Perkins' 14

After searching years for his abducted son, a small-town cop by a psychotic local and is now part of a team of similarly-minded people raised to seek revenge on the town for years of neglect and must protect his family and the town from their sinister agenda.

This here wasn't that bad of an effort. Most of what works here are the films' use of the small-town atmosphere which is evident throughout the first half. The way the central mystery unfolds, from the central backstory of the child kidnappings that are plaguing the town and how the case affects him, set this off rather nicely with a creepy air and rattles on through the main half of the film which works nicely alongside the scenes with the daughter out partying with friends. Once it moves beyond that into a fantastic extended action/stalking sequence through the town where the deranged killers are showing to ravage the town in numerous high-energy affairs, from the attack on their friends at the remote hideout to the rescue at the motel as well as the small side-encounters along the way. This leads into the rather frantic and stellar sequence of the group trapped in the police station where the ferocity and cunning of the killers are put to great use for these scenes, the frantic barricade procedures to keep them out on the escape attempts that are failed spectacularly while all taking place inside the dimly-lit, claustrophobic location and a cramped, confined setting. Alongside the fine splattery gore, these here are what helps this one out over it's few minor problematic areas. Frankly, the biggest issue here is that the first hour of this is pure, unadulterated boredom merely through the continued insistence and focus on material not in the slightest bit interesting. Although this features a fine backstory about the history of the town and the killers, the rest of the film isn't exciting at all by the utterly inane side-plots which do nothing for this one. The troubled and fractured family life that takes up the majority of this one is insanely dull, as going through it all isn't that interesting with all sorts of cliched tactics to display this, from the alcoholic father, the unfaithful wife and rebellious daughter which has all been done so often there's nothing special about these characters and that leaves this one with an incredible mountain to overcome that is given an admittedly decent attempt to right it through the action later on. Likewise, that leads into the utterly idiotic idea later on where his judgment gets clouded unnecessarily into believing something that puts him in danger against his survival instincts. Had the beginning featured material we cared for, this one would've been really good.

Rated R: Extreme Graphic Violence, Graphic Language, Brief Nudity, a mild sex scene, violence-against-children and heavy underage drinking.

Of all the '8 Films to Die For' that I've seen (which is most of them), this one is undoubtedly the best (though that isn't saying much). It's not what I'd call brilliant horror, and certainly could have been a lot better, but there are some really good ideas here and they're well carried off by the director and his cast. The film could be called a zombie film - although I think that isn't really an accurate description. The film does take some influence from said genre, but the monsters in the film aren't zombies - instead, they're teenagers high on PCP. The plot focuses on a small town cop, who is devastated by the loss of his young son some years earlier. He's called into work after one of the other cops took the night off sick, and is intrigued by one of the prisoners in his cells. He notices the guy is missing a finger, and jumps to the conclusion that he's holding the man who kidnapped his son. After sending another officer to the prisoners' house, all hell breaks loose when the fourteen maniacs being held in his basement are let loose!

The whole film takes place at night, and director Craig Singer (who previously made the half-decent 'Dark Ride') makes best use of this as it gives the film a tremendous dark atmosphere that serves the central plot line well. It's basically a film of two halves; the first half focuses on the interaction between the two central characters - the cop and the prisoner. The best thing about the first half is the suspense and intrigue drummed up as we wonder exactly what is in the guy's basement - the sequence that reveals it is really well done. The second half is much more action packed and sees the maniacs let loose on the streets, and then we watch as the cop desperately tries to keep his family safe. The film is rather savage in the gore department - though to the director's credit, he's restrained with the gore and uses it only when needed - which ensures the biggest impact. The fact that the special effects are well done is also to the film's credit. The plot line flowing throughout the film regarding the officer's son is interesting; but soon gets silly. It also has to be said that many of the character decisions throughout the film are questionable. Still, this is an interesting effort and I would say if you only see one 'film to die for', make sure it's this one.

