AVALIAÇÃO DA IMDb
5,1/10
7,6 mil
SUA AVALIAÇÃO
As semanas que antecedem o casamento de um jovem casal são cômicas, especialmente porque os seus respectivos pais tentam pôr fim à sua rixa de longa data.As semanas que antecedem o casamento de um jovem casal são cômicas, especialmente porque os seus respectivos pais tentam pôr fim à sua rixa de longa data.As semanas que antecedem o casamento de um jovem casal são cômicas, especialmente porque os seus respectivos pais tentam pôr fim à sua rixa de longa data.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 indicações no total
Anjelah Johnson-Reyes
- Isabella Ramirez
- (as Anjelah Johnson)
Sterling Ardrey
- Ardom Boyd
- (as Sterling D. Ardrey)
Avaliações em destaque
Our Family Wedding is a race based culture clash comedy that starts out rather awkwardly.
Lucia Ramirez (America Ferrera) and Marcus Boys (Lance Gross) have been going out together for some time but have never told their parents about each other.
She is Hispanic, he is black. As the film starts there is an altercation when a black radio host (Forest Whitaker) as his car towed away by Carlos (Miguel Ramirez) leading to some racial slurs. You guessed it they are the dads and sparks fly when they later meet each other again.
You know where this film is going, it is a little like Meet the Parents but not as amusing. Once the ethnic differences are blown over, the film settles down as both parties understand each other but it should had been a lot funnier.
Lucia Ramirez (America Ferrera) and Marcus Boys (Lance Gross) have been going out together for some time but have never told their parents about each other.
She is Hispanic, he is black. As the film starts there is an altercation when a black radio host (Forest Whitaker) as his car towed away by Carlos (Miguel Ramirez) leading to some racial slurs. You guessed it they are the dads and sparks fly when they later meet each other again.
You know where this film is going, it is a little like Meet the Parents but not as amusing. Once the ethnic differences are blown over, the film settles down as both parties understand each other but it should had been a lot funnier.
Our Family Wedding is a grim prospect on its face: a frantic wedding movie meets an uproarious culture clash movie, where two patriarchs - the smooth African-American and the fiery Latino - do hilarious battle and then there's some romance somewhere. It fails to deliver even on that meagre promise. Forest Whittaker and Carlos Mencia play the fathers of young lovers Marcus and Lucia (Lance Gross and America Ferrera) who return home to L.A. to announce their surprise engagement and plans to be married immediately. Things get complicated, when we learn that Lucia's family don't really like black people, and Marcus' father, a neat-freak radio DJ-cum-ladies'-man, doesn't like Mexican people. Predicaments predictably follow, in the proper order and to factory specifications.
Despite a legitimately (for the most part) talented cast and a set-up almost guaranteed to be worth at least a few forced laughs, the film manages to be almost completely devoid of humour. It's a punishing, depressing display. The film knows what beats to hit, and tries with heroic, military determination to hit them only to fail, every single time. We're presented with the really uncomfortable knowledge that the film knows it should be funny, here, here and here, and is really trying, honest - see how the goat tries to have sex with the fancy man!? - but just can't quite haul it's hackneyed self anywhere close to an actual laugh. It's ugly and it tries to make you complicit in its ugliness, like when you walk in on your roommate three quarters of the way through an extra large pizza and they try and make you eat the last slice.
To do the obvious thing and fail at it is the worst thing an artist can do. To offer a thin-gruel compromise to your audience, to say "here's a trite, rote ethnicity-clash wedding comedy that you know will be derivative but what else are you going to watch come on it can't be terrible" and then to hand them something terrible is just... rude. To ask us to watch Carlos Mencia flail his way through a grim, graceless Mr. Hulot-inspired bit of non-comedy is mean, and makes us feel badly about ourselves and the choices that brought us here.
