AVALIAÇÃO DA IMDb
6,3/10
163 mil
SUA AVALIAÇÃO
Um grupo de pessoas está preso num elevador e o diabo está misteriosamente entre eles.Um grupo de pessoas está preso num elevador e o diabo está misteriosamente entre eles.Um grupo de pessoas está preso num elevador e o diabo está misteriosamente entre eles.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Joshua Peace
- Detective Markowitz
- (as Josh Peace)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
M. Night Shyamalan is one of those love him or hate him directors for whom there's no middle ground, so it hasn't helped that he's given his detractors a lot to crow about with his recent downward spiral with successively poor to abysmal movies ranging from The Lady in the Water to 2010's biggest stinker, The Last Airbender. It's been a critical pile-on for the one time golden boy who wowed audiences and critics alike with The Sixth Sense and Unbreakable.
Things have gotten so bad that when the trailer for Devil hit theatres with the on-screen tag line "From the Mind of M. Night Shyamalan", guffaws were reported from audiences and on-line gadflies like Perez Hilton had a field day posting viral videos mocking the promos.
All of which is too bad because not only is Devil a compelling, riveting bit of movie making, but Shyamalan's involvement was limited to writing the story and co-producing, which, given his recent track record, was probably for the best.
Smartly directed by John Erick Dowdle, whose last effort was Quarantine, the equally tight and faithful remake of the Spanish horror REC, Devil marks the first instalment in a trilogy of films dubbed The Night Chronicles, which revolve around the supernatural in modern urban settings (the second film is tentatively titled Reincarnate, about the jurors of a murder trial who are haunted by a supernatural being, and Unbreakable 2 rumoured as the third instalment).
In Devil's case, the plot could easily function as a textbook case of film school 101, tasking a writer and director to fashion a small story, restricted in scope, set in the cramped environment of a stalled elevator. You can almost hear film school professors saying "if you can pull this off, you can do anything". Happily, Dowdle succeeds with flying colours.
Devil is as compelling as the story is confined. It's smart from beginning to end, almost like the hybrid elevator equivalent of Hitchcock's Lifeboat and Agatha Christie's Ten Little Indians. A disparate group boards a Philadelphia office tower elevator, only to become trapped between floors and mortally victimized by someone among them who clearly possesses supernatural ability every time the lights flicker and momentarily go out.
Don't look for spoilers here as I won't be providing any. Suffice to say that Devil is one of the most smartly written, acted, and directed films I've had the pleasure to enjoy this year.
Who knows, maybe this is the beginning of Shyamalan's road back to respectability. If nothing else, it shows that he still has the chops as a top notch story teller.
Things have gotten so bad that when the trailer for Devil hit theatres with the on-screen tag line "From the Mind of M. Night Shyamalan", guffaws were reported from audiences and on-line gadflies like Perez Hilton had a field day posting viral videos mocking the promos.
All of which is too bad because not only is Devil a compelling, riveting bit of movie making, but Shyamalan's involvement was limited to writing the story and co-producing, which, given his recent track record, was probably for the best.
Smartly directed by John Erick Dowdle, whose last effort was Quarantine, the equally tight and faithful remake of the Spanish horror REC, Devil marks the first instalment in a trilogy of films dubbed The Night Chronicles, which revolve around the supernatural in modern urban settings (the second film is tentatively titled Reincarnate, about the jurors of a murder trial who are haunted by a supernatural being, and Unbreakable 2 rumoured as the third instalment).
In Devil's case, the plot could easily function as a textbook case of film school 101, tasking a writer and director to fashion a small story, restricted in scope, set in the cramped environment of a stalled elevator. You can almost hear film school professors saying "if you can pull this off, you can do anything". Happily, Dowdle succeeds with flying colours.
Devil is as compelling as the story is confined. It's smart from beginning to end, almost like the hybrid elevator equivalent of Hitchcock's Lifeboat and Agatha Christie's Ten Little Indians. A disparate group boards a Philadelphia office tower elevator, only to become trapped between floors and mortally victimized by someone among them who clearly possesses supernatural ability every time the lights flicker and momentarily go out.
Don't look for spoilers here as I won't be providing any. Suffice to say that Devil is one of the most smartly written, acted, and directed films I've had the pleasure to enjoy this year.
Who knows, maybe this is the beginning of Shyamalan's road back to respectability. If nothing else, it shows that he still has the chops as a top notch story teller.
I didn't have that much expectations for this movie. Just watched it as it was horror drama and runtime was also short. To my surprise, the movie was good. It had elements of horror and surprise and keeps you gripped till the end. You want to know how will movie end. Overall, it was a good watch.
After several weaker movies, Shyamalan begin to work on a new trilogy about the presence of supernatural evil in big cities. He concentrated on the script and preferred to let other people direct the movie and so you might expect that this first part of Shyamalan's renaissance must be a well elaborated and twisted masterpiece. Well, this is absolutely not the case, there are no major twists or surprises in the story. But that doesn't mean that this movie is without the glimpse of a doubt a very well done psycho thriller.
Let me mention the negative points first. The movie isn't really long. There are only two minor twists and the first one is not that much surprising while the second one is an interesting turning point of the story but also a little bit predictable towards the end of the movie. The story is not really innovating and this time, Shyamalan really delivers what he announces in the previews. Because of the short running time, not every character is extremely well developed and profound. The critical and philosophic influence that many movies of Shyamalan had is not very present in this movie.
