Enquanto lutam contra as pressões da vida, amor e trabalho em Manhattan, Carrie, Miranda e Charlotte se juntam a Samantha para uma viagem a Abu Dhabi, onde a ex de Samantha está filmando um ... Ler tudoEnquanto lutam contra as pressões da vida, amor e trabalho em Manhattan, Carrie, Miranda e Charlotte se juntam a Samantha para uma viagem a Abu Dhabi, onde a ex de Samantha está filmando um novo filme.Enquanto lutam contra as pressões da vida, amor e trabalho em Manhattan, Carrie, Miranda e Charlotte se juntam a Samantha para uma viagem a Abu Dhabi, onde a ex de Samantha está filmando um novo filme.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 9 vitórias e 9 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I watched the first film as someone who had only ever casually watched the show and didn't really care to do more than that. The first film didn't get the wit of the show but did try to have a bit of substance to it in some regards, even if it didn't work. The second film feels like someone has taken the decision that this should be more of an "event" than a film so instead of worrying too much about story and characters, what we should have is just an endless OTT parade of wealth. Very much like the wedding that opens it, the film is constantly excessive, gaudy and unnecessary. Some will love it for this as some sort of guilty pleasure but I'm not sure if it is what fans or casual viewers will warm to.
My understanding of the show was that, while it did have the wealthy and free of the NYC fashion world as its main characters, it did keep itself connected to reality for the majority of viewers so that, while some of it was big city fantasy, it did still have a realism and wit in regards friendships and relationships that viewers could relate to. There is none of that in this film, instead the characters (themselves living in comfort and wealth) are granted access to a world of extreme luxury that takes them far from reality and makes them pretty unlikeable and patronising for the majority of the time. In terms of plot there is not a lot going on. Each character has their own little thread and mostly they amount to very little since the majority of the time is spent with them enjoying their luxury. There are some smaller moments of potential (Miranda and Charlotte being honest about motherhood with one another) that are good but they are lost in the luxury and the long run time as our characters just run from one glamorous location to another.
Anything that is close to a plot is handled badly whether it be a device or a relationship theme. The loss of Carrie's passport is "put out there" in the middle of the film only to be resolved within seconds and used for a terribly pointless conclusion. Her relationship quandary (about not seeing her husband a few days a week) is nonsense (since she has issues with it the day before jetting off for weeks) and is also discussed in the most patronising way, with Carrie drawing from the example of her private butler having joy in only seeing his wife once a month (missing that he can only do this because he has to work all the time, serving people like Carrie, as opposed to it being a relationship choice). The thing about the nanny goes nowhere and is resolved with a piece of throwaway titillation (excuse the pun) that is as vapid as the character.
Although the majority of viewers will not be offended by it, it has to be said that SaTC2 is an incredibly insensitive film considering where it was made. In principle I have no issue with the "these women are just like us" message but when it is made in as clunky and unrealistic manner as it is in this film then it is hard not to scoff at it. Likewise the constant suggestion that the women of the Middle East are oppressed is badly done and only made worse by having Western "liberation" "celebrated" by having Samantha wearing a revealing outfit, simulate sexual intercourse in a crowd of men heading to morning prayers – I'm really not sure what part of that scene was not designed to cause religious offense.
The cast go with it but outside of the brief moments some of them get to be characters (eg discussing motherhood) none of them do anything of note. Much has been said of Parker's looks that is unfair and irrelevant to the film – her job as an actress is not to physically appeal to the viewer. However, it is hard to overlook this aspect when the film spends so much time troweling her in makeup to the point where she looks ridiculous. Her narration musings are so superficial that her delivery only sounds the same. Cattrall tries to be the Samantha she always was but it doesn't work and the material misses the chance to do anything smart or progressive with her; she is also hurt by having the lions' share of the culturally and religiously insensitive material and having to sell it as her being "right". Davis and Nixon have even less to do than these two, which is a shame because they both come over as the more natural and realistic of the four. The male cast are again mostly plot devices, although I thought that Noth's Big was a better character than normal – although maybe I just felt sorry for his situation here? SaTC2 doesn't have the decency to be a car-crash of a film, the sort of thing that you watch aghast, but nor is it any good whatsoever. It is gaudy, superficial, overlong, offensive, and full of missed potential and bad ideas. Removed from the City of the title and placed into a world of extreme opulence the film also pushes the fantasy so far that it prevents any meaningful connection for the casual viewer (which the show used to be able to do). I doubt that even fans of the show will be happy with this film.
My understanding of the show was that, while it did have the wealthy and free of the NYC fashion world as its main characters, it did keep itself connected to reality for the majority of viewers so that, while some of it was big city fantasy, it did still have a realism and wit in regards friendships and relationships that viewers could relate to. There is none of that in this film, instead the characters (themselves living in comfort and wealth) are granted access to a world of extreme luxury that takes them far from reality and makes them pretty unlikeable and patronising for the majority of the time. In terms of plot there is not a lot going on. Each character has their own little thread and mostly they amount to very little since the majority of the time is spent with them enjoying their luxury. There are some smaller moments of potential (Miranda and Charlotte being honest about motherhood with one another) that are good but they are lost in the luxury and the long run time as our characters just run from one glamorous location to another.
