O Solteirão

Greenberg, about a discontented 40 year old who's not at all sure what he's doing with his life, is a provocative slice of life - but it's not for all tastes. It moves slowly and demands extra attention, but even if you're really into the story you might wonder where those 107 minutes went.

Ben Stiller, in a terrific performance, is the titular ne'er do well, an itinerant carpenter housesitting for his brother in Los Angeles for six weeks. During that time, be meets and falls in and out of like for his brother's executive assistant Florence (Greta Gerwig, who's also magnificent), who's just as awkward as Roger Greenberg.

The bulk of the film covers their relationship on one track and the events of Greenberg's past that have led to his existential where-am-I ponderances. Some 15 years earlier, Roger was in a band out of college with a few good friends. They were apparently quite good, but when a record company offered them a deal, Roger turned it down, afraid of the success it might bring. This led to a serious rift in the band, causing each member to go his separate way; none of the members has played much music in the intervening years.

Liking Roger isn't easy for anyone, not even the audience. He's sort of a jerk. (It's mentioned that he's just been released from a mental institution, although the cause for his hospitalization is not explained.) The film indicates that Roger has problems maintaining relationships, sometimes acting out - and lashing out - in order to keep himself safe and serene. His arrival in LA allows him to reconnect with several of his old friends, many of whom he hasn't seen in those 15 years.

It's these fractured relationships that hold the key to Greenberg's life. At times, he tries to patch things up and move on with his life, but he's just as likely to snap at the friend or lapse into the same behavioral issues that had plagued him as a young man.

Stiller is really, really good in this. He's surprisingly very good at showing myriad emotions convincingly. At once, you believe Greenberg is a polarizing, hurting, hurtful man on the cusp of the rest of his life. Stiller's brand of comedy can take time to grow on someone, but he really shows his range here. I certainly didn't know he could plumb the depths of a character like he did to Roger Greenberg.

Gerwig is his equal and is a real presence here. Florence is - like her namesake Nightingale - a huge help to Greenberg's brother as his assistant, and he's much more savvy about taking care of the house than Greenberg is about taking care of himself (in a funny early scene, she asks him to make a list of things for her to get at the store, and he writes "whiskey" and "sandwiches"). But as good as she is at her professional life, her personal life is an absolute mess. She goes on one-night stands because they feel good - okay, no problem there - but she has few true connections in life. She has one good friend, and you get the impression that her family isn't really close to her (she says her niece doesn't relate too well to her). Florence is physically and emotionally awkward, unsure of herself in all ways save for her job, in which she's commanding. This, of course, also makes her terribly vulnerable to the advances of the older Greenberg.

So the acting is really top notch, but the movie just isn't for everyone. Here's why. There's a lot of plot, a lot of things happening, but very little is resolved or accomplished; the film almost feels like a stream of consciousness to which we're privy. What WILL Greenberg do after the six weeks are up? Will he stay with Florence? Will he jilt her? In the end, does it really matter? Probably not; the ending is abrupt, although not out of place for the rest of the film. But one really needs to be atuned to Greenberg's plight in order to enjoy the film. If one isn't, the movie's mostly dull with bits of funny moments interspersed throughout. I didn't find it terribly heartwarming, just a character study of an unlikable character. Which is not a bad thing at all, but this one just didn't completely work for me.

Roger Greenberg (Ben Stiller) is single, forty-ish and at a crossroads in his life, finds himself in Los Angeles, house-sitting for six weeks for his more successful/married-with-children brother. In search of a place to restart his life, Greenberg tries to reconnect with old friends including his former band mate Ivan (Rhys Ifans). But old friends aren't necessarily still best friends, and Greenberg soon finds himself spending more and more time with his brother's personal assistant Florence (Greta Gerwig), an aspiring singer and also something of a lost soul. Despite his best attempts not to be drawn in, Greenberg and Florence manage to forge a connection, and Greenberg realizes he may at last have found a reason to be happy.

I'm not Stiller's biggest fan. He usually does this very lame and silly comedies which aren't really my thing and that's what I was expecting from this film. Instead, Greenberg turned out to be something completely different and Stiller's performance was amazing. I hadn't been so surprised by a film in a while. And even thought you will laugh several times, this funny and moving tale is far from being a comedy. In fact, there's a sad and melancholic tone throughout the entire film and it doesn't really light up as many viewers were perhaps hoping for, which for me, made the all experience much better, because, let's face it, life isn't always great and happy endings are rare.

