Midas Man

I've been a Brian Epstein fan for as long as I've been a Beatles fan so I was in part dreading this movie as much as I was looking forward to it . What I would say to anyone who is thinking of watching is give it a go. Not a perfect film by a long chalk, but they've managed to capture authenticity in abundance. JFL absolutely nails the lead role, he's genuinely a star in the making but the supporting roles seem really well thought out too. I had heard ( being a super fan) that there was trouble with the production, you'd never guess. I'd have liked a five hour tv series with the same production values as this film, that would have done Brian justice but as a film and a one off it's more than decent.

I know people who were there and I absolutely can't wait for them to see this on the big screen hopefully, although as I understand atm in the UK it's going straight to Amazon? That's a shame, I was lucky enough to see it on the big screen and maybe I'm biased but it's one of the most enjoyable films I've seen in months. The one thing no one can disagree with is Brian was loved and he should ge remembered as such. A bonafide legend. Go and watch this, download it or buy the dvd ( are they still a thing?) .

Midas Man tackles the story of Brian Epstein, the visionary manager behind the rise of The Beatles, and delivers a focused, often insightful look at his journey from meeting the Fab Four to navigating the early waves of Beatlemania. Refreshingly, the film avoids detours into Epstein's childhood or lengthy setup, diving right into the pivotal moment when Epstein encounters the Beatles. It's exactly the timeline fans want to see, offering an experience that feels true to Epstein's impact on music history.

The performances are, for the most part, strong. Jacob Fortune-Lloyd's portrayal of Epstein is nuanced and genuine. He brings out the depth of Epstein's character-an ambitious yet vulnerable manager whose life was as complex as the band he helped shape. Fortune-Lloyd avoids any wooden stereotypes, instead delivering a believable and sensitive portrayal. However, some casting choices miss the mark visually. Jonah Lees as Lennon feels jarringly short, and while his performance captures some of Lennon's essence, the physical mismatch is hard to overlook. Similarly, Charley Palmer Rothwell as George Martin and John McCaffery as Mal Evans, though they have limited screen time, don't quite match the stature of the real figures, leaving some of the visual casting decisions a bit off.

However, Midas Man redeems itself with an outstanding performance from Blake Richardson as Paul McCartney. Richardson's portrayal captures Paul's charisma and wit in a way few actors have achieved in past Beatles films. He stands out as the highlight of the supporting cast, though fans may wish he had more screen time.

A poetic touch at the film's conclusion sees Epstein crossing Abbey Road-a nod to the famous cover of the Beatles' last album-a metaphorical and respectful close to Epstein's journey, though perhaps a bittersweet reminder of his absence from that iconic era.

There are some notable omissions that fans will feel keenly. The moment Lennon tells Epstein, "Okay then Brian, manage us," is left out-a line that marked a pivotal turning point in The Beatles' story. Its absence is a missed opportunity to capture the power of that early decision. Also absent is any exploration of Epstein's rumored fascination with Lennon, a subject of much speculation and possibly a deeper emotional undercurrent in Epstein's life. Additionally, the lack of Beatles music in the film is undeniably disappointing, though understandable given the high licensing fees. Still, a biopic on Epstein feels somewhat incomplete without the soundtrack that defined his career.

Midas Man is a well-crafted film that offers Beatles fans a fresh look at the pivotal role Brian Epstein played in the band's meteoric rise. Despite a few missed opportunities and the absence of Beatles music, the film captures the spirit of Epstein's ambition and the transformative period of the early '60s with style and sensitivity. While it may not replace the thrill of the original story, Midas Man shines as a heartfelt tribute to the "fifth Beatle" and offers an enjoyable, insightful experience that fans of the Fab Four won't want to miss.

"Midas Man" offers a compelling and often poignant look at the life of Brian Epstein, the visionary manager who steered The Beatles to global superstardom. The film shines brightest in its sensitive portrayal of Epstein's personal journey, navigating his identity and the pressures of his extraordinary role with a nuanced and empathetic touch. The narrative carefully unfolds his dedication, his vulnerabilities, and the profound impact he had on the burgeoning Merseybeat scene. The film also touches on his own inner conflict with his sexuality.

Adding to the film's charm are the performances embodying the iconic figures of the era. The mannerisms and spirit of The Beatles, while perhaps not perfect impersonations, are generally captured well, offering a nostalgic glimpse into their early days. Similarly, the portrayal of Cilla Black feels authentic, bringing her vibrant personality to the screen effectively.

However, while "Midas Man" succeeds in many areas, it's somewhat disappointing that the soundtrack largely omits the truly iconic, chart-topping hits of The Beatles. Presumably, there was some sort of copyright issue going on.

Despite this omission, "Midas Man" remains a worthwhile watch. It provides a thoughtful and engaging exploration of Brian Epstein's pivotal role in music history, highlighting his sensitivity and the weight of his responsibilities. The commendable performances and the film's overall positive tone make it a respectful and ultimately moving tribute to a man who truly possessed a 'Midas touch' for talent.

This wasn't exactly the film of the year for me, but it's a biopic that's good enough. The actors who played Brian and The Beatles are both charismatic and charming. I enjoyed the breaking of the fourth wall. But one criticism I have that is there could have been more focus on the Beatles themselves. Also, I understand there are copyright issues but I wish they used Beatles songs for the film. I would recommend this film to Beatles fans. There are better music biopics such as Rocketman and Bohemian Rhapsody, but this is a solid, well crafted film. Don't expect to be blown away by the film but it's an enjoyable watch.

The story of Brian Epstein is a fascinating story, and I'm afraid this film disappoints. The breaking of the fourth wall works in some films, but not this one. I didn't mind Jacob Fortune-Lloyd as Brian, but Jay Leno as Ed Sullivan was a terrible choice. I thought the actors playing The Beatles were OK , except John Lennon was way too short. It was off putting.

I think most people who will watch this film would be aware of The Beatles, so their story didn't have to be told. It was Brian Epsein's story, and I don't believe his story was told. I have been waiting years for someone to make decent biopic about Brian Epstein, and I guess I'll have to keep waiting.