Diana: O Musical

It's a musical train wreck. 2 hours of teeth gritting,cringe worthy, eye rolling baaaad. I wonder what the pitch was when this was in the planning stage. "Let's dig up Diana's corpse and dance it across the stage to bad music." We were all in front row seats as the dumpster fire that was Charles and Diana's marriage imploded. Why would they think it was a grand idea to replay it on stage, and to music yet. The actors did their best with the material they were given. They seemed enthusiastic but you can't make a silk purse out of this sow's ear. There's no fairy tale ending here, just as it was with the real Diana.

Just about every review for this trashed it before I had a chance to watch it, so I went in with low expectations.

Is it cliche? Yep.

Is it cheesy? Yep.

Haven't we heard it all before? Yep.

Still, I enjoyed it.

Sure, it's no Phantom or Rogers & Hammerstein spectacular, but it's a boppy, kitschy, ninety-minute sing-fest through the royal family. And, really, there's only so much you can cram into a musical that covers 30+ years of someone's life, so don't go in expecting anything too deep and meaningful.

But it is a decent way to spend an afternoon, the sets are well designed, as are the costumes.

What do you say that hasn't been said by others? This is truely so bad that it's good. Terrible music, woeful choreography and predictable AF!

I mean what do you do differently? I guess write terrible lyrics? Seems like this musical really likes to have a crowd on stage. Maybe this was a nod to the fact that there were always people around Diana? I doubt they were that clever judging by the book was written! I didn't walk away with any excitement or was wowed by any melody or lyric. The forceful comedy relief the really pushing the sexy jock narrative. I don't feel anything for Diana and if I didn't know the story or the well documented tragedy I doubt I would have felt anything.

Good things Hmmmm the actor's voices are great. Look watch this but know it's bad.

I am surprised this was done by the creative team behind the musical Memphis. I enjoyed that show. Diana has some of the worst lyrics I have ever heard. I laughed a lot at the choreography. This is the ideal show to watch if you are a fan of train wrecks.

A lyrically bankrupt torture scene lasting two hours cleverly edited to feel like four.

The only saving grace is the use of the word "sod" five times (an underrated insult) and Barbara Cartland's introduction of James Hewitt, the majesty of which is a sight to behold.