Sobreviventes - Depois do Terremoto

Giving this 7 star really mainly because Lee Byung Hun delivered as he always did. Stellar performance and script but clearly unrealistic ending whatsoever in a hopeful manner but still a show worth watching .Not much depth to the show so it's not too draggy along the way and the duration explains it because other than the survival that's going on and on there isn't any other topic or drama revolving around the show or characters. The characters can be more developed and would be nice to see more background story of the few main characters but i suppose it's not really necessary judging from the entire movie.

The movie dealing with ideals and reality. Drawing the end of those who forget to get close to the ideal. The parts that may be overstated are moderate by properly arranging ideals and realities. And this moderation asks the audience a profound question.

It's a really good movie by a rookie director.

In particular, I think it's a topic that only a rookie director can do. As a person who likes movies, I want to keep cheering for Director Eom.

The directing, the script, the OST, and the acting of the actors are all worth watching. In particular, Lee Byung-hun's acting makes me fall more into this movie.

After an epic earthquake disaster the concrete smoldering ruins of Seoul seem to stretch on as for as the eye can see.

In the centre of the massive disaster one building remains standing.

Dozens of outsiders from the surrounding area desperately seeking food and shelter from the cold. Feeling a threat to their very survival, the residents enact measures that questions the act of morals or survival.

Very well written, well done cinematography storytelling and great acting.

A must watch.

I had the opportunity to watch this at tiff this year. Tickets were sold out so I had to stand in Rush Line, two hours before the movie was being viewed,.

It was absolutely worth it.

Concrete Utopia doesn't do anything particularly new for the dystopian thriller sub-genre, but it's consistently engaging and well-executed. Is an emotional force of a film. Not concerned with the disaster itself or the spectacle it could employ to focus on the moment of tragedy, the film offers epic landscapes but always keeps an intimate eye on the people in the high rise.

Concrete Utopia presents a disturbing picture of humanity that dribbles into the absolute worst when the social structure is dismembered and survival becomes the only need of the hour. Talking about the direction, Uhm Tae Hwa did a good job in capturing raw human nature in every possible way. The cinematography and acting, especially by Lee Byung Hun, were also enthralling.

Concrete Utopia is a gripping, disturbing, and powerful representation of the worst of society, yet equally showcasing the best qualities in humans and how hope, community, and decency will always exist through the dust and devastation.

My Rating : 8.5/10.

Concrete Utopia is a decent disaster survival thriller with solid direction, strong performances and production designs. Disaster movies aren't movies I see as art but rather as an entertainment popcorn movie. This movie does approach the themes more serious and explores themes of human selfishness and fight for survival.

The narrative does get predictable but it does provide some strong themes of human selfishness that felt effective and purposeful to the setting. The production designs, special effects and costumes are all pretty good that helped create the feeling of the danger and roughness of the aftermath's of the disaster. All the performances are pretty good without any bad performances observed throughout.

As I mentioned, the narrative is interesting but could use some better works on the writing. The characters, unfortunately, weren't as interesting or connectable as they felt too thin to care much.

Overall, the movie remains ambitious because I never felt bored and I found the emotional and crucial moments to be effective. If only the movie worked on some moments, the movie would have been much better.