Fallout

Big fan of the Fallout series so was very worried about this. Was blown away about how well they adapted, superb. Perfect translation of Fallout to TV. Loved all the actors, loved the plot, characters, writing, action, effects. Totally addictive, suspect non-Fallout fans will Love this also. Characterisation of all characters was complete, enjoyable, changeable. Such a breath of fresh air to see such good, intelligent, creative writing. Addictive viewing from start to end. Really hope they continue this and is an example of good TV for other programs. Highly recommend and look forward to more.

I started this show by curiousity, and it was so cool. The show start with some context of how all happened and why all the people are in vaults, but then, it start to go more dark and misterious. The way the different plotlines go connecting little by little is wonderful, and it´s so entertaining. One of the best things of the show (that also, is based on the Fallout games) is that you can enjoy it without playing the games before. The main characters (Lucy, Maximus, The Ghoul) are very solid and likeable. The best thing for me, the last two episodes. Specially the last. The way it connects all the plotlines in the show with a very shocking revelation is perfect. So,¿I recommend this show? Yes. If you like the games or want to watch a good show, this is a very good option.

Exposition-minimum, doesn't spoon feed, mostly show don't tell, pieces of story from flashbacks, interactions between characters, and visually presented, create a set of clues pointing to things being not exactly what may seem to be, including what some characters want us to believe, due to bias, agenda, goals, or simply lacking information..

Characters try impossible or unlikely that by progression of the plot turns exactly that, and in some cases in character, in other for character development.

Events that happen earlier seemingly with no explanations, or seem implausible, have explanations pre-added, as shown later..

The show requires perceptiveness, similar to how Fallout games do, but still works as easy-going, entertaining and well made, while one can, instead getting distracted by what is made to both tell and distract from told, ask a number of questions, for which answers are the guidelines..

First season is very good, with some good, some excellent. Likely we will see another good and improved season, and for that case, regarding mentioned, expect "plot twists", especially seen as such by those who didn't pick up on often storytelling clues and hints..

It took a while for it to click, but by the end of episode three I was hooked. As is often the case, the first two episodes feel a bit disjointed and expository. However, the characters are interesting right from the start. The two main characters in particular, with their naivety and chutzpah, are well drawn and strongly cast. Walton Goggins is the perfect antagonist, who initially comes across as a stereotype that is increasingly deconstructed over time. I don't know the video game at all, but the complexity of the story is impressive without being overwhelming. I'm really looking forward to season 2.

As someone who's casually played the Fallout video games but never got very deep into the lore, I didn't know what to expect from Prime Video's new adaptation. But this show far exceeded my expectations. It's not just good for a video game show, it's good television, period. Fallout blends brutal post-apocalyptic action with dark humor, sharp social commentary, and a surprisingly emotional story that had me thinking long after the season ended.

What stood out to me the most was how the show critiques modern capitalism, more specifically how power is concentrated in the hands of a few, while the majority are left to fend for themselves. The pre-war world in Fallout is portrayed as a hyper-capitalist society where corporations like Vault-Tec promise safety and security, only to use people as pawns for their own gain. This mirrors real-world systems where corporations often profit off of people's vulnerabilities and maintain control through marketing and manipulation. The contrast between the bright, optimistic propaganda and the harsh reality of the wasteland is a sharp commentary on how modern capitalism often promises prosperity but delivers inequality and devastation, leaving the most vulnerable to suffer the consequences. Fallout doesn't just show a post-apocalyptic world; it offers a glimpse into a world shaped by the unchecked greed and power structures that influence us even in today's world.

Walton Goggins as The Ghoul is unforgettable. His character, a cowboy turned immortal mutant bounty hunter, serves as a kind of living reminder of everything that's gone wrong. He's hilarious and terrifying in equal parts, and his character development throughout the season really got to me. You can tell he's been carrying centuries of trauma, but there's still something human buried deep within him, which makes him one of the most complex characters I've seen on TV in a long time.

Visually, the show nails it. The costumes, sets, and special effects make the wasteland feel alive, and the use of old-timey music in scenes of violence or chaos adds this eerie, ironic layer that is very effective. Songs like "I Don't Want to Set the World on Fire" aren't just background, they're part of the storytelling.

In the end, Fallout is way more than a post-apocalyptic story. It's a critique of power, survival, and the way history repeats itself. Even if you've never touched the video game, it is definitely worth giving a watch.