Agora que o mundo sabe o quem é ele, o Homem de Ferro, Tony Stark deberá lidiar com o homem que quer vingança é que está vinculado com seu pai.Agora que o mundo sabe o quem é ele, o Homem de Ferro, Tony Stark deberá lidiar com o homem que quer vingança é que está vinculado com seu pai.Agora que o mundo sabe o quem é ele, o Homem de Ferro, Tony Stark deberá lidiar com o homem que quer vingança é que está vinculado com seu pai.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 7 vitórias e 45 indicações no total
Paul Bettany
- Jarvis
- (narração)
Resumo
Reviewers say 'Iron Man 2' offers mixed reactions. Robert Downey Jr.'s performance is lauded for charisma and humor. Action scenes, especially the Monaco Grand Prix and final battle, are praised for excitement and effects. Criticisms include a cluttered plot, pacing issues, and lack of focus. Some feel it sets up future Marvel movies at the expense of a cohesive story. Villains, like Ivan Vanko, are seen as less compelling. Despite flaws, many find it entertaining and a valuable MCU addition.
Avaliações em destaque
The makers of this film held nothing back. When it works, as it does here, it rekindles even a cynic's movie love. So kudos to Downey, Paltrow, Cheadle, Scar-Jo, Rockwell, Rourke and especially Favreau. What a film! It is a sight to behold. Every scene was captivating, whether it was full on armor action or the charismatic "down time" delivered by the best cast possible. Isn't that what movies are suppose to be about? It's good to see the response to the movie has been, for the most part, positive. I've noticed that sometimes expectations are unreasonable or some fans are too attached to their comic book preconceived notions. (X-Men and Wolverine fans I'm looking right at you!) Iron Man 2 stayed close enough to its roots and I hope most judge it as a film first. If you do, I'm almost certain that everyone will enjoy it as much as I did.
It easily fulfilled and then exceeded all of my expectations. The only thing I worry about is that they may be setting expectations for that Avengers movie too high. How can it possibly live up to the standard these movies are setting and setting up????? Iron Man 2 is EVERYTHING you would want in a movie and much more! It is a special treat when a sequel reaches up and delivers an excellent film that you thoroughly enjoy as much if not more than a beloved first installment. It truly feels like they just paused and kept telling the same story but with more of an edge. Hopefully, they can do it again and skip that third movie curse. Think of it as another installment and they'll be fine. Fitting Avengers in to the mix is even more fun to think about but I heard that Favreau will be involved with that as an executive producer. So, I'm not worried. In the meanwhile, we can all enjoy this film because it stands on its own but as a great part of a running saga.
It easily fulfilled and then exceeded all of my expectations. The only thing I worry about is that they may be setting expectations for that Avengers movie too high. How can it possibly live up to the standard these movies are setting and setting up????? Iron Man 2 is EVERYTHING you would want in a movie and much more! It is a special treat when a sequel reaches up and delivers an excellent film that you thoroughly enjoy as much if not more than a beloved first installment. It truly feels like they just paused and kept telling the same story but with more of an edge. Hopefully, they can do it again and skip that third movie curse. Think of it as another installment and they'll be fine. Fitting Avengers in to the mix is even more fun to think about but I heard that Favreau will be involved with that as an executive producer. So, I'm not worried. In the meanwhile, we can all enjoy this film because it stands on its own but as a great part of a running saga.
Positives:
Negatives:
- Robert Downey Jr.
- The first act
- Ideas with potential
Negatives:
- Second and third acts
- Inconsistent story and pacing
- Villain(s)
This movie contains some throughly enjoyable moments that are on par with some of Downey Jnr's highlights as Tony Stark. The relationship between Pepper and Tony is taken further and built upon brilliantly in this movie. It contains some really cool and innovative action scenes which are taken for granted now. However the poor villain, a pattern in Iron Man Solo Outings, and the lack of direction meant this is easily the poorest Iron Man Performance. It's still an entertaining watch but you wouldn't be wrong if you skipped this movie when rewatching MCU Classics.
Reading Iron Man 2's plot summary, things sound bleak for our characters. But not at all. This is a breezy, light-hearted, inoffensive affair that saunters at a magnetic pace, with emotional discomfiting a far thought. Which is pretty refreshing, to say the least. In fact, Iron Man 2 is the complete of antithesis of recent comic book movies. For one, it certainly isn't darker than its predecessor, absent its slow-burning first half and latched-on social commentary. It also gives itself the poetic license to stretch credulity. This is a movie about a man who flies around in metal suit, blasting away multicolored-haired Russians with electric whips. Realism simply doesn't apply, and thankfully director Jon Favreau and writer Justin Theroux take affectionate liberty with the bonds of belief. Yes, Ivan Vanko can secretly build super technology unbeknownst to his suppliers. And yes, the only way to incapacitate a drunken Tony is to beat the crap out of him in a Iron Man suit. No complaints here!
Iron Man 2 is also very much Iron Man's superior, although partly by default. The first movie was stuck with a pedantic origin story. However, the sequel had no shortage of possible paths to take. Which did it choose? The way you should always go; the road of characterization. Rather than tediously expand upon its universe, Iron Man 2 simply reprises its dramatis personae and sticks them into situations graver than before, upping the ante but reiterating the overall heart and spirit of its predecessor. The characters are well-etched, each snappy exchange rendered with a mature pathos that contrasts with the spurious scenarios that they feature in between of. Iron Man 2 could easily be called a comedy, but the naturalism of the comedy is seamless; you get the sense that it would be impossible to write this movie without having these vibrant characters joke and jeer.
