Colin

This is one of those rare films which I believe every serious zombie enthusiast needs to see. Now, that is not to say that every zombie fan will necessarily like it. But what it offers is a unique look at life (for want of a better word) from the zombie's point-of-view. On that note, I found it to be original, artistic and very well thought out. For those reasons I certainly understand some of the positive comments from other reviewers. That said however, I also understand some of the negative comments too. Obviously being a low-budget production it suffers accordingly. None of the actors or actresses were known to me and other than Daisy Aitkens (as Colin's sister, "Linda") none of them had any dialogue worth mentioning anyway. Even so, I thought the lead actor, Alastair Kirton ("Colin") performed in an excellent manner all the same. Unfortunately, the camera work was quite often shaky, in some cases the lighting was bad and other than Colin there really wasn't much character development. Additionally, some of the scenes were extremely slow and dragged on way too long while others could have been cut with little (if any) noticeable effect on the final product. Along with that, some of the special effects (i.e. gore) should have either been improved upon or eliminated all together. In short, this was a zombie film that definitely needed to be made. And while I seriously doubt the production costs listed in IMDb (of $70) are true, I will say that if it had even one-tenth of the money allocated to "World War Z" it could have been one of the best zombie films ever made. Sadly, this was not the case and while I believe the director (Marc Price) has every reason to be proud of his efforts, I still have to factor in some of the negative variables I mentioned earlier in my overall rating. Having said that, although I believe this film has a definite place in the zombie legacy, I rate it as slightly below average.

Colin is bitten by a Zombie; he dies, returning from dead and tackles what every zombie has to deal with, the living.

A poor mans micro-budget zombie film that is less effective than the low budgeters Autumn (2009) and Zombie Diaries (2006). Allegedly shot for £40 (even though petrol would cost more than that in UK to get to each location filmed).

Some of the make up is well executed. Alastair Kirton gives a good zombie performance as Colin and the supporting cast are fine. Nevertheless, the filming suffers from problems of most low budget movies. That said, director/writer Marc Price does his best with what he has and credit to him for the film reaching such a wide audience.

Overall, interesting film making which tries to stir emotions for 97 minutes.

I was lucky enough to catch a screening of this movie at the Sci-fi Oktoberfest at the Apollo Cinema in central London. It was the first movie in a zombie quadruple-bill, an all night gorefest. Quite frankly I was expecting this unknown low-budget horror to be as awful as it sounded, but it actually turned out to be the best movie of the night in many ways. The director and main star of the film were both in attendance, and I had a chance to congratulate Marc Price on creating a damn fine little movie on what was clearly a shoestring budget.

Let's get the downsides out of the way first. The ultra-low budget really does hurt the film. The camera-work and lighting are the biggest victims, in that what might have been intended as a naturalistic documentary style is actually just a mess of incredibly shaky video footage. Marc Price admitted that he was unhappy with the dark/night scenes as they were still perhaps a bit too dark. On the plus side, the sounds and music are very well done and they manage to carry the sometimes dodgy visuals.

The real lure of this film however, is the the story. Rather than explaining the hows, the whats and the whys of this particular zombie apocalypse, it simply focuses on a single zombie and follows his shambling journey from death to undeath while civilisation comes to a grinding halt in the background. Other movies in the genre have the zombies as a faceless horde of implacable eating machines, but "Colin" plucks one half-eaten face from the crowd and makes him a highly believable character. I never thought this would happen, but I felt genuine empathy for Colin at times. As he shuffles around a London that is collapsing in upon itself, various groups of human survivors cross his path offering snapshots of other untold stories that are occurring at the same time. There is the man being slowly and quietly eaten to death, the group of grim-faced zombie-hunters, the man with a secret in his cellar, the grieving sister ... every one of these stories gives hints of the wider chaos that must be going on, making this a very believable, and very English, zombie uprising.

This is a film that absolutely deserves to be seen by a wider audience. I can only hope that a distribution company picks it up and ensures that it gets a full release in the same way that other low budget films like Blair Witch Project and Open Water did. Ideally, I'd like to see a studio offer Marc Price the money to make a shot for shot remake but with professional level equipment. The story is very strong, it seems that even zombies can have a character arc and a sense of purpose, and there are so many clever ideas in both the script and the execution. There are some moments of subtle humour, lashings of blood, and at least one moment that was genuinely terrifying. I'm greatly looking forward to seeing more work from this novice director, there is real talent on display here. It might look low budget, but script- wise this is as strong as anything being released by the major studios.

If you have ever enjoyed a good zombie film, then do seek out "Colin" because it is truly a fine example of the genre. It's quite literally a film for people with braiiiiiiiiins.

Made for £45, my arse! This film's laundry bill alone would have amounted to more than that (fake blood doesn't come out of clothes by itself, you know), let alone all the other costs that are unavoidably incurred during the film-making process, no matter how cheap the production: catering, administration, travel, make-up supplies etc.

Sadly, Colin's clever '£45' marketing ploy turns out to be the most effective thing about the whole film. Despite a valiant attempt to try something different with the whole living-dead schtick, and for seriously less dosh than most low-budget horrors, most of the time the film proves to be a less than scintillating experience, the basic idea being far more suitable to a 10 minute short than a 97 minute feature.

Watching recently turned corpse Colin (Alastair Kirton) slowly dragging his feet around South London for an hour and a half, pausing to contemplate road signs or traffic lights on the way, is pretty dreary stuff. Director Marc Price occasionally picks up the pace, such as when Colin stumbles upon a house siege or a group of survivors take action against the undead (resulting in a unsettling scene where those wounded during the battle are cruelly dispatched before they can become zombies), but for the majority of the time, this is dead boring.

All of the recent coverage of this film in the mainstream print press has inspired the expectation in many (myself very much included) that it has somehow transcended its origins as a film that cost 40 quid to make. It hasn't.

Looking exactly as you'd expect a £40 zombie movie to look (replete with a complete disregard for cinematography, alarmingly hammy acting and plenty of unconvincing, off- colour bloodletting) Colin is an extraordinarily hard slog. This is particularly true of its opening half hour, which is almost totally bereft of dialogue and filled with way too many ugly and aimless shots that last at least four or five times longer than they need to, without any justification.

Despite the odd moderately impressive exterior shot, Colin's "story" is one constructed around the constant need to justify the shooting locations - which are all, for the vast majority of the time, someone's drab and under-lit living room. The finale, which bucks this trend by taking place in someone's garden, is five utterly exhausting minutes of ketchup, shaky-cam and non-stop shouting; the sheer, belligerent pointlessness of which angered me so much that I almost flung a shoe through my TV.

Spades of kudos must go to the enterprising young sprouts who clearly worked like dogs to get this film made, and I'm thrilled to live in an age where filmmakers of this level can get their work seen and distributed nationally on DVD, but to be brutally honest this is film-making of an extremely sloppy vintage, and the complete lack of plot renders it monumentally, deadeningly boring.

A friend of mine remarked that he'd rather sit down in front of a decade's worth of his neighbour's holiday videos than sit through Colin again.

Ditto.