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IMDbPro

Medianeras - Buenos Aires Na Era Do Amor Virtual

Título original: Medianeras
  • 2011
  • 12
  • 1 h 35 min
AVALIAÇÃO DA IMDb
7,5/10
17 mil
SUA AVALIAÇÃO
Medianeras - Buenos Aires Na Era Do Amor Virtual (2011)
A drama about two neighbors who cross paths but never meet.
Reproduzir trailer1:33
2 vídeos
92 fotos
ComédiaDrama

Martin e Mariana são pessoas ligeiramente deterioradas que vivem em prédios um do outro. Embora muitas vezes eles não percebam um ao outro, a separação pode ser o que os aproxima.Martin e Mariana são pessoas ligeiramente deterioradas que vivem em prédios um do outro. Embora muitas vezes eles não percebam um ao outro, a separação pode ser o que os aproxima.Martin e Mariana são pessoas ligeiramente deterioradas que vivem em prédios um do outro. Embora muitas vezes eles não percebam um ao outro, a separação pode ser o que os aproxima.

  • Direção
    • Gustavo Taretto
  • Roteirista
    • Gustavo Taretto
  • Artistas
    • Javier Drolas
    • Miguel Dedovich
    • Pilar López de Ayala
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    17 mil
    SUA AVALIAÇÃO
    • Direção
      • Gustavo Taretto
    • Roteirista
      • Gustavo Taretto
    • Artistas
      • Javier Drolas
      • Miguel Dedovich
      • Pilar López de Ayala
    • 27Avaliações de usuários
    • 75Avaliações da crítica
    • 60Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 9 indicações no total

    Vídeos2

    Trailer #1
    Trailer 1:33
    Trailer #1
    Medianeras
    Trailer 2:58
    Medianeras
    Medianeras
    Trailer 2:58
    Medianeras

    Fotos92

    Ver pôster
    Ver pôster
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    + 88
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    Elenco principal18

    Editar
    Javier Drolas
    Javier Drolas
    • Martín
    Miguel Dedovich
    • Psiquiatra
    Pilar López de Ayala
    Pilar López de Ayala
    • Mariana
    Miguel Alvarez
    • Hombre atropellado
    Alicia Mezza
    • Mujer mayor
    Lucas Issi
    • Taxista
    Octavio Musaluppi
    • Nene triciclo
    Jorge Lanata
    Jorge Lanata
    • Médico
    Coqueta
    • Susú
    Romina Paula
    • Ex novia
    Alan Pauls
    • Ex novio
    Inés Efron
    Inés Efron
    • Ana
    Adrián Navarro
    Adrián Navarro
    • Lucas
    Carla Peterson
    Carla Peterson
    • Marcela
    Rafael Ferro
    Rafael Ferro
    • Rafa
    Martín Feldman
    • Peleador pileta
    Woody Allen
    Woody Allen
    • Isaac
    • (cenas de arquivo)
    • (não creditado)
    Mariel Hemingway
    Mariel Hemingway
    • Tracy
    • (cenas de arquivo)
    • (não creditado)
    • Direção
      • Gustavo Taretto
    • Roteirista
      • Gustavo Taretto
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    7,516.8K
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    10

    Avaliações em destaque

    8rdoyle29

    A charming take on the modern romantic comedy

    Two young adults live lonely, isolated existences in modern Buenos Aires and repeatedly fail to meet each other despite living on either sides of a street.

    Javier Drolas is a web designer living in a cluttered, one room apartment. He doesn't like to go outside and only does for his therapy appointments and to walk the dog his American girlfriend left with him when she returned home for a visit and never came back. He has a brief sexual relationship with a young, emo dog walker, but it's not very satisfying.

    Pilar López de Ayala is a young architect working as a window dresser. She has a series of unsatisfying relationships and is happier relating to the mannequins she keeps in her apartment.

    The film teases several meetings between these two, but along the way, muses on life in modern Buenos Aires, a city that has grown so fast that it's a mishmash of haphazard architectural styles and most people live in tiny apartments in giant high rises. The growth of online relationships and slow death of personal, physical ones is killing the romantic lives of young people like our protagonists.