The script is incredibly refreshing, the dialog is brilliant and the direction was absolutely impeccable, really some of the best I've seen lately. The opening shot, for instance is a good example of what I'm talking about and it kinda set the tone for the rest of the film. There's also a lot of conceptual scenes, like Greenbelt trying to swim in the pool, which I love. Granted, the plot could have a little more direction but each scene as random as it may seem is so delightful and rich in subtext that you find yourself not really caring about that. Even the somewhat abrupt ending, which at first disappointed me but now seems completely fitting, shows how this film refuses to follow any conventional formulas.

As I've mentioned before, Stiller was great as the lead character but so was Greta Gerwig as Florence. Much like Greenberg, Florence is this sort of offish, social out-casted girl and Gerwig plays the weird and awkward "vibe" so well it's astonishing. The supporting cast did a good job too with Rhys Ifans standing out. In conclusion, Greenberg is nice little slice of life and one of the best films I've seen this year. And yes, the fact that I related to some of the lead character's anger helped a bit. Definitely worth seeing.

8/10

This film was slightly misadvertised. It is not a "funny movie," it is a pseudo-slice of life movie with an eccentric but believable character. It is a comedy in the sense that it is not a tragedy.

I enjoyed this film immensely. I found it very cathartic and realistic. It is "funny" in the sense that Ben Stiller is socially inappropriate at times, but honestly, it's not a "funny" film, and sometimes the film tries to be funny and definitely falls flat. The story is also a little slow to start. That said, it's still a good film.

Some people clearly don't "get" this film...Anyone who says "it wasn't funny!!" or "nothing happened!" is missing the point. This is one of those rare movies based entirely on character, with a very realistic plot progression. It's not the best movie of the year or anything, but it's a really good example of a character-driven story. If you don't care about or "get" Greenberg, there is nothing for you here.

I must protest the people who say the film is unbelievable. It *is* very believable, but not necessarily relatable. It portrays a man bordering on mental instability *very* well.

Ultimately, this movie is similar to Woody Allen pics in affect, although much less "funny." But it still has that "world through the eyes of a neurotic" gimmick, as well as the laissez-faire plot progression.

Ben Stiller also deserves praise for a great, "real" performance as Greenberg, and he is supported by a mixed cast (some great, some poor).

I recommend this film to anyone familiar with OCD, anxiety, or anyone over 40 who asks "what happened?"

Florence Marr (Greta Gerwig) is the Greenberg family nanny in L.A. The family goes on a trip while the brother Roger Greenberg (Ben Stiller) drops by to housesit. She's young trying to find her way. He's a New Yorker misanthrope just out of an insane asylum. He doesn't drive and writes complaint letters. His friend Ivan Schrank (Rhys Ifans) pushes him to go to Eric Beller (Mark Duplass)'s barbecue where he runs into ex-girlfriend Beth (Jennifer Jason Leigh) with her kids. Roger, Eric and Ivan were once in a band but Roger refused to sign a recording deal. Florence and Roger have an on-and-off relationship.

Ben Stiller is going too dark. It's a matter of slight miscalibration. This could be a great indie rom-com but I can't find any likability to Roger. His dialog could have some sharp sarcastic jokes to take off the edge. I need to laugh with him but his dark depressed nature keeps getting into the way. Getting angry over his birthday is probably the only laughable moment although saying Florence's emotional story is pointless gets a small chuckle. His anger needs to have more comedy as an outlet and to balance his dark side. It has some good moments but it could have been better.

I was under the impression that this would be another wacky Ben Stiller comedy. When I started watching it and learned that Noah Baumbach (who had previously made the excellent 'Margot at the Wedding') was the director, I knew this was going to be a different kind of movie that would probably reveal a different side of Ben Stiller's acting. Many have described this to be for Stiller what 'Punch Drunk Love' was for Adam Sandler and 'Stranger Than Fiction' was for Will Ferrell.

Baumbach's 'Greenberg' is a character driven piece that centres on Roger Greenberg (Ben Stiller), who recently left a mental asylum and is back in town to housesit for his brother who's away on holiday. He falls for his brother's assistant and tries to pick up the pieces of a life he had once left behind while going through a midlife crisis.

Like he did with 'Margot at the Wedding', Baumbach's execution is lowkey and his narration mostly relies on the interactions between the characters and the protagonist's quiet moments when he/she is alone. The art direction is suitably minimal and the camera-work is solid. The dry humour is very effective and consistent with the atmosphere Baumbach creates.

Ben Stiller does a remarkable job with an effortless performance. This is definitely a departure from what he's familiar with and he proves that he can deliver a restrained performance when required. Rhys Ifans is equally good. Jennifer Jason Leigh (who also co-wrote the screenplay) provides fine support on both counts. Greta Gerwig is competent.

Baumbach has done it again, successfully telling a complex story that appears to be much more than what shows on the surface.