Above Suspicion

I actually like the cast of this series and I might have given it an 8 if it wasn't for the sickening and gratuitous violence against women. Men don't get murdered anymore or mutilated women is just too inviting. So sick of the lack of imagination and total reliance on sex and violence.

I quite liked this show and I am a fan of British murder mysteries. However I am not a fan of the creepy older man in a superior position of power over a subordinate, younger female employee (very inappropriate). It is particularly creepy that he was friends with her father and may have known her as a child. Why on earth would an attractive young woman be attracted to an elderly gentleman in that way?! Yes I understand the father figure aspect, but why make it sexual?! Just another show where they pair younger female actors with much older male actors- just stop. If it wasn't for that I enjoyed this show the 3rd one deadly intent was the most boring, the other 3 were generally entertaining.

Travis doesn't have a clue about how to dress for a crime scene. Her main focus seems to be attracting admirers. Although her eye make-up is extensive in every scene, she apparently hasn't any idea how to comb her hair. These are all minor diversions that keep the viewer from getting involved in the plot. At the end of one episode, she sceams "I love you" to her superior officer, who's been dismissive of her - what the hell is there for her to love?

It's a miracle that this squad solves any of the crimes the writers have devised. They devised a squad that seems to be made up of about 30 people, but they have no idea how to solve crimes.

As a fan of detective/crime dramas, 'Above Suspicion' is, and never will be, one of my favourites, and it is a show that will divide viewers. For me, it falls into the reasonably decent but not great camp, after being riveted by 'Prime Suspect' and finding several impressive things with 'Trial and Retribution' there was the air of disappointment.

Considering the mixed reviews it could have been worse. There are problems sure, the script gets the job done competently and is reasonably tight but with not much spark or fire, only really coming alive from the climactic interrogation scene onwards. The cliché-ridden characters are not yet very interesting and little is done with them, both main characters being stereotypically one-dimensional.

The flashbacks have a tendency to be clumsily inserted, the sound can be sloppy and out of synch, the relationship between the two main characters is coming across as a bit contrived and makes Langton almost too much like a sleaze and some of the shock value is unnecessarily gratuitous (not quite as bad as "Red Dahlia" though). Lastly, Kelly Reilly is not doing much for me yet, pretty if implausibly young-looking but limited in expression and pallid in presence.

For all the flaws that have been listed, there are things that are done well. The series looks great, the split screen is something that will and has divided viewers but was done interestingly and cleverly here to this reviewer, and the gritty but never overly-drab look is a good fit. The story at least didn't make me look at my watch or want to do something else, and there was some atmosphere (admittedly however there is an over-familiarity and there is a lack of suspense, which doesn't make 'Above Suspicion' as constantly gripping as it should). Despite his material not giving him much variety and such, Ciaron Hinds commands the screen very strongly.

However there are two excellent assets. Much has been said about Jason Durr, and this reviewer can only echo the near-unanimous raving over Durr's chillingly creepy performance, especially in the interrogation scene. As for the interrogation scene, that was the other highlight, nail-bitingly intense and effectively harrowing it is by far the best individual scene of 'Above Suspicion's' entire run.

All in all, reasonably decent but not particularly great. 5/10 Bethany Cox

Another run-out for Ciaran Hinds, Kelly Reilly and the team, this time on the trail of the murderer of a promiscuous, drug taking young actress. As usual with La Plante, there are suspects a-plenty, sometimes there you fell just to flesh the story out and a major sub-plot with Hinds on the look-out for whoever's loose-lips cost him a coveted promotion. The convoluted plot, interspersed with a series of flash-backs, is brought, on thus occasion, I felt, to a less than riveting conclusion by the final scene, with the murderer in fact turning himself in by that point.

As for the acting, Hinds is good, perhaps helped by his more developed character, now less chauvinistic and shouty than before. Kelly Reilly as the ambitious, intuitive maverick in the pack still looks more befuddled than brainy in he part. There's some good acting in support, especially amongst the murdered girl's junkie so-called friends.

LaPlante no doubt felt at home portraying the acting world as scabrously as she does here and her dialogue for the most part rings true, but I felt an hour could have easily been lopped off the running-time and a few less unnecessary red-herrings dropped along the way which would have made the production correspondingly tighter and more compelling.