Historia de un crimen: La búsqueda
- Minissérie de televisão
- 2020
AVALIAÇÃO DA IMDb
5,7/10
778
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaBased on a true story about the disappearance of a small girl from her home outside Mexico CityBased on a true story about the disappearance of a small girl from her home outside Mexico CityBased on a true story about the disappearance of a small girl from her home outside Mexico City
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Avaliações em destaque
It was good for one reason - the acting was uniformly excellent. All actors played their characters to perfection. The story line began so well and then sort of degenerated into a jumble. It was almost like someone didn't want the real story told. Do you suppose? - nah, couldn't happen.
Whoever made this movie deserves more exposure from Netflix. It kept me on the edge for the entire six episodes. I wish they would have summed up the whole mess at the end but it was still worth six hours of my life.
Whoever made this movie deserves more exposure from Netflix. It kept me on the edge for the entire six episodes. I wish they would have summed up the whole mess at the end but it was still worth six hours of my life.
This series shows the murder of a 4 years old girl ... with a comedy music in the background !!
Waste of time! Love the based on a true story series but this one is such a disappointment.
The direction is not upto the mark! Its not worth a watch.
The actors could have done better but shown dumb to adjust the story. I feel I wasted my time and sleep in this. I would advice not to waste your time!
This is a brilliant exposé of a mishandled investigation. It is hard for a north european like myself to judge the veracity of the political maneuverings that may or may not have been behind the 'burial' of the case - although they come over as very authentic - but the mordant social critique is recognizable and applicable world wide. Yes, the series plays like a telenovela, but it does so deliberately in order to open our eyes on how tragedy can, and does, become trivialized through current methods of media coverage and media consumption. The musical score underlines this perfectly. Those who see disrespect towards the victim need to watch again, and listen again, more attentively. The little silent victim nestles at the heart of the project, and the last scene depicts this sparingly but beautifully: we see Paulette's nanny - maybe the only person who truly cared for her - switch off the tv in disgust and exit the room, passing by a table on which there is a photo of Paulette with a lit candle burning in front of it. Far from a mess or a commercial exploitation, for me this series comes close to being a masterpiece.
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