Precisamos Falar Sobre o Kevin

In an interview with Lionel Shriver' about her highly successful 2005 novel she commented on the difficulty of the project: 'It was admittedly draining. And throughout, I was anxious that because I had never had a child myself, I didn't know what I was talking about and readers who were parents would catch me out.' As adapted for the screen by director Lynne Ramsay and Rory Kinnear this story becomes a terrifyingly realistic exploration of the subject of inherent evil and the manner in which we deal with it. The film is particularly timely as we read almost daily of youngsters killing classmates in schools across the country. But first the story:

Eva Khatchadourian (Tilda Swinton) is trying to piece together her life following the "incident". Once a successful travel writer, she is forced to take whatever job comes her way, which of late is as a clerk in a travel agency. She lives a solitary life as people who know about her situation openly shun her, even to the point of violent actions toward her. She, in turn, fosters that solitary life because of the incident, the aftermath of which has turned her into a meek and scared woman. That incident involved her son Kevin Khatchadourian (Ezra Miller as a teenager and Jasper Newell as a 6 year old and Rock Duer as a toddler), who is now approaching his eighteenth birthday. Eva and Kevin have always had a troubled relationship, even when he was an infant. Whatever troubles he saw, Franklin (John C. Reilly), Eva's complacent husband, just attributed it to Kevin being a typical boy. The incident may be seen by both Kevin and Eva as his ultimate act in defiance against his mother.

Ramsay tells her story in bits and pieces of a collage of moments from the birth of Kevin to his incarceration. For some this kind of non-linear story telling may be disconcerting, but for this viewer it seems like a close examination of the mind of a mother who simply cannot believe she has birthed and is raising a child who is the epitome of evil. The fact that we are aware of something hideous that has happened from the beginning does not get in the way of watching the slow maturation of Kevin - first as a constantly screaming infant to a maliciously bad little boy to a viciously cruel and evil teenager with whom his mother cannot connect except for one very telling instance when she reads the young Kevin 'Robin Hood' and his arrows, at which point Kevin shows a degree of affection for Eva. That moment proves in retrospect to be the nidus for the horror that lies ahead. Yet to say more about the story wound diminish the impact one the viewer. Tilda Swinton is extraordinary in her role as is Ezra Miller. The film. At least, for this viewer, is a powerfully disturbing one and a very fine insight into how evil deeds can happen.

Grady Harp

We have to talk about Kevin is a movie by Lynne Ramsay who has shown that he knows cinema and knows the language of cinema. This film is an abstract film and a unique tragedy of a woman on the verge of collapse. An attractive collage of color, light, pop music, red motifs and abstract images well created by the director. Although the film is weak in characterization, especially for the character of the father, but thanks to the good direction, the film is strong and interesting.

Some friends say that the film asks the audience many questions and puts them in different situations, but it does not tell or give anything to the audience, and I reply that this is exactly pure cinema. The film raises important concepts that people should talk about, such as violence and its origin, unwanted pregnancy and its effects, inappropriate attachment patterns, the role of parents, the institution of the family and the role of society, attention, and more. The film also blends time well with its structural pattern and keeps the audience in time, present and past at the same time. At the end, the film raises this important question: How did kevin become a monster?

This is quite simply one of the best films of the year. Even the book's author, Lionel Shriver (a woman) praises the film, calling it 'a brilliant adaptation'. Being a first-time dad, the story fascinated me. What happens if you don't love your own child... and they know it?

Tilda Swinton, not normally a favourite of mine, is exceedingly good as Eva, the mum uninterested in maternity. Gravid when she least wants to be (she's career-minded), out pops Kevin, her little Damien. You know from the moment she refuses skin-to-skin things are not going to bode well.

She has no idea how to deal with a baby. Her idea of subduing him is to stand next to a pneumatic drill to drown out his relentless screaming. Kevin grows up knowing he is unloved and demonstrates this through devilish behaviour towards Eva.

