Almoço em Agosto

This gentle movie, about a middle-aged man left caring for some elderly relatives (and non-relatives) during a public holiday, is notable for some fine performances from a truly aged cast; at least one member was 94 when the film was made. It's quite perceptive about the way that old people interact; and it's younger male lead (played by the writer and director) is also shrewdly drawn. What there isn't is any real plot beyond the set-up: there's almost unlimited potential for disaster here, but none of it ultimately happens. The result is mild, in places amusing, but something short of riveting: rather like visiting an elderly aunt's for tea.

Simple and Beautiful. The story of a bachelor living in Rome with his aged mother. They struggle to make ends meet. Forced to take in three elder ladies to help pay the bills, the couple makes the best of the situation. The new "nuclear" family enjoys the dreaded August heat in Rome by sharing the simple joys of life.

A joy to watch.

True art when someone can make a story like this so memorable. If you tired of the big budget extravaganza films with too many special effects and big time actors and want to get back to the art of film, "Lunch in August" is a perfect alternative. In Italian.

Gianni (Gianni Di Gregorio), who is well into his forties, has no job or income and still lives in his comfortable family home with his ageing mother. She is a capricious but refined woman who requires a lot of attention and even more patience. Gianni offers her those but can barely squeeze a little life of his own in there. When those around him escape from Rome for some fresh countryside air in the mid-summer weekend, he finds himself left behind in the empty city with a motley of elderly ladies.

I suppose many people will amuse themselves wondering if Mr Di Gregorio is playing himself, or at least a little... as the Gianni in the movie is somewhat removed from normal society. He seems to have accepted that he will be taking care of his mother, at the expense of having his own life. This is a rare form of self-sacrifice in our day, and shows, through our own eyes, our expectations of an individual's life. Can you live a full life without a romantic relationship? Can you feel content without being able to provide for yourself (and your family), without perusing some kind of personal development? How far from the ordinary can you be removed and still feel content about your life?

It is not easy. Gianni needs money and yet does not work. Of course if he would work, then who would take care of his mother? Should he be working to be able to pay for a home for her, so that he can start a relationship of his own? Then his mother would be all alone, unhappy and less well taken care of than in the company of her own son. The dilemma of the ageing society laid bare.

When we see the elderly ladies laughing and interacting together, it is almost as if a choice has to be made in society, that either the elderly or the young have to sacrifice themselves for the other. This awkward thought is dispelled later on, at least somewhat, as the characters all find a place for themselves in this unexpected weekend away without leaving. This is a touching and funny film, which should have been released here in May when everyone has one foot at home and the other in a long weekend away. It would have added a nice tie-in with the reality around us.

"Pranzo di ferragosto" is one delightful, insightful, funny and unpretentious little cinematic jewel, whose director, script writer and main actor, Gianni DiGregorio, proves to us that it doesn't take a huge budget, big stars, lots of witty dialogs or 120 minutes to make a masterpiece, and one which goes back to the golden age of the Italian comedy and Italian realism.

The story is very simple: Gianni, a middle-aged Roman who lives with his mother in an old Trastevere apartment, is first kind of "blackmailed" by his landlord to take the the latter's mother at his home for the Italian midsummer holiday. He gets more than he bargained for when the mother is accompanied by an unannounced aunt and when later his doctor also asks him to take his mother, in addition to Gianni's own mamma, of course. Each of the old ladies has her own personality, quirks, preferences, etc. and Gianni will have to do his best to keep them all happy. This will lead to a wholly enjoyable 75-minute ride for the viewer.

One thing that I loved about this movie is that it depicts old age in a respectful, humorous and optimistic light -the old ladies are not at all old in mentality and spirit, and they keep enjoying life to the most, each in her own style. I also enjoyed how the film is full of little sketches of very real everyday situations in which we can all see ourselves -sitting with a friend without needing or having any life-changing conversation, looking out to the city while smoking a cigarette, sitting with your family or people you care for, sharing a dinner, having small talk, the joy of reunion and togetherness and the joy of having a home... those scenes were very heart-moving and very meaningful to me.

My rating is 10/10 for a new instant favorite of mine.

Writer/director Gianni Di Gregorio is also the star of this delightful little film about loneliness, tolerance, and seeing the silver lining. The film glows with a richness of spirit that is very satisfying and humorous and uplifting. Apparently Pranzo di Ferragosto (or Feast of Assumption) is that holiday in mid august when all Italians head for the shore so get away from the heat. Gianni lives in Rome with his very elderly and demanding mother (Valeria De Franciscis), broke, with mounting tabs at the grocers and the winery, but he prides himself in his culinary skills with which he keeps his mother satisfied. He spends his days whopping and sipping wine with his old friend Viking (Luigi Marchetti). When his friend and condo manager Alfonso (Alfonso Santagata) pays a visit to remind Gianni how he is behind in his rent and obligations for the condo, Gianni is depressed but Alfonso has a plan: take care of his mother (Marina Cacciotti) during the weekend of Pranzo di Ferragosto and Gianni's debts will be forgiven. Gianni agrees as does his mother, but when Alfonso arrives with his mother in tow he also brings his aunt (Maria Cali) who also needs a place to stay in Alfonso's absence. The local doctor (Marcello Ottolenghi) pays a house call to check on Gianni and his mother and in passing asks Gianni to look after HIS mother (Grazia Cesarini Sforza), too. This leaves Gianni with a full house, a shared television, minimal beds, but they all make do and with the help of his old friend Viking the two to entertain the three old ladies. They cook a fine mid-August meal and the old lades dress up and dance, having more fun than they have had since their youth.

It is a slight story but one told with a warmth and compassion that is endearing to experience. For light but tender entertainment this film is a major winner!

Grady Harp