Anything that is close to a plot is handled badly whether it be a device or a relationship theme. The loss of Carrie's passport is "put out there" in the middle of the film only to be resolved within seconds and used for a terribly pointless conclusion. Her relationship quandary (about not seeing her husband a few days a week) is nonsense (since she has issues with it the day before jetting off for weeks) and is also discussed in the most patronising way, with Carrie drawing from the example of her private butler having joy in only seeing his wife once a month (missing that he can only do this because he has to work all the time, serving people like Carrie, as opposed to it being a relationship choice). The thing about the nanny goes nowhere and is resolved with a piece of throwaway titillation (excuse the pun) that is as vapid as the character.
Although the majority of viewers will not be offended by it, it has to be said that SaTC2 is an incredibly insensitive film considering where it was made. In principle I have no issue with the "these women are just like us" message but when it is made in as clunky and unrealistic manner as it is in this film then it is hard not to scoff at it. Likewise the constant suggestion that the women of the Middle East are oppressed is badly done and only made worse by having Western "liberation" "celebrated" by having Samantha wearing a revealing outfit, simulate sexual intercourse in a crowd of men heading to morning prayers – I'm really not sure what part of that scene was not designed to cause religious offense.
The cast go with it but outside of the brief moments some of them get to be characters (eg discussing motherhood) none of them do anything of note. Much has been said of Parker's looks that is unfair and irrelevant to the film – her job as an actress is not to physically appeal to the viewer. However, it is hard to overlook this aspect when the film spends so much time troweling her in makeup to the point where she looks ridiculous. Her narration musings are so superficial that her delivery only sounds the same. Cattrall tries to be the Samantha she always was but it doesn't work and the material misses the chance to do anything smart or progressive with her; she is also hurt by having the lions' share of the culturally and religiously insensitive material and having to sell it as her being "right". Davis and Nixon have even less to do than these two, which is a shame because they both come over as the more natural and realistic of the four. The male cast are again mostly plot devices, although I thought that Noth's Big was a better character than normal – although maybe I just felt sorry for his situation here? SaTC2 doesn't have the decency to be a car-crash of a film, the sort of thing that you watch aghast, but nor is it any good whatsoever. It is gaudy, superficial, overlong, offensive, and full of missed potential and bad ideas. Removed from the City of the title and placed into a world of extreme opulence the film also pushes the fantasy so far that it prevents any meaningful connection for the casual viewer (which the show used to be able to do). I doubt that even fans of the show will be happy with this film.
Anyone watching this in 2020 cause of quarantine just to see if its as cringey as you remember? No? Just me? Ok
Went into this not expecting much, the premise seemed off but wanted to see my old friends. I told myself everything you're telling yourself, well the fashion will be fun...there should be some funny stuff...might get to see a hot naked guy. I had no idea I'd robbed of my ticket money and insulted for 2 1/2 hours.
I loved the series, seen every show at least 6-7 times. I thought the first movie was a little disappointing, not very much depth, just wallowing and moping for most of it.
The new movie is just an exercise in self indulgence and complaining about problems that aren't really problems. Charlotte complaining about how hard it is to be her when she has a nanny AND a housekeeper. Miranda complaining that her boss doesn't like her. Carrie complaining that Big puts a TV in the bedroom. Samantha complaining about her hormones. I just kept thinking "are you kidding me?? This passes for dialogue??". That's all in the first 8 minutes and it's just downhill from there. I'm just disgusted.
Best part of the movie? The preview for the new Rachel McAdams film that came on right before it.
I loved the series, seen every show at least 6-7 times. I thought the first movie was a little disappointing, not very much depth, just wallowing and moping for most of it.
The new movie is just an exercise in self indulgence and complaining about problems that aren't really problems. Charlotte complaining about how hard it is to be her when she has a nanny AND a housekeeper. Miranda complaining that her boss doesn't like her. Carrie complaining that Big puts a TV in the bedroom. Samantha complaining about her hormones. I just kept thinking "are you kidding me?? This passes for dialogue??". That's all in the first 8 minutes and it's just downhill from there. I'm just disgusted.
Best part of the movie? The preview for the new Rachel McAdams film that came on right before it.
I AM female. I love to watch a good chic-flick. However, I was so disappointed. This movie has little to offer except constantly changing 'bizarre' costuming presented as high fashion and thoroughly embarrassing 'ugly American' scenes of over-indulged, entitled and rudely written characters. I went to the theater to enjoy a fun movie. I came away shaking my head. The movie was disrespectful to me as an American woman. Who acts like Samantha when in a foreign country, the Middle East or otherwise? As I watched the characters make total asses of themselves I was embarrassed for them simply sitting in the theater. It's no wonder other countries believe Americans lack respect for everyone and everything. Hollywood apparently does and wants everyone to know it. Unfortunately, the general public is judged by Hollywood--the American delivery system. It's not worth the money to see it. If you can get it on DVD for a buck, then judge for yourself.
