Coastal Elites

This HBO film, a series of five blistering monologues (comedic with an edge) about the current state of politics, the pandemic, etc. was written by Paul Rudnick. Each of the five actors plays a character dealing with life in 2020 America. Each character talks to a camera while in quarantine. And no it's not static; it's a lively and engrossing 90 minutes (or thereabouts).

Bette Midler starts things off superbly as Miriam, a woman who has been booked for attacking a man in a coffee shop. She talks about her life in New York as a middle-class Jewish woman and the things that are important to her. Next is Dan Levy as a gay actor in LA trying to get a role in a gay superhero movie and dealing with gay stereotypes.

Third is Issa Rae as the daughter of a wealthy Black businessman who has political ties through her years in boarding school and who talks about the politics of wealth and privilege. Fourth is Sarah Paulson as a meditation guru who talks about her visit back home with her working class family and the blindness of political fervor. Last is Kaitlyn Dever as a NYC nurse dealing with the day-to-day grind in a hospital flooded with pandemic patients and the loss of one special patient.

Tough, trenchant, and funny.

Excellent theatre, well written and performed by all concerned, and I am totally on the same page as the writer!

Hopefully, there is to be an additional monologue to come, and it will be from a person who danced on the grave of Trump!

I wish I could have danced on the grave of Margaret Thatcher, and I feel the same about Trump and Johnson, the two most divisive fascists since Hitler!

God Bless, Miriam.

They have to make this a series. Each performance expertly written by Paul Rudnick.

I'd read a few snooty reviews that dismissed Coastal Elites as smug, self-satisfied, preaching to the choir... etc. The predictable put-downs of critics and commentators who always have to know better. In fact, it's smart, incisive, extremely timely and ultimately quite moving - and while being simultaneously depressing and uplifting. It's exactly the kind of whip-smart political theatre we need right now, when we can't even go to a theatre. Bette Midler is her usual powerhouse self as Miriam, a feisty Jewish momma who channels the collective rage at he who shall not be named. Dan Levy gives a nuanced turn as an actor with mixed feelings about his auditions for a gay superhero. And Kaitlyn Dever gives a restrained, yet masterful performance as a nurse on the front line. All five monologues are exceptionally well-written and brilliantly acted. And all the dopey 1/10 reviews from witless MAGA-hat wearing morons only go to prove that they are, as ever, utterly clueless and doomed to wallow in their cluelessness forever.

Everyone in this unusual film is good, although Bette Midler is a bit "Bette Midlery" (but how could she not be?) But the standout is Daniel Levy, whose work I only know from Schitt's Creek. He's really good.