O Enviado

...about society, faith, healing industry. great work of a good actor who proofs his director skills, for first time. a film about the other. the appareances, the interests, the fame, the show, the compromises, the gift and its price. at first sigh, one of the most inspired Christian films. in fact, a beautiful pledge for a careful [erspective about life. a curagious film. and, in same measure, an useful one.

The title makes no sense unless you know the main character's DJ name is "Delicious D". With this, there should be little confusion as one watches Sympathy. Sympathy for Delicious is well-respected actor, Mark Ruffalo's (The Kids Are All Right, Zodiac, Shutter Island) directorial debut and it was penned by one of his long-time friends who happens to play D (Christopher Thornton, a paraplegic who wrote the screenplay because of the lack of roles available to him in Hollywood).

D was an up-and-coming music DJ in the rock world of SoCal until he is injured and finds himself confined to a wheelchair ... the story begins after this has happened and we find D living out of his car on Skid Row where he comes to the attention of a local priest played by Ruffalo. After a chance encounter with a fellow homeless man suffering from both gout and Alzheimer's, D finds out he has been given a Divine gift and can miraculously heal others (but alas ... he is unable to heal himself).

Upon this discovery, the priest briefly puts Delicious to work doing God's will ... until D gets it into his head that he should be making TONS of money for healing others and so he makes a name for himself with the help of an odd rock band that decides to cash-in on his abilities. Orlando Bloom (Lord of the Rings, Elizabethtown, Haven) and Juliette Lewis (Conviction, Cape Fear, Strange Days) play fellow band mates while Laura Linney (The Truman Show, Kinsey, You Can Count on Me) co-stars as their icy and conniving manager who readily admits to exploiting their Divine find. By making such a public, high-profile spectacle of himself and telling everyone he's only doing everything for $$$ ... D opens himself up to all kinds of scrutiny (and he isn't up to the task of taking it all in). It doesn't help that his lone friend in the band, Lewis, sees him as a sell-out which causes things to spiral out of control. And, well, BAD things happen ...

I didn't believe much of what unfolds on screen (I allowed myself to buy into this premise ... but come on) which makes THIS story that much harder to accept. My primary problem: if there are some major stretches taken early-on, why is there no leeway later in the film when the "stretching" should still be allowed?! Sympathy wanted to "have it both ways" for dramatic effect which is simply the error(s) of screen writing 101 I am sure.

This is a VERY difficult story to make humorous (the film is classified a "comedy" on IMDb). I viewed it as much more of a tragedy as it is a film about some VERY lost individuals; but I am sure some might find it funny/hilarious (I didn't ... laughing at an actress pretending to have cerebral palsy isn't laugh-out-loud funny). Sympathy for Delicious has some good moments and it is a promising debut from a new director; but the subject matter is simply too tricky. Had it presented/sold itself differently from the outset, I might have viewed it differently ... but there is a bit too much ultimate trite-ness here for me to appreciate (not to mention D isn't very LIKE-able -- which, in turn, makes the film difficult to like as well).

at first sigh, a religious movie. out of ordinaries rules of genre. in fact, precise portrait of society. a lot of problems in a honest manner presented. the homeless case, the artistic success, the healing industry, the faith, the miracle, the pain, the love's sense, the need of fame, the good intentions, the God will, each in a special way examined . a film who must see. as good occasion to discover pieces from another works about same problem. for the inspired script and for the good acting. for the questions. for the status of parable of film. for the image about every day reality. for the cold poetry of few scenes. for the silences. more than a good movie, it is an useful one.

This piece of cinema exhibited abeyance to the great maxim "you can't always get what you want." A great cast, a compelling story, and a first time directorial debut from a well-regarded actor seems to create the formula for cinematic magic. Unfortunately after two hours that seemed more like three days in a third world airport this was not the case. I wish there had been one area to praise but this again was not the case. The cast a group of distinguished actors were uniformly without character,off key in delivery, and spouting embarrassing dialog. The storyline is hokey and filled with clichés. To top it off the predictable ending is an over the top contrivance. A gritty opening shot in a area of homeless people winds its way to a thoroughly improbable story by a very unappealing and unlikable character. Everyone else is sleepwalking through this disaster. I have no idea what some of the other reviewers thought they were watching but I know for me it was a poorly crafted film.

Given the promising cast and the fact that this is a film directed by Mark Ruffalo, I was curious about 'Sympathy for Delicious'. Of course, there are many actor-turned-director films that turned out to be not great, like Johnny Depp's 'The Brave' and 'Sympathy for Delicious' disappoints. To start, the story failed to engage me. It tries to combine elements of spirituality and fantasy into a current day world of drugs, rock and roll and poverty but it simply does not work. The title character is not even remotely likable. Now movies with a hateful lead character could only work if there's something about them or their world that manages to draw the viewer in and this is obviously lacking here. Another thing that's missing here is humour. The supporting cast attempts to provide some but that's not enough. Christopher Thornton is passable at best and he's easily overshadowed by his co-stars especially Linney, Bloom, Lewis and Ruffalo. I doubt Thornton himself is too blame since the character itself is so one-dimensional. Laura Linney is there only in several small sequences but she provides awesome comic relief. Juliette Lewis is very good but she seems to get typecast. Ruffalo is terrific as the priest but if he does continue to direct hope he picks a more interesting subject.