Cela 211

This is a great movie mainly for two reasons:

1. The script is not a typical Hollywood storyline. It's very realistic and powerful.

2. The performances of all actors are superb. In contrast to Hollywood movies, the actors in this movie are not models who decided to move to the film business but real actors.

Fortunately, there are still cinema people who do not see movies as commercial products for sale with the purpose of bringing enormous profit to the producers but rather works of art. There is still hope for cinema.

Good movie, well worth seeing.

Great idea for a movie, apparently the Yanks are going to remake it.

I think that will be good too, if they polish this movie up well, it will be even better.

New scariest movie prison dude ever in the halfwit enforcer.

Fair bit of action, pretty tense at times, even the wife or girlfriend will enjoy it as it's very easy to follow, even with the subtitles.

Not for kids, but there is nothing in here teenagers haven't seen before.

Got to fill in some more lines ffs. Is that enough?

Tense and intriguing Spanish thriller mostly located into a prison with exception some flashbacks about private life of protagonist (Alberto Ammann) along with his wife (Marta Etura) . Good film that shows realism and truth without falling into the clichés of the genre . This powerful and very well directed prison movie contains thought-provoking drama , thrills , chills , suspenseful and lots of violence . With an excellent cast , including sensational acting from the magnificent starring Alberto Ammann as a prisoner in a desperate attempt to survive the ordeal , suffering an emotional brutalization who causes an explosion of violence and of course a perfect Luis Tosar who steals the show as tough and violent Malamadre . The tale of two men on different sides of a prison riot , the prisoner nicknamed Malamadre (Luis Tosar) leading the rebellion and the young warden caught in the revolt named Juan Oliver (Ammann), who poses as an inmate in a desperate attempt to survive the violent events . The first day when Juan begins working on his new job as a prison warden , is caught in a prison riot . He then decides to impersonate another prisoner to save his life and to end the revolt . Later on , terrible deeds happen and fury and revenge emerge . As Juan trapped in a world that does not belong and forgotten his fateful fate , erupts into an explosion of self-defensive violence showed on some breathtaking scenes .

This exciting picture results to be an intense thriller that packs tension , straightforward intrigue , sober drama, and lots of violence . The film contains thrills and chills and is quite entertaining because being a laborious and intriguing suspense tale full of twists and turns . In the picture there are violence , drama , tension and a little bit of action in the final confrontation . The story contains a statement about inmate's mistreating , despair , betrayal and a strong criticism of the ruling class, unable to control a dangerous situation . Most part of the movie takes place into four walls of the jail involving and executing the preparatives of strict conditions demanded by the inmates . Highlighting the newcomer actor Alberto Ammann , giving a lesson in how he is able to withstand the weight of the flick and stand up to a great actor like Luis Tosar , making a memorable work as dreaded Malamadre , without falling into the prison movie clichés . Furthermore , an excellent support cast as the nasty informer Carlos Bardem (Juan Bardem's brother) and Antonio Resines as sadist and corrupt warden who uses unthinkable brutality . This is a perfectly realized and superbly crafted film .

Interesting and thrilling screenplay by Jorge Guerricaechevarria (Eloy De Iglesia's usual screenwriter) though full of offensive stereotypes and not faithful to deeds . Appropriate cinematography by Carlos Gusi (Torrente, Box 507) who photographs splendidly the cold interiors from Zamora prison . Adequate and atmospheric musical score by Roque Baños (Fragiles, Machinist, Sexy beast, 800 bullets). The motion picture was stunningly directed by Daniel Monzon , a former cinema reviewer , he undertakes a skill and fascinating filmmaking with some sensationalist touch though is also intensely manipulative against prison guards ; this is his main big success . He previously directed fantasy (Heart of warrior) , comedy (Biggest robbery never told) and suspense (The Kovak box). Rating : Good , better than average. The film will appeal to prison genre buffs and Luis Tosar fans.

Cell 211 is an interesting prison drama with some strong performances and plenty of tense moments. The story centers around Jaun, a prison guard visiting his new place of employment who is unfortunate enough to find himself caught in the middle of a prison riot. An unfortunate turn of events leads to Juan being locked inside the jail with the inmates. He quickly realises it's adapt or die, and assumes the identity of a prisoner to ensure his own survival. The film has some very good performances and like many gritty prison dramas, come excessive violence that'll have you wincing away. The early themes of the film revolve around loyalty and earning respect, bit deeper into the film it becomes more about survival. Juan is put into situations where it appears no-one is on his side and taking matters into his own hands seems to be the only way out. There were times during the film when i thought i could predict exactly how Cell 211 was going to play out. Having seen my share of prison themed dramas over the years, it's all to easy to see where a film might lead in the final third. I'm happy to say that Cell 211 set itself up in what i thought was a predictable way, but that in the end, and to it's credit, i was surprised by how it played out. A strong film with commanding performances. 8/10

A Spanish thriller based on the eponymous novel by Francisco Pérez Gandul.

Cell 211 tells the story of a riot inside a dangerous ward, just when a new prison officer is having his introductory visit to the same. By chance, he sees himself locked in with the rioters and, to survive, he assumes, a new identity as a prisoner.

Although the story is not especially original, the characters and the script are very good, the situation is completely believable within the Spanish social and jail context, and the end is not as predictable as you might expect. Moreover, the movie is unpretentious and fresh, which makes it even more enjoyable.

The acting is very good by all the cast, but especially by Luis Tosar as Malamadre, by Alberto Ammann as Juan Oliveras, and Antonio Resines as Prison officer Utrilla.

A very entertaining Spanish thriller with very good acting, that won 8 Goyas (Spanish Oscars) in 2009.