Um estudante de Harvard, Mark Zuckerberg, cria uma página de conexões sociais que se tornará o Facebook. Ele é posteriormente processado por dois irmãos que dizem que ele roubou a idéia, e p... Ler tudoUm estudante de Harvard, Mark Zuckerberg, cria uma página de conexões sociais que se tornará o Facebook. Ele é posteriormente processado por dois irmãos que dizem que ele roubou a idéia, e pelo co-fundador da empresa que mais tarde seria forçado a sair.Um estudante de Harvard, Mark Zuckerberg, cria uma página de conexões sociais que se tornará o Facebook. Ele é posteriormente processado por dois irmãos que dizem que ele roubou a idéia, e pelo co-fundador da empresa que mais tarde seria forçado a sair.
- Direção
- Roteiristas
- Artistas
- Ganhou 3 Oscars
- 174 vitórias e 188 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Avaliações em destaque
Now I've watched it, and things have changed. Because THE SOCIAL NETWORK turns out to be one of David Fincher's best films, and that's from a director whose filmography is littered with gems. This is a hugely entertaining and thoroughly gripping story of success, defeat, lies and deceit, and I was so caught up in the narrative that the two hour running time flew past.
The joy of THE SOCIAL NETWORK is that it focuses on the conflict between the various parties involved with the founding of one of the world's most popular websites. It's bam, bam, bam, with barely time to breathe, let alone get bored. Good performances are given across the board, particularly from Jesse Eisenberg and Andrew Garfield, two actors I'm normally disposed to dislike, both of whom are excellent. Technical values are, unsurprisingly, absolutely spectacular, and it's clear that Fincher is in his element, making a mini-masterpiece out of the premise. Splendid stuff.
The lighting and camera work here is beautiful, every scene and sequence is a joy to watch. If Fincher hasn't already proved himself time and time again with his great films, this one might be the one to seal the deal for him. One sequence in the middle of the film features a boring rowboat race. Fincher sets up the photography so beautifully, that it feels like you're watching a painting come to life.
All the performances are excellent. Jesse Eisenberg plays Mark Zuckerberg as a fast-paced, nerdy, kind of jerk-ish attitude, and Andrew Garfield is his best friend, Eduardo, who at the beginning didn't mean much to me, but I found myself rooting for him by the end. Justin Timberlake is easily the weakest one of the three, but he still does a decent job.
And oh, man the soundtrack. Trent Reznor deserves some kind of recognition for this. It is amazing. A lot of people say the movie sounds boring. They cite "The invention of facebook" as an uninteresting topic. I say don't believe that talk, and check out this interesting, funny, thrill ride by Fincher and co.
But despite being more positive towards its subject than they would warrant, the movie manages to capture part of the psychopathic nature of facebook and its founding. Artistic liberties were taken in order to humanize these monsters, to make us care and for plot not to be boring. In that it succeeded, but humanizing monsters like Zuckenberg or Hitttlerr is never a good idea in a movie. However, you at least get an idea about the depths of the cutthrooat depravity that was only confirmed by the fact that facebook abuses the trust of its sheeple all the time, and a movie is fun to watch, and deserves a praise even if it is an idealised/sanitized/overseksed version of the sorry reality this movie is based on, and as a movie is well worth a watch, but keep in mind the reality was much darker and more boring at the same time.
Você sabia?
- CuriosidadesDuring one of the depositions, it is mentioned that the invention of Facebook made Mark Zuckerberg "the biggest thing on a campus that included nineteen Nobel Laureates, fifteen Pulitzer Prize winners, two future Olympians, and a movie star." One of the lawyers then asks, "Who was the movie star?" and the response is, "Does it matter?" This movie star was, in fact, Natalie Portman, who was enrolled at Harvard as a junior and senior when Mark Zuckerberg was a freshman. She invited Aaron Sorkin to a dinner party with her Harvard friends to provide him insider information on the school's social life at the time Facebook was created.
- Erros de gravaçãoIn the meeting Eduardo has with the lawyer to discuss the new stock options he is given the following breakdown on stock ownership: Eduardo 34.4%, Dustin 6.81%, Sean 6.47%, Mark 51% and Thiel 7%. These total up to 105.68%.
- Citações
Gretchen: 18,000 dollars?
Eduardo Saverin: Yes.
Gretchen: In addition to the $1,000 you'd already put up?
Eduardo Saverin: Yes.
Gretchen: A total of $19,000 now?
Eduardo Saverin: Yes.
Mark Zuckerberg: Hang on.
[Mark sarcastically adds up the 2 amounts on his notepad]
Mark Zuckerberg: I'm just checking your math on that. Yes, I got the same thing.
- Versões alternativasIn the theatrical version, Armie Hammer delivers a line that was altered to: "Let's gut the frickin' nerd." In the unrated cut, at David Fincher's request, the line has been restored to its original recording: "Let's gut the fuckin' nerd."
- Trilhas sonorasBall and Biscuit
Written by Jack White (as Jack White III)
Performed by The White Stripes
Courtesy of Third Man Records
and Courtesy of XL Recordings Ltd.
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Red social
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 96.962.694
- Fim de semana de estreia nos EUA e Canadá
- US$ 22.445.653
- 3 de out. de 2010
- Faturamento bruto mundial
- US$ 224.927.749
- Tempo de duração
- 2 h(120 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1