O Enviado

I was able to attend the premier at Sundance this year, and let me begin by saying, this movie riveted my senses. With strong performances by the cast, especially writer and star Christopher Thornton, the movie worked it's magic. I sat in awe near the front row, as Mark Ruffalo, the director, got on stage before the film began and gave a brilliant opening speech. Then the room grew dark and the movie started.

I'm writing this from the New Frontier located on main street, Park City. Two hours after the film ended, and yet i still find it hard to clear my mind of "Sympathy for Delicious." After the film finished and the audience gave a standing ovation, Mark, Christopher, and a large portion of the crew, climbed on stage to answer our questions.

Among the many questions answered, was the story of how it all began. Mark began by saying how he had been best friends with Christopher for the past twenty years, how they had studied together as actors in New York, and about Christopher's tragic accident seventeen years ago that rendered him a cripple. Then Christopher took the mike and told us of Mark's pressuring him into writing a movie based on his own character and experiences. This began a ten year trek to getting the film made. The numerous rewrites and financial difficulties it went through were astounding, yet they persevered and finally succeeded in making a masterpiece.

If you haven't yet viewed this movie you're missing out on something great. Not only does it supply emotionally gripping characters but also a wholly original script. And let's not forget Mark's directing, which in itself is a powerful debut.

Dean "Delicious D" O'Dwyer (Christopher Thornton) is a bitter paralyzed DJ who lives on L.A. skid row. Ariel Lee (Juliette Lewis) tries to get him to play in her band led by singer The Stain (Orlando Bloom). Nina Hogue (Laura Linney) is their sleazy manager. Father Joe Roselli (Mark Ruffalo) helps the homeless and tries to help Dean. When Dean discovers his power to cure, Father Joe pays him to cure the people at his mission. It quickly gets out of hand. A man offers to pay the mission $250k to cure his daughter. Dean is infuriated and wants to be paid himself as part of the band's show.

Ruffalo's directing is a bit chaotic. On the other hand, his acting is great and I love his work during the chaos of the healing mission. Orlando Bloom as the lead singer don't feel right. Juliette Lewis has the right feel. Christopher Thornton is not a normal lead actor but he fits this bitter character. It's an interesting idea and I like this movie until the trial. It changes the movie in a wrong direction just as it starts to pick up speed with a vibrant pumping energy.

==Urgent update Jan 6, 2014. I just saw copies of this movie, brand new, for sale at the Dollar Store. Yes $1! Don't even finish reading this review, just go buy this movie. OK, back to the original review==

I thank my lucky stars I didn't see the trailer beforehand because it would've ruined the beauty of watching this creative story unfold. If you've already seen the trailer, do your best to rinse it out of your skull (it's not exactly accurate anyway).

Rather than tell you about the plot, I'm going to tell you some behind-the-scenes info which should enhance your enjoyment. "Sympathy for Delicious" took 10 years to make. It was written by its lead actor Christopher Thornton who, like the character he plays, is paralyzed from the waist down in real life due to an accident. So the passion he delivers on screen is 100% genuine, and that's why this film works. Nothing is contrived. Even the story, surreal as it is, comes directly from the heart of a man who has been through the ordeal.

His counterpart is played by director Mark Ruffalo, Thornton's longtime friend in real life. The dynamic is stellar. On screen as well as in real life, they share a sort of sibling love-hate relationship. This makes their dramatic scenes 100% authentic. When the characters get into arguments, you can feel that they've left the script behind and are emoting straight from the heart. Not since F. Murray Abraham's performance in "Amadeus" have I seen such raw, honest passion.

The film touches heavily on themes of religion, but it is neither preachy nor bashy. Devout Christians as well as Atheists should enjoy this movie just the same. Thornton plays a faithless character with a lot of understandable resentment toward God (again bringing to mind the excellent film "Amadeus"). Ruffalo plays a Catholic priest who himself has profound issues. Though polar opposites, the 2 characters are oddly parallel.

What makes this film jaw-dropping is the way the story weaves a clever parable of "the rock star & the priest". After you see the film maybe you'll agree that it's a very fitting analogy.

