São João de Las Vegas

I've seen a lot of interpretations on Dante's Inferno: the guy enters hell. From here to saying any movie about someone's falling is an interpretation is a stretch. And I know the writer and the director thought they were being smart doing a modern adaptation from a story no one really cares about and basically replacing everything, but I was the one watching, and I didn't find it smart, interesting or even good.

Steve Buscemi is one of my favorite actors, and he did play the part well, but the plot was simply a boring, useless, close to horizontal, descent into a hell that few people could have related to. The funny parts were not funny, the smart parts were obtuse, the action parts not existent. Oh, wait a minute... it was MY descent into hell, when I realize I've just wasted an hour and a half of my life for no good reason. I see now... really smart.

Bottom line: Sorry, Mr. Buscemi, sorry sexy Sarah Silverman, the film just sucked for me.

IndieVest shot themselves in the foot by putting this dud out as their first release. With their membership based business model of anyone funding a film, Saint John Of Las Vegas killed that platform after opening theatrically without so much as a whimper.

This is an unwatchable, amateurish disaster overloaded with quirk and just limps from one disconnected non sequitur to the next. How this pile of nonsense attracted Spike Lee, Stanley Tucci and Steve Buscemi as producers is more bewildering than the final product. This is an awful picture, that had the support of people that should have known better.

This movie is making the festival rounds right now, but unlike a lot of over-hyped festival fodder,it is genuinely a good movie, which I suspect will soon become more widely available. It reminded me somewhat of the Coen brother's film "O Brother Where Art Thou?"--not in that it is in any way unoriginal--but it has a similarly surreal, absurdist sense of humor, and like the Coen brother's film, it is a modern adaptation of a classic work of literature, in this case "Dante's Inferno".

The great Steve Buscemi plays "John Alegheri" (as in Dante Alegheri), a reformed compulsive gambler with a comfortable, if mundane, life living in a tract home and working for an insurance agency. But after he asks his diminutive boss (Peter Dinklage) for a raise, he suddenly finds himself promoted to fraud and, along with a partner named "Virgil" (Romany Malco), is sent on a fraud investigation, which proves to be a metaphoric descent into hell--and in particular, his own personal version of hell since the investigation takes place in and around Las Vegas, a city where he had some unpleasant personal history.

He and "Virgil's" various bizarre encounters on their journey include a sexy stripper in a wheelchair (Emamanuelle Chriqui) still trying to perform lap dances, a group of heavily armed right-wing survivalists (including "O Brother's" Tim Blake Nelson) who also happen to be nudists, and in the most surreal scene, a tow-truck driver who has second job as a circus performer and as the result of a bizarre accident is stuck in a lawn chair in a flame-retardant suit that periodically catches on fire (and, hilariously, what he really wants is a cigarette). There's a some nice twists at the end and the character reaches a final personal epiphany while buying scratch tickets at a convenience store on the outskirts of the dreaded Vegas.

Sarah Silverman plays a co-worker who he starts an affair with after a quickie in the woman's bathroom before he leaves on his journey. It's an unusual role for Silverman, not only in that it exploits her considerable sex appeal, but also in that while it is a comedy role, it is one very different from her usual foul-mouthed stand-up persona. Buscemi, on the other hand, doesn't stretch himself too much, but he doesn't really have to either--he's great at roles like this. The director was actually first-timer and this is particularly impressive as a debut effort (I suppose could complain that the only full-frontal nudity is provided, not by Emanuelle Chriqui or Silverman, but by Tim Blake Nelson!--but I won't). This was entertaining from start to finish. I'd really recommend it.

enjoyed this short movie - (just under 85 minutes) - because the actors are in full character start to finish. and the strip club scene is a great laugh with the wheelchair bound stripper and buscemi playing her on!

once you meet the characters they are consistent and do not vary. malco is so good in his wacky and slightly mean insurance investigator role you have to like him. and buscemi is perfect as the 'forever looser' you just feel sorry for him. and casting dinklage as the insurance company owner was just genius! and silverman is always easy to like.

the story is easy to follow until the junk yard scene near the end with the gun shots! at that point with buscemi escaping and calling the cops (watch it) i became confused as to exactly what just took place in the plot line. that is the only reason i am rating it 2 stars short of a 10.

if you enjoy indie films pick this one up!

I knew nothing about this movie, but ended up catching it on a movie channel recently. I thoroughly enjoyed it and watched parts over again. It lacked a lot of action and it didn't really have many punchlines, but I found this lack of predictability to be one of the most endearing parts about the movie. While the movie is not at all predictable and often pretty absurd, it does not feel as if the absurdity relies on weird twists or surprises. While the situations feel bizarre, the situations and characters are much closer to reality than most everything else Hollywood puts out. I thought the acting was great, the characters bizarre, and the situations hilarious. Needless to say I found it very compelling and funny, and i did not need any Dante references to appreciate it.