In the resort town of Stone Cove, thirteen children are missing for more than ten years. One of them is Kyle, the beloved son of Sheriff Dwayne Hopper (Patrick O'Kane) that is obsessed to know what happened to him. When the pharmacist Ronald Perkins (Richard Brake) is arrested, Dwayne suspects that he might have abducted his son, and he asks his pal Hal (Dean Sansone) that is at home to go to Perkins' house to investigate. Hal goes to the basement and finds many cells, and accidentally he releases the creatures that are imprisoned. Hal is murdered and the creatures escape. Dwayne goes to the place with Perkins and discovers the fate of the missing children that are released on the streets of Stone Cove in a hellish night.

The gore "Perkins'14" is a sort of combination of the disturbing and sick Travis Betz's "Joshua (2006)" with any zombie movie. The result is disappointing since the attitudes of the lead characters are stupid in many times. The funniest part is when Janine asks her husband if he is all right. The guy has just found that he is a cuckold; his teenage daughter is a slut; and his beloved son has been abused for ten years and has become a monster. Further he has just seen many dreadful deaths and they are trapped in a basement under siege of powerful zombie-like creatures. Couldn't the writer have a more appropriate line for that moment? The conclusion is so imbecile that ruins the promising parts if this flick. My vote is five.

Title (Brazil): Not Available

On the tenth anniversary of his son's abduction, Deputy Dwayne Hopper (Patrick O'Kane) thinks he might have the kidnapper in one of his holding cells. Ronald Perkins (Richard Brake) was picked up and all of the info he has been giving up isn't matching up. Sending an off duty buddy to Perkins' house, Hopper soon finds out that Perkins is indeed the Stone Cove Kidnapper and a man with a sinister plan. Part of After Dark Horrorfest III, this little film started off so good. It has a great premise and set up, but the major plot action ends at 40 minutes in, leaving me wondering what in the world they were going to fill the remaining 50 minutes with. The rest falls into standard "people being stalked" territory. O'Kane and Brake are interesting leads, both men having unique looks that set them apart from the usual shiny teen lead casts we see nowadays. Director Craig Singer (DARK RIDE) does an excellent job of disguising Romania for Maine and the film is incredibly well shot. Too bad he kinda blew it with the handling of the plot. Look for former Misfits replacement singer Michale Graves in a supporting role.

First off... along with Autopsy this is one of the of the 8 films to die for which I could sit through without falling asleep. Perkins'14 starts off very calm revolving around a cop who had his son abducted along with 13 other kids 10 years ago and can't let go. There is a lot of strange flashbacks inter-cut with the actual events where suddenly someone arrives at the police station who he considers to be the Abductor of the children ...from here it turns into mind-games between him and that guy named Perkins and by the title you can already guess that Mr. Cop is right about him. When a colleague searches Perkins house he finds a cellar with cages and his sudden death by one of the raging kids who were turned into blood lusting maniacs by 10 years of PCP-therapy. Now they are out in the streets on a rampage and we are up to a happy family re-union between the cop and his son ... or are we not??

What starts out slow and confusing (later you learn that its not confusing but pretty random) turns into a zombie-like movie with some pretty decent gore elements. The violence is depicted pretty raw and bloody and those kids are more a mix of instinct driven animals and zombies than anything else. They attack like the "28 days later" zombies, jump and run around, crawl air ducts, snap necks and disembowel with their bare hands. Thats nice, the visuals also carry it with some decent atmosphere. Problem is that the whole plot makes pretty little sense as of why Mr. Perkins engineers blood lusting zombie-kids on PCP and how they track down their kin and I really wonder how such obviously instinct driven creatures suddenly know how to use keys, shoot rifles etc. The whole ending is pretty idiotic and the movie should have rather focused on a logic plot and characters not acting like idiots (like a cop entering zombie infested crime scenes without a gun or his wife jingling key-chains like a crazy kid) instead of the massive bloodshed and bleak finale. Perkins'14 has really a lot going for it but smashes my hopes with a plot full of holes and dozens of ridiculous horror clichés.