Juliette Lewis is perfect in her role, and her scenes with Thornton are at times funny, at times sentimental, at times powerful, and each time memorable. Orlando Bloom, though prominently featured in the promos for this film, plays a somewhat minor role. But he's still larger than life every time he graces the screen. As far as acting goes, we get Oscar-worthy performances all around.

This is not your average rock'n'roll film; it's much more. It packs a lot of philosophy and requires your full attention, so be sure to watch it with a clear head. It's so original I can't think of many films to compare it to. But it reminds me of the excellent film "Into Temptation" (about a priest who's trying to stop a prostitute's suicide) and the Mexican masterpiece "Piedras Verdes" (about a girl on a soul-searching journey thru the desert). It touches on some of the same profound themes found in "Amadeus" and "The Green Mile".

I give this film 9 stars which is about the highest I ever give a film. Honourable mention for the first & only time I've heard the line "I'LL SEE YOU IN HELL" used effectively (apologies to Arnold Schwarzenegger)!

at first sigh, a religious movie. out of ordinaries rules of genre. in fact, precise portrait of society. a lot of problems in a honest manner presented. the homeless case, the artistic success, the healing industry, the faith, the miracle, the pain, the love's sense, the need of fame, the good intentions, the God will, each in a special way examined . a film who must see. as good occasion to discover pieces from another works about same problem. for the inspired script and for the good acting. for the questions. for the status of parable of film. for the image about every day reality. for the cold poetry of few scenes. for the silences. more than a good movie, it is an useful one.

The title makes no sense unless you know the main character's DJ name is "Delicious D". With this, there should be little confusion as one watches Sympathy. Sympathy for Delicious is well-respected actor, Mark Ruffalo's (The Kids Are All Right, Zodiac, Shutter Island) directorial debut and it was penned by one of his long-time friends who happens to play D (Christopher Thornton, a paraplegic who wrote the screenplay because of the lack of roles available to him in Hollywood).

D was an up-and-coming music DJ in the rock world of SoCal until he is injured and finds himself confined to a wheelchair ... the story begins after this has happened and we find D living out of his car on Skid Row where he comes to the attention of a local priest played by Ruffalo. After a chance encounter with a fellow homeless man suffering from both gout and Alzheimer's, D finds out he has been given a Divine gift and can miraculously heal others (but alas ... he is unable to heal himself).

Upon this discovery, the priest briefly puts Delicious to work doing God's will ... until D gets it into his head that he should be making TONS of money for healing others and so he makes a name for himself with the help of an odd rock band that decides to cash-in on his abilities. Orlando Bloom (Lord of the Rings, Elizabethtown, Haven) and Juliette Lewis (Conviction, Cape Fear, Strange Days) play fellow band mates while Laura Linney (The Truman Show, Kinsey, You Can Count on Me) co-stars as their icy and conniving manager who readily admits to exploiting their Divine find. By making such a public, high-profile spectacle of himself and telling everyone he's only doing everything for $$$ ... D opens himself up to all kinds of scrutiny (and he isn't up to the task of taking it all in). It doesn't help that his lone friend in the band, Lewis, sees him as a sell-out which causes things to spiral out of control. And, well, BAD things happen ...

I didn't believe much of what unfolds on screen (I allowed myself to buy into this premise ... but come on) which makes THIS story that much harder to accept. My primary problem: if there are some major stretches taken early-on, why is there no leeway later in the film when the "stretching" should still be allowed?! Sympathy wanted to "have it both ways" for dramatic effect which is simply the error(s) of screen writing 101 I am sure.

This is a VERY difficult story to make humorous (the film is classified a "comedy" on IMDb). I viewed it as much more of a tragedy as it is a film about some VERY lost individuals; but I am sure some might find it funny/hilarious (I didn't ... laughing at an actress pretending to have cerebral palsy isn't laugh-out-loud funny). Sympathy for Delicious has some good moments and it is a promising debut from a new director; but the subject matter is simply too tricky. Had it presented/sold itself differently from the outset, I might have viewed it differently ... but there is a bit too much ultimate trite-ness here for me to appreciate (not to mention D isn't very LIKE-able -- which, in turn, makes the film difficult to like as well).