Como Ser Solteira

Dakota Johnson plays Alice, a young woman we meet as she "takes a break" (in Friends language) from her college sweetheart in order to discover herself – i.e. sleep with someone else to convince herself she's in love. It backfires and she finds herself alone in New York. That's when she meets Robin (Rebel Wilson), who takes her on an odyssey of booze, clubs, and sofa-surfing. Meanwhile, Alice's sister (Leslie Mann) is trying to conceive via IVF, while resisting the charms of a hunky admirer (Jake Lacy).

There are myriad subplots, each involving variously unattached women and men. Some are affecting (a man grieving for his late wife) and some are misguided (a manic woman breaking down before a group of children at a book reading), but it all amounts to a brisk and enjoyable constellation of familiar rom-com elements – with just a few mild surprises thrown in for good measure.

The film's very title tells us this won't be a serious feminist essay, but as a soft-focused glance at the pariah world of singledom it does the job. At times it's even vaguely complex in its exploration of paradoxical human needs. It's also admirably restrained in its condemnation of sexually-active men. Yes, it's a chocolate box New York and the final message lands like a candy floss hammer, but fair play for populating the narrative with no clear villains.

Dakota Johnson is fine, even if she has the air of a dramatic actor shoehorning herself into comedy. That's no easy thing – De Niro's been trying and failing for decades. Alice is an everywoman, and the humour comes from the situations she finds herself in (e.g. tone-deaf attempts at casual flirtation; awkward parties where her three exes meet). Many of these situations are triggered by BFF Robin. Wilson is used to spectacularly indecent effect, although it's a pity it takes so long for the story to give her any depth beyond hedonism.

Mann's tussle with independence versus commitment would normally be the stuff of entire rom-coms; perhaps its relegation (along with threads) to smaller sub-slices is a tacit acknowledgement that How To Be Single is a greatest hits package rather than something bold or new.

Apparently this movie cost nearly $40m, although it's hard to see where the money went. It's aesthetically limited and stagey and it's no star vehicle. Still, it'll make its money back because it's the safest bet on the post-Valentine's schedule. A determinedly straightforward watch, from top to bottom How To Be Single aims to be a three-star movie and succeeds.

One-time comedy for a boring evening. It could be used as a great source of white noise to make the process of cleaning your house more bearable. You don't need to watch the film very attentively, because even if you miss 20 or 60 minutes, it will still be clear what happened and what is going to happen. Unfortunately, much should not be expected from this movie.

For me, it was obvious even from the very beginning. The cast, the poster, the soundtracks, and especially the name. Everything gives you a vibe of a cheap comedy where you can't find a single new idea to think about.

The film tells the story of several girls who live their lonely lives in search of themselves. Each character is looking for something unique and necessary for them in their solitude.

So if you aren't ready to spend your time watching something decent and meaningful, the film is just for you.

This film tells the story of four women who are single, but have different ways to approach being single. Some of them want a relationship, while some of them want to remain single.

"How to Be Single" is not a step by step guide on how to remain single, as I thought it might be. It is actually quite a realistic take on the modern dating and relationship world. It shows some people are afraid of relationships, some people are desperate, while some people are inept at getting relationship.

The plot is sweet, bitter and bittersweet, reflecting what urban people go through in the dating world. I enjoyed watching it.

I'll be honest, I was dragged to this movie by a girl friend. I was tired of the rom com genre. I had seen it all before. Ill say this, this movie strips away all those clichés and goes in the opposite direction. What a lovely and funny R rated comedy with a lot of heart. There are so many charming moments that I cannot even explain them all. Rebel Wilson does her usual thing but here she perfects it and brings a certain edge to her performance. Its my favorite performance of hers. Dakota Johnson gives the best performance of her young career and Leslie Mann owns her roll. Its her funniest, saddest, and truest performance to date. Yes Im still talking about a raunchy comedy here. There is more to this movie than you might think. The men in the film are actually better written that most clichéd men in romantic comedies. Finally, the ending is just perfect for those single people out there.I advise seeing this with a friend and not with a significant other. **** out of 5 stars.

Good movie + Rebel Wilson = bad movie

I would have enjoyed this film a lot, if Rebel wouldn't have been it. Her character was so annoying that my family and I almost stopped watching the movie. She has the most annoying roles in movies and they still keep casting her. The roles she plays are really one-sided, the recipe is simple: one joke characters, who know how to party and are allowed to say and do anything.

The story line is not too complex, however, for a one-watch-only movie it is not that bad. There were some good puns and I was kind of interested in the ending.