One bright spot: Anjelah Johnson as the tomboy sister of the bride is the only actor in the film that's able to wring a couple of laughs out of it, and the sisters' relationship is one of the only interesting things in a film that's otherwise not much more than a grim procession of joyless clichés. 2/10
Despite a legitimately (for the most part) talented cast and a set-up almost guaranteed to be worth at least a few forced laughs, the film manages to be almost completely devoid of humour. It's a punishing, depressing display. The film knows what beats to hit, and tries with heroic, military determination to hit them only to fail, every single time. We're presented with the really uncomfortable knowledge that the film knows it should be funny, here, here and here, and is really trying, honest - see how the goat tries to have sex with the fancy man!? - but just can't quite haul it's hackneyed self anywhere close to an actual laugh. It's ugly and it tries to make you complicit in its ugliness, like when you walk in on your roommate three quarters of the way through an extra large pizza and they try and make you eat the last slice.
To do the obvious thing and fail at it is the worst thing an artist can do. To offer a thin-gruel compromise to your audience, to say "here's a trite, rote ethnicity-clash wedding comedy that you know will be derivative but what else are you going to watch come on it can't be terrible" and then to hand them something terrible is just... rude. To ask us to watch Carlos Mencia flail his way through a grim, graceless Mr. Hulot-inspired bit of non-comedy is mean, and makes us feel badly about ourselves and the choices that brought us here.
One bright spot: Anjelah Johnson as the tomboy sister of the bride is the only actor in the film that's able to wring a couple of laughs out of it, and the sisters' relationship is one of the only interesting things in a film that's otherwise not much more than a grim procession of joyless clichés. 2/10
I just watch it and as a Mexican (born and raised in a small town out in the country and living on the city too) I can tell you this is not how we do weddings. It meant to be funny but is not
i think there are too many of these movies these days. haven't we seen something like this a couple of years back with Ashton Kutcher?? with this movie its like im having a deja vu, and also very very predictable, nothing new or cool about it. the lead actors are pretty good but the plot is cheap and meaningless. we have seen the whole different culture uniting kinda thing, seriously we get the point no need to repeat it a hundred times.
while i was watching this, i was already imagining the ending and with no surprise it turned out exactly the way imagined it, thats how predictable it is. don't waste your time, you have seen this before!
while i was watching this, i was already imagining the ending and with no surprise it turned out exactly the way imagined it, thats how predictable it is. don't waste your time, you have seen this before!
America Ferreira and Lance Gross tell their fathers - hers, Carlos Mencia, his Forest Whitaker - they want to get married. Now there's the problem of the wedding, with all the attendant problems of blending their Mexican and Black heritages.
It's a good version of the standard movie of the fighting and angst of every movie about the problems leading up to the wedding, with all of the incidents so common to this sort of film, with a lot of soul-searching and spats that attend such films. It's helped along by a fine cast, including Regina Kimg and Angela's Johnson-Reyes, but the majority of the focus is on the fathers.
If you enjoyed this movie, your favorite bits will vary, but my favorite scenes are those shared by Whitaker and Gross, who speak together as if they are father and son, lovingly and sincerely.
Bob
It's a good version of the standard movie of the fighting and angst of every movie about the problems leading up to the wedding, with all of the incidents so common to this sort of film, with a lot of soul-searching and spats that attend such films. It's helped along by a fine cast, including Regina Kimg and Angela's Johnson-Reyes, but the majority of the focus is on the fathers.
If you enjoyed this movie, your favorite bits will vary, but my favorite scenes are those shared by Whitaker and Gross, who speak together as if they are father and son, lovingly and sincerely.
Bob
Você sabia?
- CuriosidadesLupe Ontiveros played America Ferrera's mother in the film Mulheres de Verdade Têm Curvas (2002). In this film, she plays her grandmother. Based on their age difference (42 years), either relationship is plausible.
- Erros de gravaçãoBrad Boyd's car starts moving before Miguel Ramirez gets into the tow truck.
- Citações
Miguel Ramirez: Wanna know the dirty little secret of raising kids? Lying.
- Cenas durante ou pós-créditosWedding photos are shown during the end credits.
- Trilhas sonoras100 Days, 100 Nights
Written by Bosco Mann
Performed by Sharon Jones & The Dap-Kings (as The Dap-Kings)
Courtesy of Daptone Records
Principais escolhas
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- How long is Our Family Wedding?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Boda de locos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 20.255.281
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.629.862
- 14 de mar. de 2010
- Faturamento bruto mundial
- US$ 21.409.028
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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