A Serpente de Essex

A fine portrayal of religious superstition and rational thought colliding over unusual, unnerving and unexplained events. An intriguing, well paced story, with strong dialogue and scene-setting with no jarring exposition. Garden of Eden imagery abounds in the Cora serpent story, burgeoning relationships and the contrasting treatment of men and women.

A quality cast: Tom Hiddleston, known for range and ability, fulfils his reputation; Claire Danes is one-note, but Cora is unique and relatable, despite superficial similarities to Carrie Mathison (obsessed, troubled, flouts convention); Hayley Squires excels as the passionate, idealistic Martha, a whirlwind of confidence, character and charisma.

Fabulous cinematography employs unusual angles, especially the marshes' low level capture, presenting a gritty, sinister foreboding. Period trimmings work, with de rigueur frocks and interiors, despite some clear anachronistic choices.

This is marvellous TV.

"The Essex Serpent" begins with great promise, but unfortunately fails to maintain its initial momentum. The series successfully establishes a suspenseful and intriguing atmosphere in the first few episodes, drawing in viewers with its eerie and mysterious storyline. However, as the plot progresses, the show loses its way, and the middle section drags on with little payoff.

The final few episodes of the series are particularly disappointing, as the story descends into a predictable and formulaic soap opera. Any tension and intrigue that were built up in the early episodes are lost, and the ending feels unsatisfying and generic.

Despite these flaws, "The Essex Serpent" does have its strengths. The show boasts an impressive cast, led by the talented and versatile actress, Claire Danes. The production design is also noteworthy, with the show beautifully capturing the atmospheric setting of rural England.

Ultimately, while "The Essex Serpent" has its moments of brilliance, its lackluster middle section and predictable ending prevent it from reaching its full potential.

Sssssssslithers along at a snail's pace, and after 3 episodes I'm not sure -- nor is the show itself -- sure of what it wants to be. I think (?) it could function as a standalone suspense/ supernatural "Penny Dreadful"-ish movie. Only because there doesn't seem to be enough material for each episode as is.

Very intriguing. I guess I can't fault people for their opinions but when I read so of the stuff on here sometimes I wonder what people expect out of these shows.

It's good. Makes we wonder what will happen next. I can't imagine the twist that's to come. Characters are diverse and seem to all have lives and their own struggles.

To me the show comments on society and each of the character's roles/struggles within.

In closing, the pace is slower than people are used to I guess. Their are 80 stars jockeying for screen time. No CGI monsters tearing the city apart. Just something pleasant to watch with a spouse or loved one on a Sunday afternoon.

Good show.

I'm really not sure how I feel about this story but it isn't happy. I love period drama, I'd never heard of this, just found it and thought it looked good. I watched all six episodes today.

The score was beautiful, the cinematography and the costuming were wonderful. It was visually so pleasing no matter in the London slums or on the Essex marshes. I feel like some of the overview shots of the marshes were really marvelous.

I'm a fan of all the main actors: Posey, Danes, and Hiddleston and I feel like they did their best with the material. Posey was soooo underused though.

The story was so awful. It started out great but other reviewers have pointed out how implausible the relationship issues become in episode 4. By the end of the birthday party you pretty much know everything that will happen ... and it does. The story falls into predictable Victorian tropes and I feel really let down. In some ways, I finished it because I wanted to know what happened because I was hoping it would surprise me. It did not and the ending was wholly undeserved.