My sister and I were so excited about going to this movie. With the recession, the loss of jobs and general pessimism of late - the thought of dressing up, drinking cocktails and watching a great movie in the company of a whole room full of women like us was excellent. We desperately wanted to love the movie.
Initially, everyone seemed to be in good form – a bit of a cheer when Mr. Big came on screen; gasps and giggles in response to the first few jokes .then uncomfortable silence. My sister squirmed in the seat beside me through the horrible 'I am woman' song. Having visited the Middle East myself (and enjoyed the cultural experience and friendly people; albeit with a different outlook on life) I was pretty appalled at the blatant lack of propriety exercised by the four.
I have to admit when the movie ended, all the women around me turned to each other and said it was 'great' – I don't think we were ready to admit that it was possibly the biggest disappointment ever. My sister and I had planned to talk about the outfits and scenarios after we completely avoided the topic. We had all looked forward to this movie – we couldn't admit to ourselves (never mind anyone else) that it was awful.
To say I loved the original show is an understatement. As I enter my late twenties/early thirties, the reruns are even more relevant. The characters in the show discussed sexuality in a fresh, exciting way. They were women you could look up to – intelligent, confident, self-assured. They bear zero resemblance to the four self-indulgent, disrespectful, two dimensional creatures I had to watch.
I doubt any fan will take my advice and not go – I would have ignored it myself. The movie seems to symbolise everything that has gone wrong lately – by blindly pursuing materialism we lose what's really important. This movie spells that out – and leaves you feeling ashamed for having loved them so much in the first place. Having said that, I watched an episode in the series a night later and realised that, actually, I'm not an idiot – they used to discuss interesting, relevant issues – just in fabulous clothes.
As an aside, I spent an hour with my sister getting all dressed up to go, two hours chatting to her before we watched the horror show and four hours after dancing our socks off. Maybe the fact that was the best part means I have my priorities right after all.
Initially, everyone seemed to be in good form – a bit of a cheer when Mr. Big came on screen; gasps and giggles in response to the first few jokes .then uncomfortable silence. My sister squirmed in the seat beside me through the horrible 'I am woman' song. Having visited the Middle East myself (and enjoyed the cultural experience and friendly people; albeit with a different outlook on life) I was pretty appalled at the blatant lack of propriety exercised by the four.
I have to admit when the movie ended, all the women around me turned to each other and said it was 'great' – I don't think we were ready to admit that it was possibly the biggest disappointment ever. My sister and I had planned to talk about the outfits and scenarios after we completely avoided the topic. We had all looked forward to this movie – we couldn't admit to ourselves (never mind anyone else) that it was awful.
To say I loved the original show is an understatement. As I enter my late twenties/early thirties, the reruns are even more relevant. The characters in the show discussed sexuality in a fresh, exciting way. They were women you could look up to – intelligent, confident, self-assured. They bear zero resemblance to the four self-indulgent, disrespectful, two dimensional creatures I had to watch.
I doubt any fan will take my advice and not go – I would have ignored it myself. The movie seems to symbolise everything that has gone wrong lately – by blindly pursuing materialism we lose what's really important. This movie spells that out – and leaves you feeling ashamed for having loved them so much in the first place. Having said that, I watched an episode in the series a night later and realised that, actually, I'm not an idiot – they used to discuss interesting, relevant issues – just in fabulous clothes.
As an aside, I spent an hour with my sister getting all dressed up to go, two hours chatting to her before we watched the horror show and four hours after dancing our socks off. Maybe the fact that was the best part means I have my priorities right after all.
Você sabia?
- CuriosidadesThe dress Carrie wears to dinner when Mr. Big picks her up from her old apartment is the same one she wore when apologizing to Natasha, Mr. Big's ex-wife, for her and Mr. Big's affair in What Goes Around Comes Around (2000).
- Erros de gravaçãoMiranda says that the Arabic word for "yes" is "haanji." It's actually "aiwa" or "na'am"; "haanji" is the Punjabi word for "yes."
- Citações
Samantha Jones: There ought to be a law against hiring a nanny who looks like that.
Carrie Bradshaw: Yeah, the Jude Law.
- Cenas durante ou pós-créditosThe New Line, HBO and Village Roadshow logos and the film title are studded with rhinestones.
- ConexõesFeatured in Trailer Failure: Sex and the City 2, Frozen (2010)
- Trilhas sonorasSex And The City
Written by Douglas J. Cuomo (as Douglas Cuomo)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Chuyện Ấy Là Chuyện Nhỏ 2
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 95.347.692
- Fim de semana de estreia nos EUA e Canadá
- US$ 31.001.870
- 30 de mai. de 2010
- Faturamento bruto mundial
- US$ 290.745.055
- Tempo de duração2 horas 26 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente