Um grupo de jovens vive o amor e os relacionamentos na cidade de Nova York.Um grupo de jovens vive o amor e os relacionamentos na cidade de Nova York.Um grupo de jovens vive o amor e os relacionamentos na cidade de Nova York.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
Avaliações em destaque
This film tells the story of four women who are single, but have different ways to approach being single. Some of them want a relationship, while some of them want to remain single.
"How to Be Single" is not a step by step guide on how to remain single, as I thought it might be. It is actually quite a realistic take on the modern dating and relationship world. It shows some people are afraid of relationships, some people are desperate, while some people are inept at getting relationship.
The plot is sweet, bitter and bittersweet, reflecting what urban people go through in the dating world. I enjoyed watching it.
"How to Be Single" is not a step by step guide on how to remain single, as I thought it might be. It is actually quite a realistic take on the modern dating and relationship world. It shows some people are afraid of relationships, some people are desperate, while some people are inept at getting relationship.
The plot is sweet, bitter and bittersweet, reflecting what urban people go through in the dating world. I enjoyed watching it.
As suggested above, this isn't the kind of movie that I would watch but, after watching Dakota Johnson In several films and enjoying her work, I thought I would give it a go and I am definitely glad I did. To begin with, the plot line is brilliant showing the stories of several women and how they change emotionally and physically in some cases through the movie. These characters all have their own story arcs, their own personalities and their own ways of dealing with things which creates an interesting interaction when they run into each other. The actresses and actors that play some of the main characters are perfect, playing their roles to their full potential making them lovable and just downright hilarious. The film itself also has some interesting life lessons and things to live by throughout. The film is indeed funny and light hearted and I much recommend it to anyone who wants a good laugh.
A mixed cast out of established actors and "Newcomers" aka. "Isn't that the guy from (insert show-name here)" loosens up the mood and gives the general idea that the movie doesn't take itself too serious. Creative details like glowing numbers on bottles and texts in the air also contribute to this.
Furthermore, multiple laugh out loud-moments. Which is always a plus!Rebel Wilson is hilarious. Everybody has to agree at least on that.
Surprisingly not the most stereotypical cheesy wannabe perfect life- ending. A deeper meaning in said ending compliments the movie as a whole, without coming over as forced.
Of course movies like that always sort of have this fakeness about them. I mean, everybody knows that you could never be able to afford this huge apartment in NYC nor experience a love story like that. But you don't watch these films to get realistic life-reviews. You want to simply look at pretty people partying, doubting existence and having sex. In a not weird way of course. "How to be single" will provide you with all three, without making you gag over the silly tackiness.
Furthermore, multiple laugh out loud-moments. Which is always a plus!Rebel Wilson is hilarious. Everybody has to agree at least on that.
Surprisingly not the most stereotypical cheesy wannabe perfect life- ending. A deeper meaning in said ending compliments the movie as a whole, without coming over as forced.
Of course movies like that always sort of have this fakeness about them. I mean, everybody knows that you could never be able to afford this huge apartment in NYC nor experience a love story like that. But you don't watch these films to get realistic life-reviews. You want to simply look at pretty people partying, doubting existence and having sex. In a not weird way of course. "How to be single" will provide you with all three, without making you gag over the silly tackiness.
Dakota Johnson plays Alice, a young woman we meet as she "takes a break" (in Friends language) from her college sweetheart in order to discover herself – i.e. sleep with someone else to convince herself she's in love. It backfires and she finds herself alone in New York. That's when she meets Robin (Rebel Wilson), who takes her on an odyssey of booze, clubs, and sofa-surfing. Meanwhile, Alice's sister (Leslie Mann) is trying to conceive via IVF, while resisting the charms of a hunky admirer (Jake Lacy).
There are myriad subplots, each involving variously unattached women and men. Some are affecting (a man grieving for his late wife) and some are misguided (a manic woman breaking down before a group of children at a book reading), but it all amounts to a brisk and enjoyable constellation of familiar rom-com elements – with just a few mild surprises thrown in for good measure.
The film's very title tells us this won't be a serious feminist essay, but as a soft-focused glance at the pariah world of singledom it does the job. At times it's even vaguely complex in its exploration of paradoxical human needs. It's also admirably restrained in its condemnation of sexually-active men. Yes, it's a chocolate box New York and the final message lands like a candy floss hammer, but fair play for populating the narrative with no clear villains.
