Chromeskull: Colocadas para Descansar

Let me get this out of the way. If you like gore please see (possibly buy) this movie. This movie has some of the best (practical?, if it was all CGI I couldn't tell except for a few scenes) gore effects in recent years. A kill in this movie is easily a front runner for kill of the year. The acting was okay, and fans of people under the stairs will be happy to see Roach getting some work in a horror flick. I think its pretty well shot. This leads me to the plot............oh the horror.

The writing in this movie is possibly the dumbest I have ever seen in my 15+ years of watching horror movies. The characters do so many stupid things that it actually hurts the movie...........I can't believe I am saying this. I can usually appreciate horror movies just for the gore but this plot was just too much. Stupid decisions topped by even more stupid decisions. There is a plot twist in the movie that is less of a twist than it is a fun fact. This was just awful, it was like one of those internet stories where dozens of users write it one individual page/paragraph at a time.

So in short, great gore, worst story ever. Myself and my buddies have watched the gore parts on this movie several times, but none of us can stomach the real horror, the plot.

What can I say? This movie delivered everything I wanted it to. Strong brutal killings/unique killings, cheesy acting, not half bad music, and decent atmosphere. I love watching horror movies that don't require any thinking, its as if you can almost take a nap through it and still know what happened. I feel that some of these movies that are released right to DVD actually deliver more than the ones that make it to the theatre. A lot of the time those movies are really watered down and get the pg-13, but with a straight to DVD you know they are not gong to cut back AT ALL. So all in all the movie was a fun watch and I highly recommend it to anyone who likes to have a really bloody fun watch on a Friday night.

Laid to Rest: 7 out of 10: Laid to Rest is a real slasher film. A movie truly for hardcore horror and gore fans only and will make viewers, such as myself, who often enjoy a less serious outing really wonder if I want to see a true horror film. (Turns out I do) This film scared me in places and made me look away in joyful disgust in others. It is a film that raises the bar for horror.

On a lighter note let’s pretend you are married to a B movie actress whose claim to fame is a brief appearance as an Orion Slave Woman on an episode of The Star Trek spin off series Enterprise (Season 4 Episode 4 Borderland to be exact). She has large breasts but refuses to do a topless scene and she is seemingly challenged in the acting ability department. Oh and if she doesn’t star in your next project the audience will not be the only people to be denied a nude scene.

Solution? One brain damaged protagonist coming up.... Some people have trouble getting past the um acting of our star (and directors wife) Bobbi Sue Luther but I think poor acting is as much a part of the slasher genre as the false scare or lame back-story reveal and it good to see it represented here. (Strangely I don’t recall a false scare in Laid to Rest and what back-story reveal there actually is turns out to be fairly well done.) As if to make up for the main lead, the rest of the cast is much better than any slasher film deserves. For one thing they act like a real people would if confronted with such horror. (This is a credit to the script as well; but the cast really does sell this.) Kevin Gage in particular gives a performance that carries the film and what Lena Headey (The queen in 300 and Sarah Conner in the Terminator: The Sarah Connor Chronicles ) is doing in a slasher film like this is a true mystery.

The direction by Robert Hall is also top notch with the ability to create tension and true scares. The real star of this show however is the make-up effects that are simply out of this world and make this worth a look just for that reason. (No cheesy digital blood here) The only real negatives to the film, outside of Bobbi Sue Luther performance (which isn’t really that bad and fits a brain damaged character), is the opening credits and the ending. If you hate quick cuts, shaky cam and techno music all combined together the opening credits will put the fear of God into you. Don’t worry it stops as soon as the film proper starts. The ending is simply disappointing on a few levels. Characters act... well out of character, and the whole thing is anti-climatic and gimmicky.

Overall Laid to Rest is an excellent slasher film for those people who like that sort of thing. But be forewarned this is for fans only; if you don’t like real horror stay far away.

This is a okay slasher with a few gruesome deaths that are actually sort of creative. The movie doesn't even really have a plot, just tries to make a excuse for some blood and gore. I am usually forgiving when it comes to movies like this but the plot holes were just way too noticeable. And it never tells or shows why the killer does what he does, he just goes around filming everyone of his kills while wearing a chrome skull mask. It had a strong start though, it was actually pretty creepy but after the first scene it quickly ran out of it's flair. A young woman waking up inside of locked casket with no memory of who she is or how she got there is a unoriginal but cool concept, but after that first scene the suspense dies. I thought it would have a cool build up and a decent twist, but the twist was actually pretty stupid as well. You just end up wanting the chrome skull killer to kill everyone, cause like I said I am forgiving but the characters or victims are just too damn stupid. I guess it's worth a look though for major slasher fans or if your in a appetite for slaughter.

