Post Mortem: Ninguém Morre em Skarnes

This is a very competent collection of eight episodes relating the story of a young adult female whose untimely death at the hands of an as-yet-unknown assailant proves to be anything but usual. Subplot lines were evenly distributed among secondary and tertiary characters. Some slapstick comedy is sprinkled in to liven the mood.

I genuinely expected for the series to go stale after only the first two or three episodes; after all, there's only so much that can be done with the zombie theme without hordes of the undead consuming fleeing pockets of the human population. If it's not all action than it had better be one part action-drama, two-parts special effects! This novel combination works too, but it calls for a bit more time investment. Trust me, the payoff is well worth the wait. And despite the thriller branding, it's basically a mystery comedy-drama.

This story is interesting, original approach about something near to vampirism, but inherited from mother. It worths watching because is a short series and will not get your time so much.

Wonderful show with a cast that handles the dark storyline with confidence and an easy going charm. The four leads nail their roles perfectly and capture the tone of the show perfectly. Hopefully this will be the first season of many.

I agree with the praise thus far in most of the other reviews. This fresh and relatively light take on an old genre (like not even using the "V" word) was a treat. For a change, I didn't feel there were too many episodes for the content. The ending works as a one-and-done or as the basis for more seasons - whichever way the financing wind blows. That's viewer consideration of the highest order.

But let's not overlook the role of the score. I'm usually not very conscious of that element, apart from Tarantino flicks, since he invests so heavily in beating us over the head with his playlists. Brilliantly. In this case, the background music finds the sweet spot between eerie and quirky to perfectly complement what we're seeing. Silje Katralen earned the right to take a bow for her excellent contribution as music supervisor.

I loved it. Is it super innovative? No. Was it kind of predictabe? Yes. Is that a bad thing? Not at all. This show's concept has been done before, but this show tried to perfect it and it delivered something lovely.

The comedy side of it is subtle. It doesn't make you laugh out loud, but the series doesn't take itself too seriously. It's a different kind of humor from the over-the-top kind of humor that American shows can have.

I liked the pacing. Finally a show that's not flashing guns and explosions and twists and drama every 5 minutes. It wasn't slow either, plenty of progress every episode.

And the show even had many likable characters.

Although I'm really thankful that it didn't end on a horrible cliffhanger, I'm really hoping it gets to continue in a second season.