture they are always free to leave the theater.

    While the director humbly accepts the existence of second opinions, why some audiences can't?

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The movie consists of only thirty shots.
    • Citações

      Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid; on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.

    • Conexões
      Referenced in Paul Schrader on Revisiting Transcendental Style in Film (2017)

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    • How long is The Turin Horse?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 7 de janeiro de 2016 (Brasil)
    • Países de origem
      • Hungria
      • França
      • Alemanha
      • Suíça
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Facebook
      • Official site (Japan)
    • Idiomas
      • Húngaro
      • Alemão
    • Também conhecido como
      • The Turin Horse
    • Locações de filme
      • Hungria
    • Empresas de produção
      • TT Filmmûhely
      • MPM Film
      • Vega Film
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 56.391
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 9.145
      • 12 de fev. de 2012
    • Faturamento bruto mundial
      • US$ 162.088
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 35 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.66 : 1

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