Na era da depressão na Carolina do Norte, o futuro do império madeireiro de George Pemberton é complicado quando ele se casa com Serena.Na era da depressão na Carolina do Norte, o futuro do império madeireiro de George Pemberton é complicado quando ele se casa com Serena.Na era da depressão na Carolina do Norte, o futuro do império madeireiro de George Pemberton é complicado quando ele se casa com Serena.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
- Boston bank manager
- (as Christian Mckay)
- Calhoun
- (as Philip Zanden)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Well, yes and no. I'd say yes in that there are some very nice performances==particularly by Jennifer Lawrence. While she plays a thoroughly unlikable lady, she is able to convey a lot of emotions without actually saying anything. I was very impressed by her. As for Bradley Cooper....well, his character wasn't very interesting. The film also has some lovely location shots. What I didn't like, was that the film was too stark, too quiet and too god-awful depressing. Additionally, and this is a more minor quibble, but I HATE how in the close-up shots the camera NEVER remains still. I am sure some folks think it makes the film artsy, but on the big screen it probably induced nausea.
The story itself is about greed, corruption and amorality--themes that made me think of "There Will Be Blood", though without the larger than life leading performance. The Pembertons (Lawrence and Cooper) marry and move to the area which is now the Great Smokey National Park during the early Depression. Their goals are to eventually earn enough for a huge spread in Brazil--and both seem willing to abandon morality and decency to do it. However, Mrs. Pemberton is a lot like Lady Macbeth--the vicious woman pushing her husband to do ANYTHING to earn this fortunate. But when Mrs. Pemberton realizes that a woman in town with a small child is Mr. Pemberton's, this same vicious and amoral energy is about to be unleashed on the husband, child and old mistress.
This is a slow and unpleasant film...I'll admit this readily. However, I don't think overall that it's a bad film--even if it is a movie practically overflowing with nastiness! I see it as a film that STILL has an interesting story that could have certainly been much better. Giving the story some energy, some life would have greatly improved it. As it is, I just can't see most folks being very willing to watch this sort of unpleasantness.
The movie itself has stood the test of time. The adaptation is an interesting take, if somewhat predictable. The performances were solid. And the cinematography does an admirable job of reinforcing some of the symbolism of the original text.
Considering that is has two A-list on screen regulars; Jennifer Lawrence and Bradley Cooper, the film is surprisingly dissatisfying. Set in North Carolina in the Depression era, the film accounts the perspective of George Pemberton (Cooper) and his wood-plantation empire. That is until he meets Serena (Lawrence), when he suddenly suggests 'we should be married' - and they immediately do. In fairy- tales this is expected, but in a reality period drama it is loose and leaves no belief in their relationship. As a result, throughout the events of the film we have no attachment to them at all.
Once on board with Pemberton's wood-empire, Serena does not want to just be a trophy-wife, but instead gets hands-on involved in the dirty business end and is not afraid to throw some axes.
Form there onwards the film repeats the same formula over again: Romance, wood-chopping, politics - repeat. It is a tedious cycle with the all-so often subplots appearing that have no registration to the already flimsy story.
Also featuring; Rhys Ifans (as the bearded hit-man), Toby Jones (as Sheriff McDowell) and Sean Harris (as a wood-chopper), the film shockingly concludes with a melodrama on misplacement and seems unsure of where it is going, or what genre it even is.
If there was one positive thing to be said about Serena, it would be the six sex scenes between Cooper and Lawrence. But even then, the chemistry between them is tightly bound compared to their previous on-screen duos (Silver Linings Playbook, American Hustle).
Directed by Academy-Award winning Susanne Bier and penned by Christopher Kyle, it is hard to find who is exactly to blame. Is it the direction of the story? Either way it is a disappointing adaptation.
Você sabia?
- CuriosidadesJennifer Lawrence recommended Bradley Cooper for the project. They had worked together previously on O Lado Bom da Vida (2012), and they got along so well that they often spoke about working together again in the future. When Lawrence read the script for this movie, she sent a copy to Cooper and asked if he would do it with her.
- Erros de gravaçãoAt minute 40:07 Pemberton and Buchanan encounter the bear. The bear that appears on screen is a grizzly, not a black bear. Grizzlies did not inhabit the Smoky Mountains of 1929.
- Citações
Sheriff McDowell: The logging barons always cry "jobs" and "free enterprise," but the truth is, you barely pay enough to put food on the table!
Pemberton: Oh, we pay more than any job these men can get, and that's why there's a line fifty-deep every time there's an opening.
Sheriff McDowell: Openings? Yes, you always have openings, don't you, Mr. Pemberton? Because your camps have killed more men than the war between the States.
- ConexõesFeatured in Projector: Serena/Love, Rosie (2014)
- Trilhas sonorasBeignet Cakewalk
Written by Jeff Ford and Michael Esneault (as Mike Esneault)
Courtesy of FirstCom Music
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 176.391
- Fim de semana de estreia nos EUA e Canadá
- US$ 100.090
- 29 de mar. de 2015
- Faturamento bruto mundial
- US$ 5.092.129
- Tempo de duração
- 1 h 49 min(109 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1