But there are more positive points about this movie. There is a high tension present throughout the whole length of the movie and this is what makes the watching experience breathless and intense, you don't see time pass at all. The movie spares out the unnecessary and goes straight in your face which isn't that usual for Shyamalan's earlier works. That is something new, fresh and innovative coming from him and a little positive surprise for many but maybe also a little deception for some of his more purist fans. The interactions between the characters in the elevator are intense and very interesting. Every character has a very unique and special behaviour and something interesting to hide even if the characters could have been more developed if the movie had maybe twenty minutes more running time. The actions in the movie become more and more intense towards the finish and end up in a well done finale that leaves you with no open questions.
All in all, this is surely not the best of Shyamalan's movies but way better than the last stuff he has done before this movie. It is not a very surprising and philosophical movie, but rather a short and intense psycho thriller. It is a very good movie but far away from being the best movie of the year. It is worth watching it at the cinema or at home, but i wouldn't recommend buying this movie at the full price without having seen it before.
Let me mention the negative points first. The movie isn't really long. There are only two minor twists and the first one is not that much surprising while the second one is an interesting turning point of the story but also a little bit predictable towards the end of the movie. The story is not really innovating and this time, Shyamalan really delivers what he announces in the previews. Because of the short running time, not every character is extremely well developed and profound. The critical and philosophic influence that many movies of Shyamalan had is not very present in this movie.
But there are more positive points about this movie. There is a high tension present throughout the whole length of the movie and this is what makes the watching experience breathless and intense, you don't see time pass at all. The movie spares out the unnecessary and goes straight in your face which isn't that usual for Shyamalan's earlier works. That is something new, fresh and innovative coming from him and a little positive surprise for many but maybe also a little deception for some of his more purist fans. The interactions between the characters in the elevator are intense and very interesting. Every character has a very unique and special behaviour and something interesting to hide even if the characters could have been more developed if the movie had maybe twenty minutes more running time. The actions in the movie become more and more intense towards the finish and end up in a well done finale that leaves you with no open questions.
All in all, this is surely not the best of Shyamalan's movies but way better than the last stuff he has done before this movie. It is not a very surprising and philosophical movie, but rather a short and intense psycho thriller. It is a very good movie but far away from being the best movie of the year. It is worth watching it at the cinema or at home, but i wouldn't recommend buying this movie at the full price without having seen it before.
Produced by M. Night Shyamalan, Devil is an intense supernatural thriller. The story follows five strangers who get stuck in an elevator and begin to turn on each other after one of them is attacked and killed during a power outage, meanwhile some unknown force seemingly prevents rescue from the outside. The script is especially well-written, and really brings dramatic tension to the situation. The storytelling too is quite engrossing; drawing the audience into the mystery of who the characters are and what is happening. A riveting and well-crafted film, Devil does an extraordinary job at exploring the themes of paranoia and fear.
Great acting, funny, thrilling, edge of your seat fun. I am not a fan of M. Night Shylaman, but I have to admit I really enjoyed this movie. I went in with very low expectations being that as I said I'm not a fan and really, how much action can you put in an elevator? I'm happy to say that I was pleasantly surprised.
The movie had me hooked from the very beginning. The cinematography was amazing. The swooping shots of the city, the creepy elevator shaft, all set the mood for shivers as it reminded me of my fear of extreme heights and confined spaces.
As the story progressed and you learned more about the characters I found myself completely engaged and sitting at the edge of my seat wondering what was going to happen next.
ZombieSteak.com - Discover a new world of horror films, designed just for you.
The movie had me hooked from the very beginning. The cinematography was amazing. The swooping shots of the city, the creepy elevator shaft, all set the mood for shivers as it reminded me of my fear of extreme heights and confined spaces.
As the story progressed and you learned more about the characters I found myself completely engaged and sitting at the edge of my seat wondering what was going to happen next.
ZombieSteak.com - Discover a new world of horror films, designed just for you.
Você sabia?
- CuriosidadesThe inspiration for the film comes from the folktale "The Devil's Meeting," in which the Devil roams the earth in human form torturing the living. The film also mentions the folktale.
- Erros de gravação9 minutes into the film, as the elevator door closes, the last Passenger puts his arm in the way to stop it, but it is not visible in the mirror. This reveals that, to avoid revealing the camera in the mirror, they superimposed video into the scene.
- Cenas durante ou pós-créditosUpside down shots from a helicopter of a city as the opening credits roll.
- ConexõesFeatured in The Rotten Tomatoes Show: Salt/Ramona and Beezus/Summer Doc Round-Up (2010)
- Trilhas sonorasDon't Sit Under the Apple Tree
Written by Lew Brown, Sam H. Stept and Charles Tobias
Performed by The Bone Bird and the Dock Flock Brass
Courtesy of Alanna Records
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- La reunión del diablo
- Locações de filme
- Filadélfia, Pennsylvania, EUA(flyover shots)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 33.601.190
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.289.375
- 19 de set. de 2010
- Faturamento bruto mundial
- US$ 62.695.489
- Tempo de duração1 hora 20 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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