AVALIAÇÃO DA IMDb
7,1/10
18 mil
SUA AVALIAÇÃO
Eric, um carteiro fanático por futebol cuja vida está entrando em crise, recebe ensinamentos sobre a vida do famoso filosófico Eric Cantona.Eric, um carteiro fanático por futebol cuja vida está entrando em crise, recebe ensinamentos sobre a vida do famoso filosófico Eric Cantona.Eric, um carteiro fanático por futebol cuja vida está entrando em crise, recebe ensinamentos sobre a vida do famoso filosófico Eric Cantona.
- Direção
- Roteirista
- Artistas
- Prêmios
- 3 vitórias e 6 indicações no total
Stefan Gumbs
- Jess
- (as Stephan Gumbs)
Max Beesley Snr
- Eric's Father
- (as Maxton Beesley)
Avaliações em destaque
Man Utd fans will obviously love this and I'm not a Utd fan. However i have to say this is the most entertaining film of Ken Loach's since Bread & Roses nearly a decade ago. It has a good story and is realistically acted by a cast of unknowns and semi-familiar faces. For a film about a legendary and iconic footballer it doesn't ram football down the throats of the non-fans. What the film does do is bring up just how important football is for many people, the way it can unite and connect them in a way that has otherwise disappeared in Britain.
I won't give any of the story away but this film drags you down to a point where you wonder how the protagonist will get out of a very dire dilemma. Yet the ending is so well written you are guaranteed to come out of the cinema smiling at the way just desserts are dished out. The film is brutal in places and the language strong yet the excellent acting keeps it watchable and Monsieur Cantona himself seems very comfortable in front of a film camera (although sometimes his accent makes his dialog a little hard to understand). Cantona plays with his image wonderfully, being both self important and yet always likable and sometimes quite happy to deflate his own ego, being respectful about how lucky he was to have had such a memorable and legendary career without ever being truly arrogant (a fact a certain Mr C Ronaldo could do well to absorb) and acknowledging the role of the fans in his career. Lets put it another way, King Eric will always be remembered and respected in this country by all supporters for his great ability and the respect he had for the game and his club. Ronaldo will just be remembered as a talented but greedy young man who left probably the biggest club in the world for a larger pay packet.
Its difficult for me to say any more without giving away the plot but lets just say this is a film about never giving up hope when all seems lost because sometimes help will come from the most unexpected sources.
I won't give any of the story away but this film drags you down to a point where you wonder how the protagonist will get out of a very dire dilemma. Yet the ending is so well written you are guaranteed to come out of the cinema smiling at the way just desserts are dished out. The film is brutal in places and the language strong yet the excellent acting keeps it watchable and Monsieur Cantona himself seems very comfortable in front of a film camera (although sometimes his accent makes his dialog a little hard to understand). Cantona plays with his image wonderfully, being both self important and yet always likable and sometimes quite happy to deflate his own ego, being respectful about how lucky he was to have had such a memorable and legendary career without ever being truly arrogant (a fact a certain Mr C Ronaldo could do well to absorb) and acknowledging the role of the fans in his career. Lets put it another way, King Eric will always be remembered and respected in this country by all supporters for his great ability and the respect he had for the game and his club. Ronaldo will just be remembered as a talented but greedy young man who left probably the biggest club in the world for a larger pay packet.
Its difficult for me to say any more without giving away the plot but lets just say this is a film about never giving up hope when all seems lost because sometimes help will come from the most unexpected sources.
I found this film extremely good fun. The plot was a little surreal, but it held you. The acting was excellent and there were lots of laughs. Cantona acquits himself perfectly respectably. As usual with Ken Loach, there was a bleaker side to the fun and the realities of ordinary people's lives were not glossed over or "prettied up". As is also the case with Loach films, one had the sensation that this was not being "acted" by professional luvvies, but conveyed with sincerity. This must be extremely difficult to achieve and I am full of admiration for the skill involved. Manchester United fans and other football followers will enjoy some of the documentary footage. But this is not just a film for football enthusiasts. I thoroughly recommend it.
Don't believe a word of the hype. Looking for Eric is not a Ken Loach comedy. It is, in several places, a very funny film indeed. But it is not a comedy. At a far fetched push you might call it a rom-com or a social satire. Me? I just think it's another brilliant Loachian movie. (Can you believe he's been at it for 45, yes 45, years since he wrote three episodes for z cars)? It's so sad, so desperate in places and then, yes, so funny.
And then there's Eric (Cantona). Ooh ah! And his goals. Ooh la la! And his cod (sorry sardine) philosophising. Oops ah! The Cantona character is inspired, as it is so self-deprecating- not a quality one associates with the French.
I loved this film but why is it so good? I think it's the way Loach makes his characters so utterly believable and, particularly in this movie, sympathetic. And as I always, always say it's because of the writing which is nailed on by long time collaborator Paul Laverty).
One of the back stories, about the elder stepson of Eric the postman (our hero played to perfection by Steve Evets in, I think, his first Loach movie) is really the backbone of the film. The eldest stepson (Gerard Kearns of Shameless fame) gets embroiled in some nasty business with a local gangland thug and threatens to destabilise Eric's whole fragile existence. But what doesn't kill you makes you stronger and that is certainly proved here.
It's a gem. A true Brit movie classic with a wee bit of the Auld Alliance thrown in.
J'adore Eric Cantona!
And then there's Eric (Cantona). Ooh ah! And his goals. Ooh la la! And his cod (sorry sardine) philosophising. Oops ah! The Cantona character is inspired, as it is so self-deprecating- not a quality one associates with the French.
I loved this film but why is it so good? I think it's the way Loach makes his characters so utterly believable and, particularly in this movie, sympathetic. And as I always, always say it's because of the writing which is nailed on by long time collaborator Paul Laverty).
