Acompanha o órfão Pip, que passou a infância como aprendiz de ferreiro e de repente recebe uma sorte inesperada de um benfeitor desconhecido que lhe permite viajar para Londres e entrar na a... Ler tudoAcompanha o órfão Pip, que passou a infância como aprendiz de ferreiro e de repente recebe uma sorte inesperada de um benfeitor desconhecido que lhe permite viajar para Londres e entrar na alta sociedade.Acompanha o órfão Pip, que passou a infância como aprendiz de ferreiro e de repente recebe uma sorte inesperada de um benfeitor desconhecido que lhe permite viajar para Londres e entrar na alta sociedade.
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Several of my favorite actors are in this adaptation, and I really wanted to love it. With every episode, I hated this version more and more. The entire thing strayed so far from the book and other adaptations. I get the creative license and interpreting it in a unique way, but my great expectations for this adaptation did not come to fruition. I think my disappointment was in the Pip storyline most of all. There were a few things I did like about this interpretation but it was from other characters mostly. I know Great Expectations is generally depressing, but this version was so extremely depressing and full of heartache and negative scenes (even gross scenes), that it really turned me off. I will not be watching this version again (I have previous versions on DVD).
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It's okay for a movie or show to depart from the book it's based on, but if it does then don't we want it to at least do something interesting with the differences? If this series chooses to show Pip as a moody romantic teenager rather than as a child, then couldn't he at least be given some personality? The screenwriters do keep some bits of Dickens' writing -- which stand out from the rest of the wooden dialog -- but otherwise there's no individuality in the characters: they all speak more or less the same way, even those (such as Joe and Pumblechook) from completely different backgrounds. The show is all atmosphere and scenery at the expense of acting and story.
Wonderfully shot but the acting, the story and the relationships between the characters are just.. well.. boring. Everything feels very wooden and dull, there's no drive behind the characters and they all feel as though they have no depth. They all talk without saying or meaning anything. Like they've just read the lines from the page. It all just feels off and not in a good way, almost strangely sanitized and two-dimentional. It's a shame really because the cast is very impressive. I was looking forward to seeing the new Havisham and Estella but I could barely get past the stiff relationship of Pip and his sister and brother-in-law.
I had higher hopes for this as I adored the 2011 version but it's just failed to grab me.
I had higher hopes for this as I adored the 2011 version but it's just failed to grab me.
Dickens was a wonderfully descriptive writer- but there's no richness of story in the first episode.
It is like watching a plodding unimaginative story recounted in a flat voice by someone who can't be bothered.
It isn't the cast's fault- indeed the casting is probably the best part of this version.
I found the relationship between Pip and Joe curiously cold.
I simply found I couldn't care about what happened next.
Perhaps some previous versions have just been too good.
My all time favourite was years ago-with a wonderful Stratford Johns playing Magwitch. I was hoping for something like that this time.
I don't think I'll watch the rest.
It has made me want to re-read the book again.
It is like watching a plodding unimaginative story recounted in a flat voice by someone who can't be bothered.
It isn't the cast's fault- indeed the casting is probably the best part of this version.
I found the relationship between Pip and Joe curiously cold.
I simply found I couldn't care about what happened next.
Perhaps some previous versions have just been too good.
My all time favourite was years ago-with a wonderful Stratford Johns playing Magwitch. I was hoping for something like that this time.
I don't think I'll watch the rest.
It has made me want to re-read the book again.
I knew this was going to be a crass modern pandering to a public sector committee adaptation.
It is poor and to be honest it's the way British drama has been for the past 20 years. They just haven't got any originality or thought in how they will achieve a good drama.
This new, sigh, reworking has all the hallmarks of la-dee-da acting and production. Nothing works. The backstory of the each character is pitiful.
Nothing works like the original. We don't want 2023 values thrust upon an adaptation that's set in the early 19th century. Lord of the rings, or power rings or whatever it's called did the same and it ended up as a pile of rot.
Avoid this drama.
It is poor and to be honest it's the way British drama has been for the past 20 years. They just haven't got any originality or thought in how they will achieve a good drama.
This new, sigh, reworking has all the hallmarks of la-dee-da acting and production. Nothing works. The backstory of the each character is pitiful.
Nothing works like the original. We don't want 2023 values thrust upon an adaptation that's set in the early 19th century. Lord of the rings, or power rings or whatever it's called did the same and it ended up as a pile of rot.
Avoid this drama.
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- Cenas durante ou pós-créditosThe main actors were listed in the closing credits with only their own names and not their corresponding character names.
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