Inimigo Público nº 1

Charistmatic gangster are a staple of cinema, and Frenchman Jacques Mesrine was actually liked to the most iconic of all such figures, Bonnie and Clyde. In truth, such people are rarely heroes, but this two-part story captures excellently the psychological processes that might have transformed an ordinary man into the public enemy of his day. Vincent Cassel is very good, and the film is full of suspense; it neither demonises nor glamorises its protagonist, and interestingly, sets his story against the backdrop of the political violence of the 1970s, which had a superficial interest to Mesrine as he built his own legend. Even if you're tired of violent criminal dramas, I recommend this one: the (true) story is amazing, and told with a humanistic viewpoint rare in such films.

What is it with gangsters? I like watching gangster films and I don't care what sort of gangsters they are. Something about the bravado and living the high life seems to appeal and there is always an element of charisma about them. That's not to say I wish to be a gangster or to break the law, but the self confidence and the refusal to take sh** from anyone attitude is attractive. But, were I to be placed in a room with a genuine gangster, I'm certain I would be terrified and would want to get out of there ASAP.

The film opens with Mesrine making a decision whilst in the French army and in Algiers whether to follow his superior's orders to shoot the wife of a terrorist suspect or to shoot the suspect. This moment, as well as establishing that Mesrine has the killer instinct of the title, shows us that he is not one for conforming to authority, as he ignores his superior and takes the shot.

From that point, the film is episodic as it follows Mesrine from petty crime to audacious criminal exploits. Each episode showcases another aspect to Mesrine's multi-layered character. Yet, because they are episodic, some of Mesrine's character fails to carry over from one to the next. This presents a fairly schizophrenic view of him which could well be in keeping with his real-life persona.

However, many of the episodes do provide insights into why this particular person's journey took this particular route. Having left the army, Mesrine turns to petty crime with his friend. This leads him to more serious crime, working for a Parisian crime lord, brilliantly underplayed by Gerard Depardieu. His personal life also keeps pace with his professional ascension. He has an ill-fated romance with a prostitute and a holiday romance that becomes a marriage following a sojourn to Spain. The film also takes the time to illustrate the strained relationship Mesrine had with his parents, in particular his father. Far from coming from a broken home, Mesrine is clearly from a loving, if conservative, family. Only Mesrine's own inner rage, reminiscent of James Dean in Rebel Without a Cause, at his father's seeming lack of courage rocks that world.

It is easy to see how Mesrine captured the imaginations of so many. His charisma, very ably aided by Vincent Cassel's own screen presence, shines from the screen whether talking his way out of house or defiantly standing up to his brutal treatment when he is finally caught and incarcerated.

He was imprisoned and brutally treated, following a one man / one woman crime wave across the world and, as part of his escape plan he assured those helping him that he would return to break them out. It is testament to his stature that they believed him and it is testament to his word that that is exactly what he attempted. Throughout his return to facilitate the breakout, the film enters the realms of an action movie.

The exploits of Mesrine left me wondering just how much the makers had embellished, or Mesrine has embellished for that matter – the film is based on his memoir, or did this guy really do these things?

There is one thing that I do know about Mesrine: I can't wait to see part two!

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We could argue for hours about the point that Richet is trying to make, is he simply celebrating and glamorizing the crazy life of Jacques Mesrine ? Is he trying to say something about the increasing presence of big brother in western countries (the patriot act in the US, cameras everywhere in the UK or the french debate about listings of people etc...)wish supposedly smothers us and would render the existence of men like Mesrine an impossibility? But in the end who cares ? The movie is an absolutely brilliant genre movie, with amazing actors at their best, an incredible recreation of seventies France, very realistic and visceral action scenes (all based on facts by the way !), and Richet's directing is very controlled, precise, you feel he knows what he wants, sort of the anti-Brett Ratner if you will, and the ambiance is spot on too. Time flew so fast when was watching the film, and now i just can't wait for the follow up which should arrive in 2009. truly great stuff !

Every once in a while a part comes along that is cast so well it's as if the actor was born to play and will forever be remembered for that role. Vincent Cassels portrayal of Frances public enemy number one, Jacques Mesrine, is one such role. Funny, disturbing, charming, psychotic and more Cassel is the larger than life criminal achieving a completely believable character study of someone the French press dubbed 'the man of a thousand faces' due to his ability to change his looks so often to evade the police. In fact the truth behind this most notorious of stories is so unbelievable at times that the filmmakers left parts out thinking the audience would think it was just too far fetched, in fact after watching the escapades of Mesrine I too thought 'all that couldn't have happened surely?' But after a little bit of homework I found that it did indeed all take place and after seeing the tale unfold you realise why Mesrine got his Monika. The film, told in two parts, opens with a brilliant seventies cop style feel and begins at the end before returning us to the start where we see a young Mesrine in the army fighting in the Algerian war, on his return to his native Paris he quickly becomes entangled with Guido a mafia boss played superbly by Gerard Depardieu (why had no one cast him in this kind of role before?) and over the course of the next four thrilling hours he rises to become the career criminal that became an embarrassment to the French police and government. Shot all grainy and washed out with an amazing attention to detail we follow Mesrine from bank robberies to kidnap, general violence to daring prison escapes and in a complete juxtaposition we see the family man, the charmer and the comedian. Hailed by some as a kind of Robin Hood figure the film never judges either way and gives you enough information for you to make up your own mind but of course with a figure so complex it's hard when the lines blur. He obviously loves his children doting on them in one scene but in another he smashes a glass in a man's face and beats and leaves a journalist for dead after he wrote a disparaging article about him. What doesn't help is that a lot of what happens is taken from the book Mesrine wrote in prison 'Killer Instinct' a work that he himself has said was slightly exaggerated to make him seen more notorious than he actually was. Overall though the film is a thrill ride from start to finish and can hold its own with any of the great gangster epics. Stylish, violent and gob smacking, it's a must see and with the immersive bravado of Cassel as Mesrine this film will be one that will be held in high esteem for some time to come.

It is a good movie based on French gangster cum Robin hood ( a kind of) Jacques Mesrine, who was also called of Public Enemy No. 1 and man of a thousand faces then. The story tells you that how a common man turns into notorious goon and then as a infamous gangster. Circumstances made him to be a thief, robber, kidnapper and killer. Scenes like between Jacques and his parents, with his wife and kids are emotional and make you to feel sympathy to him surely. Torture in prison also made him stone hearted. But he has a brave heart also to his women and one thing that he did not ever kill anyone without it was not much necessarily. Even a real tale movie will not bore you and you will definitely be waiting for second part. As me it is must watchable saga of a gangster. Coincidently I just watch 'Sacred Games' , an Indian web series which is similar to such subject. But it is too behind from such good movie, no comparison can be done when two are totally different quality. Both have implicit scenes but here you will not feel vulgarity whereas in Sacred Games you find yourself in a intentionally made uncomfortable situation. Any way I suggest this movie to thriller lovers especially who likes criminals biography. Well played roll.