AVALIAÇÃO DA IMDb
5,7/10
3,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.A comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.A comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.
Avaliações em destaque
Great cast in a mostly typical domestic pot-boiler. You could probably write the plot yourself after the initial set-up, and the climax is conventionally contrived to happen all in the same night. Not quite as funny or dramatic as it might have been throughout. The son's homosexuality is realistically handled especially the dynamic between him and his dad. But Eddie Izzard's boss-man lives in a world that doesn't touch reality - even Reality TV. This plot line threatens to de-rail the whole enterprise for me What sort of TV show is this??? Hunt's best line was left on the cutting room floor "It's not porn. It's cable."
EVERY DAY – CATCH IT ( B ) A movie about dysfunctional family is my favorite genre. These movies sometime brings out the greatest moment and performance out of actors you actually never expect. Even here we see a side of Liev Schreiber, which I have not seen before. Watching him with Helen Hunt was really interesting. Helen Hunt is a fine actress and we rarely get to see her these days. I really would love to see her soon in some more movies. Ezra Miller is uprising young actor and he is really impressive can't wait to see what he brings on table with bussed about movie" We Need to talk about KEVIN". Carla Gugino is a sweet actress, its always fun watching her and her chemistry with Liev was HOT. Tilky Jones and Ezra Miller smooching was HOT. Overall, it's a good effort and I really enjoyed the whole dynamics of the characters and specially the funny dialogues. I enjoyed it.
What if what you thought you were missing in life you already had? A writer for a TV show, Ned (Schreiber) is stuck in a job where his boss demands more and more strange things. His wife Jeannie (Helen Hunt) has just brought her father home to take care of. His son is gay and Ned is trying to avoid admitting it, and his co-worker (Gugino) is another reason his life is spinning out of control. So many movies and TV shows come out that claim to be true to life, or "Reality Shows", they usually turn out to be so over the top they end up borderline spoofing the stars. This is one huge exception. While not being a reality show at all, this is the most true to life movie I have seen in a while. It was depressing in parts, but again because it seemed like they just took a family and watched how they live and made a movie from it, without changing anything. Ned is stuck trying to sort out what his life has become that he finds himself trying to be someone he isn't. This movie is another glaring example of how unless you have a $200 million budget and your movie make $400 million in theaters you will get no recognition or advertising. There are no big name stars in here like Tom Cruise or Katherine Heigle, and because of only casting good actors and relying on script and acting, it gets overlooked. Which is a travesty. I give it an A.
Would I watch again? - Yes I would, but again it would lose some of the effect.
Would I watch again? - Yes I would, but again it would lose some of the effect.
Richard Levine's 'Every Day' takes a slice of life look at Ned and Jeannie's family life. Their monotonous life is further disrupted when Jeannie's grumpy father, after the death of his wife. Levine tells the story with sincerity but it feels very familiar. It bares some resemblance to movies like 'The Savages' and 'Little Children'. I liked the angle with the teen son who gets lured into sneaking out at night to meet a guy at a disco and yet he's strong-minded enough to refuse drugs. The dynamic between him and his father, especially concerning his homosexuality is portrayed effectively. The struggle between Jeannie and her father is well-depicted. The characters are well-written. The lines are witty and funny but the plot is contrived and very predictable. The Eddie Izzard track felt like an attempt to be quirky and it hardly contributes much to the main story other than providing some comic relief. It's good to see Helen Hunt back. She performs naturally. Brian Dennehy is brilliant and the two child actors are good too. Carla Gugino is spot on. Liev Schreiber and Eddie Izzard are passable.
Overall, it may be a typical slice of life family drama but still worth the watch mostly because of the way it portrays certain themes, sharp dialogue and good performances
Overall, it may be a typical slice of life family drama but still worth the watch mostly because of the way it portrays certain themes, sharp dialogue and good performances
love the actors! v. good material! another well projected picture about today's 'responsible' couple. the hard pressed, nonetheless, flavorful tofu slices between the very nearly 24/7 'all encumbering' pieces of bruschetta... work/household responsibilities/needs & children. yes, this picture proves all too well that the 2 tofu slices, representing the resilient companions, are even unfairly (life fair, huh!) separated by the 3rd slice of current life, fading parent(s).. ringing so true for those who can't/won't send their children to boarding school &/or their parents to a well equipped senior home.
wish the story could have had more time for the couple to be the beatles to what brought them together in the 1st place. if given more script, hunt & shcreiber would have shown a terrific journey to remind us how to 'get back' to the tender & kind love for your companion.
wish the story could have had more time for the couple to be the beatles to what brought them together in the 1st place. if given more script, hunt & shcreiber would have shown a terrific journey to remind us how to 'get back' to the tender & kind love for your companion.
Você sabia?
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by Anne Marie Bush
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Detalhes
- Data de lançamento
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- Também conhecido como
- Every Day
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- Consulte mais créditos da empresa na IMDbPro
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- Orçamento
- US$ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 46.029
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.857
- 16 de jan. de 2011
- Faturamento bruto mundial
- US$ 46.029
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