One of the back stories, about the elder stepson of Eric the postman (our hero played to perfection by Steve Evets in, I think, his first Loach movie) is really the backbone of the film. The eldest stepson (Gerard Kearns of Shameless fame) gets embroiled in some nasty business with a local gangland thug and threatens to destabilise Eric's whole fragile existence. But what doesn't kill you makes you stronger and that is certainly proved here.
It's a gem. A true Brit movie classic with a wee bit of the Auld Alliance thrown in.
J'adore Eric Cantona!
Being an armchair Manchester United fan now for almost 20 years i had a lot of interest in seeing Ken Loachs' film when i first got wind of it.The presence of Eric Cantona still looms large over Old Trafford and indeed fans still sing his name to this day.In a way,watching Looking For Eric made me fall in love with Cantona and Manchester United all over again. This film does what all good fantasy films should do , it makes you feel good. We start the film with our central character in the depths of unhapiness and witness a transformation,thanks to life coaching by Eric Cantona (watch out Paul McKenna) . Cantona is a man with undeniable presence.Those who might sneer and scoff at his attempts to break in to the film world will be made to eat their words as Cantona brings every ounce of mysticism and humanity to his performance. It's true that it pays to know about Cantona and the impression he made upon the English game of football. In all the years since he has left the game, no one has quite replicated what he achieved. He will be remembered by Manchester United fans alongside greats like Best and Charlton and now also by movie fans for a touching and memorable performance in a film that deserves high praise.
From 'Cathy Come Home' to 'Kes through to 'Raining Stones' to 'The Wind That Shakes The Barley' the constant element of a Ken Loach film is striking realism. Everything is so natural, so ordinary that you stop looking at a story unfold on a big screen but look out at life going on through a massive window in the corner of the cinema. People talk like real people talk not to advance a story but to say what they're thinking, they talk over each other, round each other and sometimes stumble over their words. Events don't take place in a neat progressive order – they just happen, the way life happens. And yet Loach still manages to construct and set out these moments and these characters to tell a coherent natural story with a beginning, middle and end. Even when making a fantasy about a middle-aged man and his imaginary friend he doesn't alter the realism and naturalism of his approach one little bit.
Eric Bishop (Steve Evets) is on the verge of a complete breakdown moving from depression to despair. He lives with his two stepsons who treat him with contempt and use his house as a doss-house for their mates. He is still haunted by his biggest regret in his life – walking out on Lily (Stephanie Bishop) his first wife and first love nearly thirty years earlier when their daughter was still a toddler. When that now grown up daughter approaches him to help with looking after her child he realises Lily is going to become a part of his life again and he is terrified of how to deal with it or indeed if he can. His friends see that he is falling apart and rally around and try to help but it is his idol Eric Cantona (Eric Cantona) who he turns to for advice on how to cope. Cantona isn't there of course, it's all in his head but you get the impression that Eric B. knows that and that that's not the point anyway. It helps.
Although this is not necessarily a comedy it has like all of Ken Loache's films some very funny moments and some very funny characters. It has some very brutal ones too. A gentle domestic scene is suddenly interrupted by a shocking and very noisy home invasion – Eric's stepsons get caught up with gangland killers – and Eric himself gets (very) publicly humiliated by that gang's leader. But at its heart this is a feel-good film and leaves you with a satisfied grin and a real sense of justice being done. – And Cantona is damn good too!
Eric Bishop (Steve Evets) is on the verge of a complete breakdown moving from depression to despair. He lives with his two stepsons who treat him with contempt and use his house as a doss-house for their mates. He is still haunted by his biggest regret in his life – walking out on Lily (Stephanie Bishop) his first wife and first love nearly thirty years earlier when their daughter was still a toddler. When that now grown up daughter approaches him to help with looking after her child he realises Lily is going to become a part of his life again and he is terrified of how to deal with it or indeed if he can. His friends see that he is falling apart and rally around and try to help but it is his idol Eric Cantona (Eric Cantona) who he turns to for advice on how to cope. Cantona isn't there of course, it's all in his head but you get the impression that Eric B. knows that and that that's not the point anyway. It helps.
Although this is not necessarily a comedy it has like all of Ken Loache's films some very funny moments and some very funny characters. It has some very brutal ones too. A gentle domestic scene is suddenly interrupted by a shocking and very noisy home invasion – Eric's stepsons get caught up with gangland killers – and Eric himself gets (very) publicly humiliated by that gang's leader. But at its heart this is a feel-good film and leaves you with a satisfied grin and a real sense of justice being done. – And Cantona is damn good too!
Você sabia?
- CuriosidadesWhen Spleen asked who's scored after he left the bar, the television on the bar showed Paul Scholes who scored the only goal in that game. It was a real game between Manchester United and Barcelona, the second leg of the champion's league semi final in 2008. Scholes's goal was the only one of either leg and sent United through to the final, where they defeated Chelsea 6-5 on penalties to win the competition.
- Erros de gravaçãoOn the bus going to the raid, the clock reports 12:12. Then, the camera goes on the passengers. When back on the bus clock, it reports 12:38.
- Cenas durante ou pós-créditosCredits include footage of the press conference where Eric Cantona gives his famous "seagulls" quote.
- ConexõesFeatured in At the Movies: Cannes Film Festival 2009 (2009)
Principais escolhas
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- How long is Looking for Eric?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Looking for Eric
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 4.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 55.804
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.743
- 16 de mai. de 2010
- Faturamento bruto mundial
- US$ 11.650.726
- Tempo de duração1 hora 56 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was À Procura de Eric (2009) officially released in Canada in English?
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