Gradually Eva, if not embraces motherhood, then at least gets better at it. Perhaps this is due to her giving birth to her second child, a girl, who Kevin of course hates with a passion. Or maybe the idea of being a mum sinks in, along with the realisation that a career is not the most important thing in life.

Eva's betterments do nothing to placate Kevin: he gets worse. Eva's attempts to complain are met with ridicule by the father (John C. Reilly), who thinks she is delusional. Years of unintentional, but sometimes intentional, neglect take their toll on Kevin, and the film's tragic conclusion seems inevitable.

The origin for Kevin's behaviour has polarised audiences. Did Eva create a monster by failing to form a bond early on? Should she have sought help from professionals if she felt she wasn't coping? Or was Kevin simply a bad seed; an innately evil child who no one could have cured?

Now that I've had the chance to reflect, I think it's unfair to judge son or mother. I'd be surprised if Ramsay wanted audiences to do that. What would be the point? The film is a starkly brilliant exploration of a failed relationship and the consequences that has on a family and an entire community.

If Swinton can win an Oscar so easily for her role in 'Michael Clayton', she should be celebrating her second win now. It's one of those performances which needs months of detoxification and psychoanalysis to move on from. Her acting is matched by new-kid-on-the-block Ezra Miller, who plays her lovelorn son. He brings to his role a controlled ferocity we are not used to seeing. His portrayal works, apart from his first-class acting, because he's not the stereotype. To look at him, you would say he was handsome and ingenuous. But looks are deceptive.

It's hard for people to be repulsed by films nowadays, but there are scenes which will shock. So rare is it to see this kind of film. They vanish as quickly as they appear. I implore you to see this if you can. You'll be moved if not entertained.

www.moseleyb13.com

While the idea behind "We Need to Talk About Kevin" is exceptional, I was put off by the direction of this film. While I know that a non-linear way of film making is popular these days, it's often overused--and here it is not used effectively. Too many times, the film jumps about in time and this took me out of the experience. This makes the film too unnecessarily confusing--so I am glad that I knew the plot so I could understand what was happening. Additionally, the film used a very deliberate artsy style--such as the overuse of the color red (the tomato fight, the stack of tomato soup cans, the paint)--resulting in sledgehammer symbolism. For me, the story was very strong on its own and didn't need all these tricks.

Tilda Swinton stars as a mother of a child who is seriously disturbed. However, her husband (John C. Reilly) is in complete denial and inexplicably the kid is never taken to see a therapist (or exorcist). As the film progresses, the child grows from an Oppositional-Defiant child to a cold and ruthless sociopath as a teen. You never ever hear about how he is perceived by teachers and neighbors--an odd omission. However, including the child killing animals, having one of the parents in complete denial, sexually offensive behavior and the hasty behavior towards his sister are all excellent touches--which I noticed since I used to work with folks like this (which would explained why I eventually gave up being a therapist and became a teacher). Unfortunately, as the film is out of sequence, you already know that sooner or later this will all lead to Kevin committing some atrocities.

Overall, this is a very compelling but frustrating film. I already talked about the film style which left me flat, but I also thought it very odd how the only one who seemed to notice anything unusual about Kevin was his mom. Even clever sociopaths are noticeable--perhaps not to everyone but to only be apparent to one person? Odd... The film is worth seeing but it just misses the mark for me--it could have been great.

This movie jumps around in time. Eva Khatchadourian (Tilda Swinton) is a hard-partying drifter in her youth. In the present, she lives a lonely haunted life with a hostile town around her. In between, she marries the permissive Franklin (John C. Reilly) and has a suburban life with two kids. Her first child is the troubled Kevin (Ezra Miller, Jasper Newell). She's not a happy mother and they struggle to get along. Then a troubling incident sends Kevin to prison.

There is a lot of good acting in this. Tilda Swinton is good with her distancing. She shows that she's slightly troubled too. Ezra Miller is cold and scary. The movie doesn't go for the easy emotions. This is a haunted, cold and unsettling story. It's not a fun movie but it is a fascinating watch.