De Repente Ela

Really quite enjoyed the film. Lead actress was good and played part well.

Had us guessing until the end, which you need to watch

The premise is hardly original, but it is developed here in a competent, direct and uplifting way.

Many of the scenes and much of the characterization are definitely on the unsubtle side, but I think that works well in the end. The characters are well established and grow in interesting and convincing ways. I particularly liked the interactions between Margaret and Samantha.

This film starts incredibly slowly. The camera work and lighting are good, but if it weren't for that, it would play like a college film project. The dialogue is slow, and predictable, with unnecessary pauses and characters feeling very 2 dimensional. The pacing was painful at the beginning, which had me reaching for the remote just looking for a scene change. Once Natalie enters the picture however, the energy improves, though the pace and timing never fully recover.

Fortunately Natalie's energy and interesting character choices made this film entertaining enough (at least relative the the price I paid) to see the movie through to the end.

In the end, despite its reasonable-budget looking visual style, a well acted female lead, and beautiful cityscape cinematography worthy of a much better production, this movie is a slow, occasionally funny, but largely forgettable comedy that will have you wondering what else you could have done with the last 2 hours of your life.

Reminiscent of the film "Switch", this film is less cynical. A real surprise treat.

Similar to "Switch," an inconsiderate man is changed into a woman -- to live life in the opposite sex's shoes. Didn't recognize Stacy Keach as the deity that made this happen.

After some initial shock and horror, Sam begins to embrace his new female identity -- even master it.

In the end, Sam is given the choice -- stay as s female, or go back to being a male?

Natalie Knepp is fantastic as the star. She really carries the film.

I saw this on Amazon Prime Movies, and while I'm glad I didn't pay to see this, I am glad it's getting some exposure. I can't think of one aspect of this film that hasn't been done better by earlier films. The exception is the female lead. Natalie Knepp takes what seems like an ambitious student film and gives it professional polish and a genuinely likable character. No easy feat considering the clunky cliches and cartoonish characters. I really don't want to savage this film. It was obviously a passion project for at least some of the folks involved. It's heart is in the right place, even if it does seem like am ambitious student film rom-com that tries but can't get out of its own way. I'm glad I saw it, because it put Ms Knepp on my radar. I haven't been this surprised and impressed by a performer since I first set eyes on Parker Posey in House of Lies. Sam introduced me to Natalie Knepp, whose resume needs to be much larger than it currently is. Still, what other titles I was able to track down confirm my positive first impression. Watch this film with low expectations. It's not as bad as some other reviews claim. It may not be original, or have witty dialog, clever situations and richly drawn characters, but it's not entirely without charms. Notably the fully committed performance and empathetic charisma of its lead. In the end, I'm glad I watched it.