Dakota Johnson is fine, even if she has the air of a dramatic actor shoehorning herself into comedy. That's no easy thing – De Niro's been trying and failing for decades. Alice is an everywoman, and the humour comes from the situations she finds herself in (e.g. tone-deaf attempts at casual flirtation; awkward parties where her three exes meet). Many of these situations are triggered by BFF Robin. Wilson is used to spectacularly indecent effect, although it's a pity it takes so long for the story to give her any depth beyond hedonism.
Mann's tussle with independence versus commitment would normally be the stuff of entire rom-coms; perhaps its relegation (along with threads) to smaller sub-slices is a tacit acknowledgement that How To Be Single is a greatest hits package rather than something bold or new.
Apparently this movie cost nearly $40m, although it's hard to see where the money went. It's aesthetically limited and stagey and it's no star vehicle. Still, it'll make its money back because it's the safest bet on the post-Valentine's schedule. A determinedly straightforward watch, from top to bottom How To Be Single aims to be a three-star movie and succeeds.
There are myriad subplots, each involving variously unattached women and men. Some are affecting (a man grieving for his late wife) and some are misguided (a manic woman breaking down before a group of children at a book reading), but it all amounts to a brisk and enjoyable constellation of familiar rom-com elements – with just a few mild surprises thrown in for good measure.
The film's very title tells us this won't be a serious feminist essay, but as a soft-focused glance at the pariah world of singledom it does the job. At times it's even vaguely complex in its exploration of paradoxical human needs. It's also admirably restrained in its condemnation of sexually-active men. Yes, it's a chocolate box New York and the final message lands like a candy floss hammer, but fair play for populating the narrative with no clear villains.
Dakota Johnson is fine, even if she has the air of a dramatic actor shoehorning herself into comedy. That's no easy thing – De Niro's been trying and failing for decades. Alice is an everywoman, and the humour comes from the situations she finds herself in (e.g. tone-deaf attempts at casual flirtation; awkward parties where her three exes meet). Many of these situations are triggered by BFF Robin. Wilson is used to spectacularly indecent effect, although it's a pity it takes so long for the story to give her any depth beyond hedonism.
Mann's tussle with independence versus commitment would normally be the stuff of entire rom-coms; perhaps its relegation (along with threads) to smaller sub-slices is a tacit acknowledgement that How To Be Single is a greatest hits package rather than something bold or new.
Apparently this movie cost nearly $40m, although it's hard to see where the money went. It's aesthetically limited and stagey and it's no star vehicle. Still, it'll make its money back because it's the safest bet on the post-Valentine's schedule. A determinedly straightforward watch, from top to bottom How To Be Single aims to be a three-star movie and succeeds.
One-time comedy for a boring evening. It could be used as a great source of white noise to make the process of cleaning your house more bearable. You don't need to watch the film very attentively, because even if you miss 20 or 60 minutes, it will still be clear what happened and what is going to happen. Unfortunately, much should not be expected from this movie.
For me, it was obvious even from the very beginning. The cast, the poster, the soundtracks, and especially the name. Everything gives you a vibe of a cheap comedy where you can't find a single new idea to think about.
The film tells the story of several girls who live their lonely lives in search of themselves. Each character is looking for something unique and necessary for them in their solitude.
So if you aren't ready to spend your time watching something decent and meaningful, the film is just for you.
For me, it was obvious even from the very beginning. The cast, the poster, the soundtracks, and especially the name. Everything gives you a vibe of a cheap comedy where you can't find a single new idea to think about.
The film tells the story of several girls who live their lonely lives in search of themselves. Each character is looking for something unique and necessary for them in their solitude.
So if you aren't ready to spend your time watching something decent and meaningful, the film is just for you.
Você sabia?
- CuriosidadesThe movie is loosely based on the novel of the same name by Liz Tuccillo, but differs significantly from its source novel. The novel centers around Julie Jenson, a single 38-year-old book publicist who travels to several places around the world to see how different cultures deal with single life.
- Erros de gravaçãoThe address given for the Wall Street law firm where Robin works would put it in the East River.
- Citações
[I've been thinking that the time we have to be single, is really the time we have to get good at being alone]
[But, how good at being alone do we really want to be?]
[Isn't there a danger that you'll get so good at being single, so set in your ways, that you'll miss out on the chance to be with somebody great?]
- Trilhas sonorasIntoxicated
Written by Martin Solveig, Julio Méjia (as Julio Alejandro Mejia) and Matthew Toth
Performed by Martin Solveig & GTA
Courtesy of KOPG Limited/Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Detalhes
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 46.843.513
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.878.911
- 14 de fev. de 2016
- Faturamento bruto mundial
- US$ 112.543.513
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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