AVALIAÇÃO DA IMDb
5,2/10
1,2 mil
SUA AVALIAÇÃO
Um macho alfa da cidade de Nova York se transforma magicamente em uma garota bonita, se apaixona e aprende o que significa ser mulher.Um macho alfa da cidade de Nova York se transforma magicamente em uma garota bonita, se apaixona e aprende o que significa ser mulher.Um macho alfa da cidade de Nova York se transforma magicamente em uma garota bonita, se apaixona e aprende o que significa ser mulher.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Joseph D'Onofrio
- Joey
- (as Joe D'Onofrio)
Avaliações em destaque
I've given this movie one more star than I might otherwise have because, despite its flaws, I really enjoyed this one a lot.
The only reason I saw this movie in the first place is because after watching Goodbye Charlie (1964) I wanted to see all the remakes for comparison. I found and watched three true remakes and eight similarly premised movies that I wouldn't call remakes. Of this dozen movies (including the original), I liked Sam the best by far. Natalie Knepp really sold the female version of the main character as a man suddenly in a woman's body. What's more she sold it while making the role likeable. And, she made her basically despicable character extremely amusing and likeable despite her flaws. It was easy to care how things turned out for her. Sein Kleier, Sara Scott, and Brock Harris were particularly good in their roles as well. And, none of the acting was bad. But, Natalie was the true stand-out.
That all being said, I can't help but find fault as well. The office environment, while played for laughs, is unbelievable in this day and age. Seymour and Lulu are just a bit too silly. While Brock Harris had his character pegged, he really needed to have the same hair and eye color as Natalie for one of the plot points to work.
The movie is unrated, but I would mostly call it PG13. Older kids should enjoy it safely. There is some profanity, but it's infrequent compared to a lot of movies.
The only reason I saw this movie in the first place is because after watching Goodbye Charlie (1964) I wanted to see all the remakes for comparison. I found and watched three true remakes and eight similarly premised movies that I wouldn't call remakes. Of this dozen movies (including the original), I liked Sam the best by far. Natalie Knepp really sold the female version of the main character as a man suddenly in a woman's body. What's more she sold it while making the role likeable. And, she made her basically despicable character extremely amusing and likeable despite her flaws. It was easy to care how things turned out for her. Sein Kleier, Sara Scott, and Brock Harris were particularly good in their roles as well. And, none of the acting was bad. But, Natalie was the true stand-out.
That all being said, I can't help but find fault as well. The office environment, while played for laughs, is unbelievable in this day and age. Seymour and Lulu are just a bit too silly. While Brock Harris had his character pegged, he really needed to have the same hair and eye color as Natalie for one of the plot points to work.
The movie is unrated, but I would mostly call it PG13. Older kids should enjoy it safely. There is some profanity, but it's infrequent compared to a lot of movies.
The premise is hardly original, but it is developed here in a competent, direct and uplifting way.
Many of the scenes and much of the characterization are definitely on the unsubtle side, but I think that works well in the end. The characters are well established and grow in interesting and convincing ways. I particularly liked the interactions between Margaret and Samantha.
Many of the scenes and much of the characterization are definitely on the unsubtle side, but I think that works well in the end. The characters are well established and grow in interesting and convincing ways. I particularly liked the interactions between Margaret and Samantha.
Simple story and very enjoyable. My first time seeing Natalie Knepp. And she was good.
I happened upon this lovely film by chance and am very glad I did.
Natalie Knepp is absolutely wonderful as the former horrible man turned lovely woman. She is a rising star and I shall be watching her future roles with interest.
All the characters were believable and well played. The story, though done many times before was given a fresh look and just enough empathy to tug the heartstrings.
The usual clichés,though there,were not done to death and the metamorphosis from slug to beautiful butterfly was lovely to watch.
A pretty film indeed.
Natalie Knepp is absolutely wonderful as the former horrible man turned lovely woman. She is a rising star and I shall be watching her future roles with interest.
All the characters were believable and well played. The story, though done many times before was given a fresh look and just enough empathy to tug the heartstrings.
The usual clichés,though there,were not done to death and the metamorphosis from slug to beautiful butterfly was lovely to watch.
A pretty film indeed.
After reading the positive reviews here, I thought that this was possibly one of those underrated movies that don't catch on because the plot was too feminist-driven or silly or whatever. Boy, was I wrong.
At first I thought the acting was bad (and it was at times), but then I realized that it wasn't the actors as much as it was a combination of a terrible script, terrible direction and sub-par production.
I expected the movie to play up some of the gender norm clichés, so as to highlight the change from Sam to Samantha. But this movie goes further than that. It is clear that everybody involved in the final production of this movie has never met a real person in their life. The clichés were not funny but offensive. I have to imagine this movie was written by some rich kid in Beverly Hills and their connected parents helped to pay for production.
Every character was a ridiculous caricature. I don't know who I am offended for more, men or women. Even the non-gender things were clichéd, like the names of things. Every line felt like it was written by a young high school student. I mean there's concise, and then there is straight to the point regardless as to whether the dialogue is believable or not.
This movie was not funny, not smart, not well put together, and not worth your time.
I gave it three stars: The first because it IS a movie. The second for giving out-of work actors some screen time. ...?
At first I thought the acting was bad (and it was at times), but then I realized that it wasn't the actors as much as it was a combination of a terrible script, terrible direction and sub-par production.
I expected the movie to play up some of the gender norm clichés, so as to highlight the change from Sam to Samantha. But this movie goes further than that. It is clear that everybody involved in the final production of this movie has never met a real person in their life. The clichés were not funny but offensive. I have to imagine this movie was written by some rich kid in Beverly Hills and their connected parents helped to pay for production.
Every character was a ridiculous caricature. I don't know who I am offended for more, men or women. Even the non-gender things were clichéd, like the names of things. Every line felt like it was written by a young high school student. I mean there's concise, and then there is straight to the point regardless as to whether the dialogue is believable or not.
This movie was not funny, not smart, not well put together, and not worth your time.
I gave it three stars: The first because it IS a movie. The second for giving out-of work actors some screen time. ...?
Você sabia?
- CuriosidadesThe director Nicolas Brooks is the son of the legendary Mel Brooks.
- Citações
Samantha: All right, pal, you're on!
Alexander Blondell: OK, I can detect a pattern here. It's not pal, it's not dude, it's Mister Blondell. M-I-S-T-E-R B-L-O-N-D-E-L-L. Now put this on.
Samantha: No, dude! I'm not wearing a tutu.
Alexander Blondell: It is not a tutu. Now, put it on.
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- How long is Sam?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 40 minutos
- Cor
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