O Dublê do Diabo

Saddam Hussein was not the only one in his family with a body double; his son, Uday Hussein had one as well. This is the story behind that double, and his name is Latif Yahia. This is definitely not a film to miss when it is released. Lee Tamahori is a skilled director who has his flaws when it comes to his films, but overall he has a very good record behind him (Next, Die Another Day, Along Came A Spider). The acting in this film is good (especially Dominic Cooper), the deliverance is spectacular, and the overall tone and feel for the characters and setting is very realistic. With great effects, cinematography, and writing, this film is, hands-down, one of the best Indie films ever created. I'd see this in theaters twice, given the chance to. I'm sure Latif Yahia will be satisfied with this Indie masterpiece

8.5/10 Stars****

Great deal of this movie is not true. Yet, this movie tells about 1/100th of the truth about the tyrant of Baghdad and his family in the 1990's. The other 99 parts are still under oblivion, thanks the the author and to the current chaotic regime of Baghdad. The movie is fine because even that 1% counts to understand what was really going on for the people in Iraq at that time.

But there is a serious drawback when someone watches this movie knowing that at the time of movie release in 2011, the main character and the author, Latif Yahia, was (and still is) glorifying the tyrant and calling on people to re-establish his era in Iraq. He actually has a YouTube channel filled with his political opinions and his shameless strange sympathy to the tyrant!! So whatever the author's claims about his political views, or about his own opinions of not having political views; he was not opposing the tyrant, and still not; he was one of the tyrant's followers and still is.

Now watching the movie knowing that the writer and main character stands there, it will make the audience uncomfortable and cautious to accept what's being told in this movie without questioning.

Aside from that, directing was weak in general, and the story is not as the original Arabic book (I Was A Son For The President), but a revised version of the English edition which was a revised version of the Arabic edition!

For example in the Arabic edition the main character was claimed to be a ranked army officer, in the movie he was just a soldier. In the original story it was claimed that the tyrant saw and examined his son's double for a few times, in the movie that wasn't happening. Now if this was a history book/movie then.. voila! There is a good definition for the person who says what he doesn't think and thinks what he doesn't say, and changes his saying/thoughts 3 times in a day...

Why take an amazing true story and turn into a mundane fictional one?

The reality of Latif's life was that he became so entrenched in Uday's character that he practically became him. He became violent and even after he escaped with his wife and kids (not with a hooker on a horse) he continued to behave like Uday.

The acting was not great. The portrayal of Uday was over the top and not believable. Same with the constant backchat from Latif to Uday considering that an out of line comment is the reason Latif ended up getting shot in reality.

The film could have been an intelligent psychological drama instead of a dumbed blockbuster. Shame.

The posters for director Lee Tamahori's The Devil's Double (18) declare it to be "Scarface of Arabia", referring both to Brian De Palma's 1983 gangster opus Scarface and the film's setting during Saddam Hussein's brutal rule in Iraq. The Devil's Double is based on the true story of Latif Yahia, an Iraqi soldier chosen by the regime to be the body-double of the dictator's infamous son Uday, with both roles played by Dominic Cooper.

The perks of the job are acceptable: enough designer clothing and willing women to make the average Premiership footballer looking like a trappist monk. However, the downsides are considerable too: torture, being shot at – and the fact that the penalty for seeking alternative employment is the death of Latif's entire family.

Dominic Cooper stars in Devil's Double with Ludivine Sagnier.

Dominic Cooper stars in Devil's Double with Ludivine Sagnier.

It is easy to see why The Devil's Double has been compared to a gangster film. All the whirring, terrifying madness of Uday's world is depicted with the brutal verve one finds in Scarface and other films of its ilk. Instigating nightclub orgies while American bombs are exploding and shooting at loyal companions in psychotic rages are all part of Uday's regular routine.

The direction, intermingling footage of Operation Desert Storm with debauchery, captures the craziness of Uday and Latif's world with a lurid style.

Again, like a great underworld film, Cooper's performance as the central villain is masterful, capturing Uday's menacing madness and chewing the scenery in between sucking breasts or shovelling cocaine up his nose. His performance as Latif is equally striking, but in a more nuanced way. We are never in doubt which one Cooper is portraying; his sickened desperate body language showing through even when Latif is Uday.

Yet this film is not Scarface, and Uday is not Tony Montana. Tony Montana, like most anti-heroes found in films depicting criminals, had a form of morality. It may have been a twisted, cocaine-fuelled morality but it was one none the less. Uday has no morality; worse than that, he's evil even by the standards of his father, a man who thought nothing of gassing entire ethnic groups. This gives the film a heart of darkness. Uday is possibly one of the most horrifying characters ever to grace a cinema screen, proving it at regular harrowing intervals with crimes of a scarcely believable depravity.

This leads me to the film's central flaw. Despite Cooper's performance, Latif's story never quite feels as compelling as it should be. The script at times makes a good man's forced descent into hell on Earth seem more like a mob underling's troubled conscience upon witnessing his boss go too far. One scene, which directly juxtaposes his actions in saving others from Uday's horrors, doesn't have anywhere near the emotional resonance it should. One gets a sense that in trying to show us a world in which a moral compass is more likely to be thrust into the genitals of an innocent than providing any sort of guidance, the film has lost some of its humanity along with its protagonists.

Despite these flaws, though, The Devil's Double is still an excellent film. It is a brave attempt to portray a difficult and scarcely believable story. Even its failure to completely emote is understandable given the skill with which it presents its harrowing world. Due to this, and possibly the performance of the year from Dominic Cooper, its flaws are eminently forgivable.

Verdict: ●●●● A must-watch for Cooper's performance alone, but expect to be troubled as well as thrilled throughout.

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Saw this movie today at Berlinale and was pleasantly surprised that as I walked out of it thought to myself that it's been a really long time since I saw a decent movie like this. Before I looked Uday/Latif up on the internet I had doubts about how close the plot was to reality, turned out to be quite interesting showing that, well everything in the movie has (kind of) happened. Makes it disturbing to know on a different level.

The depiction of Uday's psychotic character throughout the movie seems very real and does not spare or cheat the viewers any disturbing torture/abuse scenes. Some people might dislike this, some maybe even enjoy it.

That being said I liked the overall acting, both main and lesser characters did a good job. And on a side note: i found the movie sets and props were quite awesome.

btw: I can still remember the news of Uday's and Qusai's deaths back in 2003, but that meant little to me at that time. At least now i know.