AVALIAÇÃO DA IMDb
6,6/10
8,4 mil
SUA AVALIAÇÃO
Depois de um grande terremoto, em Seul, há apenas um prédio em pé. Com o passar do tempo, pessoas de fora começam a entrar para se protegerem do frio extremo. Para lidar com o número crescen... Ler tudoDepois de um grande terremoto, em Seul, há apenas um prédio em pé. Com o passar do tempo, pessoas de fora começam a entrar para se protegerem do frio extremo. Para lidar com o número crescente, os moradores decretam uma medida especial.Depois de um grande terremoto, em Seul, há apenas um prédio em pé. Com o passar do tempo, pessoas de fora começam a entrar para se protegerem do frio extremo. Para lidar com o número crescente, os moradores decretam uma medida especial.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 8 vitórias e 15 indicações no total
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Avaliações em destaque
Best Korean film of the year (that I've seen so far).
It follows a group of residents in an apartment complex that's the only thing left standing after a devastating earthquake. Other survivors try to move in to escape the cold, but the residents won't have it. Thus begins an intense scenario where people have to try and maintain some sort of order while battling the elements and hostile invaders.
This is an impressive disaster drama that begins almost lightheartedly, but turns darker by the minute. There's a comedic flair to the film's first act, but it mostly dissipates by the second hour. However, no matter how any of the scenes are played, there's a bleakness to everything that unfolds. It's like your typical postapocalyptic premise as seen in modern western cinema, but slightly deeper and infused with existentialism. The characters are also more fleshed out than you'd expect. Far from being archetypal heroes or villains, these are flawed people who find themselves in a heavy situation and react to it accordingly.
The whole cast carries the film well (Lee Byung-hun being the standout), with impressive technical specs that make me wanna rewatch this on a bigger screen (if only). In any case, big, big recommendation for this one if you're into disaster thrillers.
P. S. The final scene is really cool and stylishly displays the inversion of common human values in times of crisis. You'll know when you see it.
It follows a group of residents in an apartment complex that's the only thing left standing after a devastating earthquake. Other survivors try to move in to escape the cold, but the residents won't have it. Thus begins an intense scenario where people have to try and maintain some sort of order while battling the elements and hostile invaders.
This is an impressive disaster drama that begins almost lightheartedly, but turns darker by the minute. There's a comedic flair to the film's first act, but it mostly dissipates by the second hour. However, no matter how any of the scenes are played, there's a bleakness to everything that unfolds. It's like your typical postapocalyptic premise as seen in modern western cinema, but slightly deeper and infused with existentialism. The characters are also more fleshed out than you'd expect. Far from being archetypal heroes or villains, these are flawed people who find themselves in a heavy situation and react to it accordingly.
The whole cast carries the film well (Lee Byung-hun being the standout), with impressive technical specs that make me wanna rewatch this on a bigger screen (if only). In any case, big, big recommendation for this one if you're into disaster thrillers.
P. S. The final scene is really cool and stylishly displays the inversion of common human values in times of crisis. You'll know when you see it.
It is kinda like "Lord of the Flies", meets "I Am Alive: Surviving the Andes Plane Crash", meets a disaster movie.
Firstly, the effects are pretty good, and it is hard to tell what is practical and what is CGI for most part. There's not many studios out side Hollywood who can pull off these types of effects movies, and South Korea is certainly competing and catching up with them.
It is a psychological study of people in a crisis situation, and how you would react and what depths they would stoop to to survive.
It is well crafted, but there are some areas which you could only describe as major loop holes. I mean South Korea is a technically advanced nation, so where is the government within all this and the rescue operation. Even if the whole country was affected by the quake, there would be international aid. There is no explanation to why they are still in exactly the same position 2 months later.
Still, if you can put that aside, its an enjoyable disaster movie with plenty psychological twists.
Firstly, the effects are pretty good, and it is hard to tell what is practical and what is CGI for most part. There's not many studios out side Hollywood who can pull off these types of effects movies, and South Korea is certainly competing and catching up with them.
It is a psychological study of people in a crisis situation, and how you would react and what depths they would stoop to to survive.
It is well crafted, but there are some areas which you could only describe as major loop holes. I mean South Korea is a technically advanced nation, so where is the government within all this and the rescue operation. Even if the whole country was affected by the quake, there would be international aid. There is no explanation to why they are still in exactly the same position 2 months later.
Still, if you can put that aside, its an enjoyable disaster movie with plenty psychological twists.
Concrete Utopia is a decent disaster survival thriller with solid direction, strong performances and production designs. Disaster movies aren't movies I see as art but rather as an entertainment popcorn movie. This movie does approach the themes more serious and explores themes of human selfishness and fight for survival.
The narrative does get predictable but it does provide some strong themes of human selfishness that felt effective and purposeful to the setting. The production designs, special effects and costumes are all pretty good that helped create the feeling of the danger and roughness of the aftermath's of the disaster. All the performances are pretty good without any bad performances observed throughout.
As I mentioned, the narrative is interesting but could use some better works on the writing. The characters, unfortunately, weren't as interesting or connectable as they felt too thin to care much.