    It's a very slight, but quite engaging film. You never doubt that a film with this light a tone will end with these two meeting, but it's a pleasant journey. Gustavo Taretto telescopes his indebtedness to Woody Allen by having our protagonists both watching the climax of "Manhattan". This film is more like "Annie Hall" with a steady narration by both leads and a blend of many styles ... animation, on screen graphics and many other gimmicks are dropped in.
    7asterisk-893-146033

    same crap everywhere

    Its maybe strange to title the comment on this way, but this beautiful movie made me exactly that impression. Watching this movie from second grade European country was enlightening thing to do. It show me that on a different continent on different hemisphere on planet Earth, but in a same time, people live with a very same problems as I and my countryman do. Everyone become more and more isolated, people get estranged, while we more and more zip ourselves in our concrete beehives. And a exit from that darkness is simple. We need more light. Not of those artificial but those natural, God given, Sun light. There was a lot symbolic in act of braking a hole in a wall in one movie segment. Best recommendations.
    7m-sileo

    Loneliness and love

    Medianeras, directed and written by Gustavo Taretto, is an Argentine romantic dramedy that explores loneliness, disconnection, and urban life in Buenos Aires. Through the parallel stories of Martín (Javier Drolas) and Mariana (Pilar López de Ayala), the film reflects on the search for love and human connection in an environment that, paradoxically, seems designed to make them harder to find.

    One of the film's central themes is loneliness in the metropolis, where high population density contrasts with emotional disconnection. Martín and Mariana live in nearby buildings but have never met, illustrating how architecture, technology, and the fast-paced nature of the city contribute to isolation. The dependence on technology for communication is a recurring theme: Martín is immersed in a virtual world, highlighting how modern technology can serve as both a bridge and a barrier in personal relationships.

    The film makes poetic use of Buenos Aires' architecture, not just as a setting but as another character. The city's symmetry and verticality are reflected in the visual style, with shots that play with the asymmetry of the protagonists' lives. Images of windows, crowded streets, and structures that separate rather than unite symbolize the physical and emotional barriers that prevent human connection. Additionally, the soft color palette and carefully composed cinematography enhance the film's melancholic yet beautiful aesthetic.

    Taretto also raises important questions about how modern architecture and technology impact our lives and relationships. The use of voiceover to comment on these themes is well-executed, offering an intimate and poetic reflection that complements the visual storytelling.

    Ultimately, Medianeras is a film that sensitively and humorously captures contemporary loneliness, exploring the longing for connection in an increasingly fragmented world.
    8hkauteur

    HK Auteur Review - Sidewalls

    Martín and Mariana are slightly damaged people who live in buildings just opposite one another. Both are afraid of the outside world. While they often don't notice each other, separation might be the very thing that brings them together.

    The film opens with a Manhattan-like montage showing the many buildings in Buenos Aires, a monologue from Martín (played by Javier Drolas) describes how architecture is the ultimate human expression and a mirror-accurate reflection of how we are – disorganized, contradictory, chaotic and disconnected. Martín states that his entire life is in his apartment: he works, sleeps, eats, has sex (with himself) and entertains himself there. He blames architects because they have designed the outlines of his life. Modernity has made our homes so comfortable that being outside and interacting with other people now seem daunting.

    The characters are quirky but realistic. We are presented with their inner monologues along with animations visualizing their inner thoughts. It is never quirky for the sake of being quirky. Let's just say if Zoe Deschanel suddenly manifested in this movie, she would have been quietly escorted out by Latino security guards. No seriously, Martín and Mariana's quirks come from a real damaged place of hurt, heartbreak and a loss of faith in people. Something that felt really real for me was how Mariana likes to lean on a specific spot in her apartment -a wall besides the 5-step walkway up to her bedroom area. It does not look particularly comfortable or anything special, but she leans there and uses it like a place of safety. That hit me on a personal level.

