O Homem Ideal

I'm quite enamoured with fiction regarding artificial intelligence at the minute, so I jumped at the opportunity to watch this film about a woman who is paired with a humanoid robot who has been programmed to be her ideal partner.

I thought it was a very astute film full of incisive commentary on intimate human relationships and the imperfect nature of love. There was plenty of clever wit throughout, and the performances of Dan Stevens and Maren Eggert were brilliant (Eggert took home the Best Acting award at the Berlin Film Festival). I thought the script by writer-director Maria Schrader was very well written. There's often the risk with films that tackle themes such as these to come across as pretentious, but it was handled well and came across down to earth while also thought-provoking. The minimalistic and isolated score from Tobias Wagner also served well to complement some of the themes of loneliness explored within.

Overall, I'm Your Man (Ich bin dein Mensch) is a very refreshing and unique take on the romantic comedy genre with a lot of hidden depth and thoughtfulness. An excellent addition to Maria Schrader's screenwriting and directing career.

It is the first date for Alma and Tom. She tests him. Tom is intelligent, funny, perceptive, insightful, charming, good-looking, appreciative of her interests, concerned for her well-being, and even knows her favorite poem by heart. He passes everything Alma throws at him even though she is cold and skeptical. Tom appears to know her better than she knows herself. This is because Tom is an advanced robot created for with one purpose to serve, her happiness.

Tom learns from every moment with Alma and morphs into something better, yet she treats him like a machine or a piece of meat, underestimating him, leaving him to stand in the rain, and turning cliches about men on their head. Perhaps she just needs more time. Spending time in the forest together and looking at pictures of Alma as a child, Tom and Alma could dissolve and become part of something bigger.

I'm Your Man is a different kind of science fiction that, like the Tales from Earthsea by Ursula Le Guin, explores the realm of our hearts rather than battlefields on distant planets. The film is complex and well crafted, exploring emotions in a variety of ways, and revolving around themes of free will, fears of being left alone, what it means to love someone, and more. Each component of film making is not neglected. There is a scene looking over the rooftops and spires of Berlin at night that is so beautiful. Maren Eggert (Alma) won a silver bear in Berlin for her performance. The film appeared at the Toronto festival as well.

Greetings again from the darkness. The thing about humans is that we are always looking towards the future to see how we can make things easier, better, or more exciting. This is often with an eye towards more fuel-efficient cars, smaller and more powerful computers, and more effective medical treatments. Writer-director Maria Schrader and co-writer Jan Schomburg have adapted the short story from Emma Braslavsky and turn the lens to relationships and love. Is it possible to advance inter-personal relations to the point of perfection? Would that even be desirable or preferable to the messiness that's gone on since the beginning of time?

It's actually the film's premise that impresses most. Maren Eggert stars as Alma, an Anthropologist who has dedicated years of her life to leading a team documenting the earliest human use of poetry. Alma is a serious and determined woman, and one who bears the scars of a recent breakup. She's drawn into an extraordinary experiment that blends high-tech with sociology. Advanced robots have been developed to become the "perfect" mate, and are programmed specifically for one person. Alma has agreed to the three-week trial, and her robot is Tom (played well by Dan Stevens, BEAUTY AND THE BEAST, 2017).

Their initial interactions are quite awkward as Alma is skeptical and Tom is programmed to constantly and quickly learn and evolve based on Alma's reactions. Despite Alma's hope for companionship and recognition of her own biological clock, she seems to catch herself anytime she begins to feel a bit of joy. She never imagined that her pursuit of happiness would be dependent on advanced robotics. To monitor the progress, the program's director, played by Sandra Huller (TONI ERDMANN, 2016) periodically checks in. And yes, she holds her own secrets.

This is a clever film that delves a bit deeper into human emotions than we originally anticipate. It also contains quite a bit of humor - the initial dance club introductions are pretty funny, as is Tom's facial expression each time he's tweaking his algorithms. We do learn flirting is "difficult to program", although in today's society, that's a treacherous path anyway. Of course, Alma slowly comes around to the idea of an artificial relationship - one that by definition can never be real. The film is not at the level of EX MACHINA (2014), although it's less about technological advances and more about self-realization. Ms. Schrader's film is plenty entertaining to watch and one that slyly points out many flaws of us human beings, while delivering an unexpected ending.

'I'm your man' is funny, it's charming, it's entertaining but also insigthful when it needs to be, it's exactly what I wanted from the film's description.

In order to obtain research funds for her anthropology studies, Alma reluctantly accepts an offer to participate in an extraordinary experiment: for three weeks, she is to live with Tom, a humanoid robot created to make her happy.

Tom meets Alma at "a bar" which we quickly learn is an event designed to capture romantic feelings, a façade to initially test the A. I. flirting mecanisms and interactions with humans, the whole ordeal is a failure and this is just the beginning of Tom's rocky relationship with an unenthusiastic Alma.

Although Tom is design to be her dream guy, the "socially awkward" robot interactions of the first half of the film are some of the most funny and meaningful parts of the film. Tom is full of corny compliments, he's protective, he plans her ideal date nights, he does all her household chores, he is perfect... he's boring. But we quickly learn Tom's system is designed to learn from her responses and will truly become her ideal match... or will he?

The film definitely touches many themes we have seen explored before, but it displays their elements very cleverly even mixing some moments of tragedy but with a more optimistic approach to story than I initially expected from the film. 'I'm your man' escapes the cliché of technology turning against humanity and has more of an emotional approach to the characters bond, as the main conflict doesn't necessarily lies on Alma's 'abusing' the system with this relationship which leads to their downfall but more on her current inability to open up- overcoming her history and a new chance to accept that type of interaction into her life (again), with someone who may not entirely comprehend her emotional baggage at first... but he may be able to if given the chance.

Maybe the parts related to Alma's past and current job situation wasn't was interesting to me as the main relationship was, but the themes of her scientific work definitely added a layer of depth to her relationship with Tom. The film has the ending everyone expects though... it is the type of thing we have seen before, but the last scene is quite impactful.

Maren Eggert and Dan Stevens are great leads for this film, they have a lot of chemistry and even the akwardness of their interactions is insanely entertaining. I didn't even know I liked Dan Stevens until I saw him speaking german and acting robotic.

'I'm your man' is a good choice if you are looking for a fun rom-com with a bit more phylosophical depth to its plot.

I'm Your Man: Another film about A. I., consciousness, love and relationships. Basically a romantic drama. Alma (Maren Eggert) is an archaeologist who agrees to beta test an android, Tom (Dan Stevens) who is programmed to be the perfect fit for her emotionally and intellectually. After a couple of teething problems she takes him home but grates at his suggestions. An odd coupe indeed in spite of supposedly being the perfect match. How things between them develop is moulded by Alma's personal and professional life. Her father is ageing and won't admit that he can't cope, Alma grieves over a miscarriage she suffered during a past relationship and her former partner is very much around. Even Alma's childhood is relevant to the narrative. Quite funny but also serious at times in how it deals with people being treated as objects and denied agency. In some ways this is a reverse Stepford Wives. Directed/Co-written by Maria Schrader. 8/10.