A Ocasião Faz o Ladrão

I will admit the main reason I decided to watch this movie was because Keanu Reeves is in it. Not that I find him to be a great actor or anything like that but I enjoyed a lot of the stuff he was in. I though this actor never ages but in this you can tell the guy is getting old now. And although I never found Reeves to be a great actor he fit in very well for a role like this. "If you did the time you might as well have done the crime". Is one of the quote in this movie and that is what the character Henry(Keanu Reeves) goes by after getting out of prison for a crime that he was unintentionally a part of. But his motives are quite different than most criminals that tries to commit a crime. Yeah Keanu although entertaining to watch his presence in movies is bashed upon for not being a great actor like I said before. But in a role like this he fits right in and is actually believable. As a character who is a quite, reserved person and is also a person that lacks ambition but has a kind heart. I didn't find the chemistry between him and the actress Vera Farmiga all that great since the actress isn't likable at all. And just comes off loud and selfish in my opinion but who am I to judge when it comes to someone falling in love. I gotta say though the actress is really good and her acting was top notch and believable, like as if she is like that in real life. Overall I didn't find this movie all that entertaining and found the chemistry to be lacking, but it's passable barely.

6.5/10

I like Keanu Reeves, but he has turned out a disappointing uninspired performance in this film. It may not be his fault because the storytelling itself was quite dull. Events unfold tediously without really building up. I think it was because the music failed to do its job of creating the tension at the right time. Nice songs in the background, but that's no excuse for not having a good score.

Time Out described it as a "Quiet Triumph" and I tend to agree. It's not the best movie ever made but is clever, multi-layered (stories within stories within...) and an interesting, often tongue in cheek, look at acting as a process. It is enjoyable, although slightly uncomfortable in places as Farmiga plays self reliant/involved diva and ego-above-her-status-actress very well and with great aplomb. Caan's comic relief as the wannabe lifer adds some one liners and fun to a film that has an old-fashioned serious classic quality both in style and direction (something to do with dimensions of camera angles/screen apparently), and the soundtrack is brilliant. Chekhov's The Cherry Orchard lends a certain gravitas to the proceedings, and a backdrop for the real-life storyline, as does Reeves' deliberate delivery and method metamorphosis from downtrodden bored/boring-but-nice average Joe to cavalier passionate lovestruck criminal-mastermind, which is impressive! I think this film is a slow burner... after watching it, it stayed in my mind and I want to see it again, sure there will be more layers and nuances that I missed.

Malcolm Venville's 'Henry's Crime' is a delightfully lowkey heist/ romantic comedy. By romantic comedy I don't mean those sugarcoated typically Hollywood rom-coms that are set in New York or that star Julia Roberts. This is nothing like that. The humour is quite dry and subtle and the romance is depicted effectively through non-verbal expressions rather than words. Then there's the heist angle which is depicted very simply. The director and writer don't attempt to build tension (as is done in most other heist flicks) because the primary focus is on the characters and 'Henry's Crime' has some fascinating ones.

The production values are modest and the execution is pretty good. The sets are quite appealing without having to be lavish. Several instrumental tracks in the score are brilliant. Silence is effectively used as the quietness brings out a certain charm.

Keanu Reeves plays the title character and his performance here is better than most of what he's done. He is overshadowed by Vera Farmiga, Judy Greer and James Caan. Greer has a very small role but she wonderfully conveys the layers of her character. Farmiga is superb as the feisty yet bitter but soft-hearted Juñie Ivanova. She plays the part very naturally. Caan provides some excellent comic relief. The supporting cast is very good even though Stormare's caricature director does occasionally get on one's nerves.

To sum it up, 'Henry's Crime' is a simple and splendid heist rom-com. The symbolic ending has various layers and it doesn't desperately try too hard to tie things up.

Throw out your preconceptions of bank heist films and you have a good start on "Henry's Crime". This one is a left-field success. The story isn't at all remarkable, other than it was imagined and realized. The thing that makes this flick fly is the fantastic performances. No one is acting, they're just being really low-key engaging. This makes the parts greater than the whole. You've seen some great movies with James Caan, but did you expect another now? I've sensed Keanu Reeves could use his "stiffness" to great effect if something which depended on that came along and this is it. Add some rich flavor with Vera Farmiga and a slight undercurrent of comedy and director Malcolm Venille delivers just the right end result.

This bank heist film is more a comedic love story than anything…And, it works. A slacker, who is actually happy married and going nowhere, becomes a witless victim of circumstance. While in prison he is told he has to have a dream or his life is meaningless. Once more circumstance intervenes and he realizes what he has longed for is the meaning life has once its shared. The trouble is that he is a bit slow to come to that realization and the dream he imagined, that being a bank robbery without violence, really isn't his dream at all. The whole thing is juxtaposed by his becoming an actor, the suitor, in Chekhov's play "The Orchard Thief". Again, low-key brilliance.

This movie entertains first and foremost. It passes as if it is ten minutes due to the uniformly excellent performances of the cast. The direction gets out of the way and there isn't any need for any special effects or senseless action. It ends in the best possible way as to not try to tie up anything past the found love between two people. Simply put, entertaining low-key brilliant thus highly recommended.