Overall, the movie remains ambitious because I never felt bored and I found the emotional and crucial moments to be effective. If only the movie worked on some moments, the movie would have been much better.
The narrative does get predictable but it does provide some strong themes of human selfishness that felt effective and purposeful to the setting. The production designs, special effects and costumes are all pretty good that helped create the feeling of the danger and roughness of the aftermath's of the disaster. All the performances are pretty good without any bad performances observed throughout.
As I mentioned, the narrative is interesting but could use some better works on the writing. The characters, unfortunately, weren't as interesting or connectable as they felt too thin to care much.
Overall, the movie remains ambitious because I never felt bored and I found the emotional and crucial moments to be effective. If only the movie worked on some moments, the movie would have been much better.
Seoul is reduced to rubble when a powerful earthquake strikes in the winter. One concrete apartment tower remains standing in the ruins. Violence breaks out as people realize that resources and shelters are extremely limited. The residents of the sole standing apartment tower divide into camps of those with empathy for other survivors and outsiders, and those who feel they are separate from everyone else and must beat others into submission to survive. A man and woman living in one of the apartments each picks a different side.
"I can look at a person and recognize if they are cheating me," says the man chosen as the apartment complex leader. In Korea each such complex has its own culture and rules, and this man - a former soldier - quickly assumes command. However, this chosen leader is hiding a dark side. Sparks fly between the couple as well as the complex as a whole as people line up behind the leader, or choose to disobey.
Director Um Tae-hwa said he is interested in how people are transformed during a crisis. The film is based on a Cheerful Neighbor web-comic story about a similar disaster where people become selfish bullies, or not. "There is no absolute evil or good," he said. The complex characters of the film reveal this truth. They are not black and white, and that is a good thing. Um Tae-hwa appeared at the North American premier at the Toronto International Film Festival. "If you post comments about the film on social media," he said "I will read them."
I loved the theme of the film; people choosing to bully others or to be kind to them, when a crisis hits. There are people who choose rules, violence, and other forms of separation, and those who choose kindness, love, and sharing. The characters are intriguing as well, the acting is solid, and commentary interesting. The film isn't using computer generated imagery as a crutch and pleasantly relies on more traditional forms of film making. Thought is given to each situation as well as human warmth and humor.
So, see what prevails, love or the fist.
"I can look at a person and recognize if they are cheating me," says the man chosen as the apartment complex leader. In Korea each such complex has its own culture and rules, and this man - a former soldier - quickly assumes command. However, this chosen leader is hiding a dark side. Sparks fly between the couple as well as the complex as a whole as people line up behind the leader, or choose to disobey.
Director Um Tae-hwa said he is interested in how people are transformed during a crisis. The film is based on a Cheerful Neighbor web-comic story about a similar disaster where people become selfish bullies, or not. "There is no absolute evil or good," he said. The complex characters of the film reveal this truth. They are not black and white, and that is a good thing. Um Tae-hwa appeared at the North American premier at the Toronto International Film Festival. "If you post comments about the film on social media," he said "I will read them."
I loved the theme of the film; people choosing to bully others or to be kind to them, when a crisis hits. There are people who choose rules, violence, and other forms of separation, and those who choose kindness, love, and sharing. The characters are intriguing as well, the acting is solid, and commentary interesting. The film isn't using computer generated imagery as a crutch and pleasantly relies on more traditional forms of film making. Thought is given to each situation as well as human warmth and humor.
So, see what prevails, love or the fist.
Concrete Utopia doesn't do anything particularly new for the dystopian thriller sub-genre, but it's consistently engaging and well-executed. Is an emotional force of a film. Not concerned with the disaster itself or the spectacle it could employ to focus on the moment of tragedy, the film offers epic landscapes but always keeps an intimate eye on the people in the high rise.
Concrete Utopia presents a disturbing picture of humanity that dribbles into the absolute worst when the social structure is dismembered and survival becomes the only need of the hour. Talking about the direction, Uhm Tae Hwa did a good job in capturing raw human nature in every possible way. The cinematography and acting, especially by Lee Byung Hun, were also enthralling.
Concrete Utopia is a gripping, disturbing, and powerful representation of the worst of society, yet equally showcasing the best qualities in humans and how hope, community, and decency will always exist through the dust and devastation.
My Rating : 8.5/10.
Concrete Utopia presents a disturbing picture of humanity that dribbles into the absolute worst when the social structure is dismembered and survival becomes the only need of the hour. Talking about the direction, Uhm Tae Hwa did a good job in capturing raw human nature in every possible way. The cinematography and acting, especially by Lee Byung Hun, were also enthralling.
Concrete Utopia is a gripping, disturbing, and powerful representation of the worst of society, yet equally showcasing the best qualities in humans and how hope, community, and decency will always exist through the dust and devastation.
My Rating : 8.5/10.
Você sabia?
- CuriosidadesOfficial submission of South Korea for the 'Best International Feature Film' category of the 96th Academy Awards in 2024.
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Detalhes
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 30.077.348
- Tempo de duração
- 2 h 10 min(130 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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