4.2/10

My first reaction to the first few minutes of Laid to Rest was that it was a cheap, no-budget horror film typical of the direct-to-video nonsense that you so often see populating the new release wall at the video store. Well, that I remember seeing on the new release wall at the video store, anyway. It's been a couple yeas since I've lived in the states and even longer since Netflix left me with any reason to ever visit a video store, but back in 2004 or so I used to have that monthly no-limit rental service at both Blockbuster and Hollywood Video and for a brief period I tried to keep up with ALL of the new movies, which included this horizonless stream of train wrecks that seemed to come out of nowhere.

And in many ways, that's what Laid to Rest is, but in some interesting other ways, it's not. Yeah it's true that the story is a prime example of mind-numbing pointlessness, but it would be a mistake to relegate the thing to the dark world of bottom shelf obscurity. Sort of. You see, there's not a scrap of originality or significance to the movie, but it is a perfect example of something bigger that is happening around us in the movie world at large.

80 years ago, movie-going audiences would have been shocked out of their chairs to see a man and a woman kiss on screen. Hell, 50 years ago they were still pretty uncomfortable with it. 10 years ago, even the most brutally violent horror movies more often than not showed the KILLER during the kill scenes, as movie blood sprayed all over them. Then Scream came along (by the way, true story – just this second I mis-typed "Scream" and it accidentally came out "Scarem." Interesting.) and we saw the hugely famous Drew Barrymore get stabbed in the chest in the opening scene. No cutaway or anything, remember that? The movie briefly goes into slow motion and audiences the world over were shocked that we were actually looking at this knife going into this girl's chest. I'd been watching scary movies for years by that point and even I was pretty amazed. Strangely, to this day it is still a scene that makes me a little uncomfortable.

Now, on the other hand, such a thing is as tame as those monster movies that had people jumping out of their chairs in the 1950s, so we get movies like Laid to Rest which, if you were to show it to some of those audiences, would probably flood the theaters with heart attack victims. There is no cutting away here, man. Not by a long shot and it's going to be a pretty good idea for you to be well aware of that before you start watching it.

Such a movie could never be released in wide theatrical release, you understand, but that's the huge shift that's taking place in the movie world right now. Making movies is getting easier, nearly to the point where any jerk with a camera and a computer can get a movie made as long as he can find someone to distribute it. Of course, it's to be expected that these movies are almost uniformly awful, and Laid to Rest is a prime example. It's pretty bad, but these things are getting better and they're only going to continue to get better as people learn to make better and better movies with simpler equipment, at which point the direct-to- video market will grow and improve, and the important thing is that all of this will happen beyond the grasp of the censorship-happy MPAA.

The result, of course, is that we get movies like Laid to Rest which feature nothing but the grotesque developments of pushing the violence envelope, which is really all that this movie does. Like literally. The movie has absolutely nothing to it except violence, which is why all this stuff about the MPAA came to my mind.

There is no backstory to the killer in the movie whatsoever, or really any backstory to the story itself. Some big-breasted brunette wakes up in a closed casket, no idea who she is or why she's there. She manages to knock the thing over and escape, but before she gets out of the funeral home she witnesses a man wearing a chrome skull mask brutally kill another man, and then the killer comes after her.

Why does he want to kill her? Who knows? Who cares? Any explanation would just waste time. We understand that this is a slasher movie, and this particular slasher movie has no interest in such time-wasting things as character depth or coherent story structure. The important thing is that for the rest of the movie he relentlessly pursues her, viciously killing anyone who gets in his way with a serrated, double-edged knife.

Gore hounds will be highly impressed, as the movie is astonishingly and graphically bloody. We get sustained shots of the killer sawing away at various body parts, and one scene where we the central cast pops the lids off of a succession of coffins, revealing some of the killer's past kills, which he has taken the time to save, for future reference, let's say. I won't go into any details about the state of the victims in the coffins, let's just say that they are one of many reasons that the movie is not for the faint of heart, or the squeamish, or really anyone who, for example, would feel some hesitation at taking up the opportunity to do a little dissecting work on a human cadaver. But the rest of you are going to love it