    Sidewalls provides a precise portrayal of isolation and loneliness and underneath asks some challenging questions. Why is all this interconnectivity setting us apart? How can someone feel alone on a subway full of people? Is love the answer? It might be the answer, but it's goddamn hard to find amidst all this interconnectivity. Suffice to say, Martín and Mariana do get to meet potential lovers and it is interesting to see how they play out and how it affects the two protagonists. There are many whimsical moments and I smiled through most of the film. It gets a bit dark at times too. Mariana purchases a mannequin and interacts with it in all sorts of ways and I hoped that her condition wouldn't worsen into anything darker. For that, I think actress Pilar López de Ayala has the meatier role. After this film, I think I have a new crush.

    I liked what the film had to say about urban loneliness. I liked and cared for these characters and wanted to see them together. It's a nice charming gem of a love story. I would have wanted to see more interaction between the two characters, but maybe that's a good thing. It left me wanting more.

    For more reviews, please visit my film blog @ http://hkauteur.wordpress.com
    8secondtake

    Modern Argentina made human and funny and touching...a sweet gem!

    Sidewalls (2011)

    A wonderful, heartwarming, smart and funny film. Anyone would like this, so see it.

    Two lonely young people in two nearby apartments in Buenos Aries are everything in this fairy tale feel good romance. A romance where the two characters have never met.

    The city is lovingly brought to life through its buildings, most of them ordinary big city buildings much like the two characters are ordinary inhabitants. And the title, sidewalls (which is medianeras in Spanish for this home-grown Argentine movie), refers to the tall and often windowless side facades of the structures, including many apartment buildings, including the two where our hero and heroine reside.

    So what goes on? You see the almost painfully lonely lives of two really likable people, wishing they could somehow meet. They have similar interests, they live near to each other, and they are both looking for love. Small things happen in the movie, little asides, but really the whole things is just this gradual accumulation of expectation. They really should meet, somehow, cross paths and recognize their parallel needs. The audience is totally convinced they are perfect for each other.

    If only life would comply.

    Director Gustavo Taretto, who also wrote the sly monologues and voiceovers for the movie (there is almost no dialog), originally made this as a short in 2005, running at half an hour, and it got rave reviews and won a slew of awards. So it was expanded here, and somehow it doesn't seem stretched too long even though the idea is the same (and the same lead actor was used, with a different lead actress). If there is any drawback to the movie, however, it is a slowly growing feeling that there is just this one clever situation at hand and it needs to resolve, or end, or something, to keep the incredible magic of the first half going.

    Not that it exactly flags. The fairytale aspects get slightly improbable (as fairy tales do) by the last half hour, but it's exactly what you need. And then it's done, a fun and funny gem. It fits into a category of independent features worldwide using small casts, young actors and simple bright ideas. This is one of the best.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The movie that the main characters watch on tv is Manhattan (1979), by Woody Allen.
    • Citações

      Martín: The Internet brings me closer to the world, but further from life.

    • Conexões
      Features Manhattan (1979)
    • Trilhas sonoras
      True Love Will Find You In The End
      Written by Daniel Johnston

      Performed by Daniel Johnston

    Principais escolhas

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    Perguntas frequentes19

    • How long is Sidewalls?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 2 de setembro de 2011 (Brasil)
    • Países de origem
      • Argentina
      • Espanha
      • Alemanha
    • Centrais de atendimento oficiais
      • Official site
      • Official site (Japan)
    • Idiomas
      • Espanhol
      • Francês
      • Inglês
      • Italiano
      • Alemão
    • Também conhecido como
      • Sidewalls
    • Locações de filme
      • Buenos Aires, Distrito Federal, Argentina
    • Empresas de produção
      • Eddie Saeta S.A.
      • Instituto Nacional de Cine y Artes Audiovisuales (INCAA)
      • Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 11.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 2.377
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 1.304
      • 30 de out. de 2011
    • Faturamento bruto mundial
      • US$ 1.008.116
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 35 min(95 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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