Nossa União, Muita Confusão

First of all,this was hardly the "worst film of the year" as one reviewer on this site wrote. THAT film was called "All About Steve." This one was in some ways a standard rom-com and yes,there were similarities to other films from "Guess Who's Coming to Dinner" to "Meet the Fockers." But I find that all rom-coms have elements in common,so what's the big deal? The big deal is that this film involves a mixed race couple where neither one is white,in fact the girl is Mexican-American and the boy is African-American,both college educated and from families that are not poor. In fact the prospective groom's father has quite a bit of money,and the bride to be comes from a family that ,if not rich,is at least solidly middle class. I see why the critics,both professional and non,didn't "get it." None of the main characters is involved in gangs,drugs, or lives in the ghetto or the barrio. There are no men dressed in drag pretending to be grandmothers either . And there are no main characters that are white. No "best friend" no work buddy,no obnoxious boss. The plot involves people of color having to bridge a cultural divide. Are there clichéd moments? Sure. Were the fathers sometimes over the top in their dealings with one another? You betcha! Have we seen this in other films that didn't get nearly the lashing this one did? Certainly. I enjoyed this film because ,in spite of the normal conventions of its genre,it showed people of color as normal families dealing with a situation they may not like,but having to find a way to come together for the ones they love.

America Ferreira and Lance Gross tell their fathers - hers, Carlos Mencia, his Forest Whitaker - they want to get married. Now there's the problem of the wedding, with all the attendant problems of blending their Mexican and Black heritages.

It's a good version of the standard movie of the fighting and angst of every movie about the problems leading up to the wedding, with all of the incidents so common to this sort of film, with a lot of soul-searching and spats that attend such films. It's helped along by a fine cast, including Regina Kimg and Angela's Johnson-Reyes, but the majority of the focus is on the fathers.

If you enjoyed this movie, your favorite bits will vary, but my favorite scenes are those shared by Whitaker and Gross, who speak together as if they are father and son, lovingly and sincerely.

Bob

i think there are too many of these movies these days. haven't we seen something like this a couple of years back with Ashton Kutcher?? with this movie its like im having a deja vu, and also very very predictable, nothing new or cool about it. the lead actors are pretty good but the plot is cheap and meaningless. we have seen the whole different culture uniting kinda thing, seriously we get the point no need to repeat it a hundred times.

while i was watching this, i was already imagining the ending and with no surprise it turned out exactly the way imagined it, thats how predictable it is. don't waste your time, you have seen this before!

This movie was OK but the plot's been used many times before. Guy and girl come home to parents and announce they are getting married. Then both families have to get along as they plan the wedding. And of course either the dads or the moms don't get along. In this case, it's the dad that don't get along. It starts from the beginning as Lucia's dad, Miguel, whom tows trucks, picks up Marcus's dads, Brad, car to impound. Brad arrives in time but Miguel still tows the car. Then they have dinner with their kids that night and meet for the second time and find out they are to be in laws. So much quarreling ensues.

The best scene is when Migual and Brad go to this bar to find a dj and Miguel gets hammered on pink nipples. Of course, the kids have second thoughts but everything works out in the end.

FINAL VERDICT: Not very interesting. Skip it.

Our Family Wedding is a grim prospect on its face: a frantic wedding movie meets an uproarious culture clash movie, where two patriarchs - the smooth African-American and the fiery Latino - do hilarious battle and then there's some romance somewhere. It fails to deliver even on that meagre promise. Forest Whittaker and Carlos Mencia play the fathers of young lovers Marcus and Lucia (Lance Gross and America Ferrera) who return home to L.A. to announce their surprise engagement and plans to be married immediately. Things get complicated, when we learn that Lucia's family don't really like black people, and Marcus' father, a neat-freak radio DJ-cum-ladies'-man, doesn't like Mexican people. Predicaments predictably follow, in the proper order and to factory specifications.

Despite a legitimately (for the most part) talented cast and a set-up almost guaranteed to be worth at least a few forced laughs, the film manages to be almost completely devoid of humour. It's a punishing, depressing display. The film knows what beats to hit, and tries with heroic, military determination to hit them only to fail, every single time. We're presented with the really uncomfortable knowledge that the film knows it should be funny, here, here and here, and is really trying, honest - see how the goat tries to have sex with the fancy man!? - but just can't quite haul it's hackneyed self anywhere close to an actual laugh. It's ugly and it tries to make you complicit in its ugliness, like when you walk in on your roommate three quarters of the way through an extra large pizza and they try and make you eat the last slice.

To do the obvious thing and fail at it is the worst thing an artist can do. To offer a thin-gruel compromise to your audience, to say "here's a trite, rote ethnicity-clash wedding comedy that you know will be derivative but what else are you going to watch come on it can't be terrible" and then to hand them something terrible is just... rude. To ask us to watch Carlos Mencia flail his way through a grim, graceless Mr. Hulot-inspired bit of non-comedy is mean, and makes us feel badly about ourselves and the choices that brought us here.

One bright spot: Anjelah Johnson as the tomboy sister of the bride is the only actor in the film that's able to wring a couple of laughs out of it, and the sisters' relationship is one of the only interesting things in a film that's otherwise not much more than a grim procession of joyless clichés. 2/10