To bring the clever screenplay to life is the phenomenal cast. Robert Downey, Jr., as always, is effortlessly captivating. Charisma defined and an scandalously unsung master of versatility (he's not just playing himself, people!), it's no breaking news that he's still one of the most watchable actors ever. He is the perfect Tony Stark, and a more-than-worthy representative of the thinking man's action star. His chemistry with Gwyneth Paltrow as the pragmatic Pepper Pots is electric, and she too turns in a fine performance. Wistful, but by no means a damsel in distress, she is probably the realest character.
The baddies, just as essential as the hero, don't disappoint either. Another wrong from last time round successfully remedied is the lack of genuinely menacing villains. Jeff Bridges honored us with his always-welcome presence in Iron Man, but his warm affability was anything but menacing. This time, however, Mickey Rourke and Sam Rockwell (oddly, both novices to blockbuster attention) are on duty, offering more than enough bang for your villainy buck. Rourke as Anton Vanko/"Whiplash", supplements a composite of the unintentionally hokey showman, supercilious mastermind, and the seemingly unstoppable behemoth. This effectively fends off one-noteness, and Rourke perfectly embodies the duality of Vanko's deceptively boorish visage and surprisingly vast intellect, while still indulging in the welcome irreverence that comes with the comic book villain (his Russian drawl is humorous but gives him an otherworldly conviction).
Rockwell, on the other hand, is flat-out comic relief as Stark's weaselly rival – though not necessarily a threatening one – Justin Hammer. He is excellent in the part; an absolute delight to watch, whether irascibly mugging in a loss for words with his insubordinate partner Vanko or, in one of the movie's best moments, shamelessly accolading his own (faulty) inventions with juvenile zeal.
Unfortunately, with all these characters butting heads for screen time, co-stars Don Cheadle and Scarlett Johansson as Tony's pal Colonel James "Rhodey" Rhodes and eventual partner War Machine and alluring temptress of a new assistant Natalie Rushman, respectively, are given the short straw. Both are more than able of carrying a scene, but while the script lavishes Tony with many moments in which to brood his way into some fine character development, and to convey Pepper's many grievances, neither supporting character is as lucky. Cheadle's moments of potential are all obstructed by the War Machine suit, and everything otherwise requires him to lucidly voice reason as a foil to the devil may care Tony. Johansson is a non-event, her Natalie Rushman an amoral nothing role, and her Black Widow guise is not so much daring femme fatale as listless sex symbol. She acts as merely a vessel for fan service, be it in her skintight suit for the general audience or that she represents another stepping stone to an Avengers movie for esoteric comic book fans.
The movie is inter cut between the scenes of terse characterization and octane action. The latter is a dizzying combination of rapid vicissitudes and toe-to-toe skirmishes, high on CGI, low on genuine peril. In fact, Iron Man 2 could quite possibly have been a masterpiece of the genre had it lived up to its first forty minutes of exuberance and intrigue. But once the clumsy pugilism of Iron Man and Whiplash takes place, the movie falls flat. The power play is nonexistent, because it's hard to believe anyone could stand a chance against ol' Shellhead. And if no sense of alarm can be conveyed when Iron Man is caught in an unusually melee showdown, the flight sequences leave no impression. Yes, the special effects are astounding, but it's all for nothing if there's no dramatic undercurrent.
Otherwise, please, don't mistake my raving for fanboy hyperbole; Iron Man 2 is great. It's well-written, well-acted, and simultaneously a loving throwback to comic book norm and a break from recent tradition. It's a rare occurrence to be thankful for, because God knows if this follows the superhero trilogy formula, the third one will suck. Which would tragically make this movie's thrilling departure from cliché null and void.
Iron Man 2 is also very much Iron Man's superior, although partly by default. The first movie was stuck with a pedantic origin story. However, the sequel had no shortage of possible paths to take. Which did it choose? The way you should always go; the road of characterization. Rather than tediously expand upon its universe, Iron Man 2 simply reprises its dramatis personae and sticks them into situations graver than before, upping the ante but reiterating the overall heart and spirit of its predecessor. The characters are well-etched, each snappy exchange rendered with a mature pathos that contrasts with the spurious scenarios that they feature in between of. Iron Man 2 could easily be called a comedy, but the naturalism of the comedy is seamless; you get the sense that it would be impossible to write this movie without having these vibrant characters joke and jeer.
To bring the clever screenplay to life is the phenomenal cast. Robert Downey, Jr., as always, is effortlessly captivating. Charisma defined and an scandalously unsung master of versatility (he's not just playing himself, people!), it's no breaking news that he's still one of the most watchable actors ever. He is the perfect Tony Stark, and a more-than-worthy representative of the thinking man's action star. His chemistry with Gwyneth Paltrow as the pragmatic Pepper Pots is electric, and she too turns in a fine performance. Wistful, but by no means a damsel in distress, she is probably the realest character.
The baddies, just as essential as the hero, don't disappoint either. Another wrong from last time round successfully remedied is the lack of genuinely menacing villains. Jeff Bridges honored us with his always-welcome presence in Iron Man, but his warm affability was anything but menacing. This time, however, Mickey Rourke and Sam Rockwell (oddly, both novices to blockbuster attention) are on duty, offering more than enough bang for your villainy buck. Rourke as Anton Vanko/"Whiplash", supplements a composite of the unintentionally hokey showman, supercilious mastermind, and the seemingly unstoppable behemoth. This effectively fends off one-noteness, and Rourke perfectly embodies the duality of Vanko's deceptively boorish visage and surprisingly vast intellect, while still indulging in the welcome irreverence that comes with the comic book villain (his Russian drawl is humorous but gives him an otherworldly conviction).
Rockwell, on the other hand, is flat-out comic relief as Stark's weaselly rival – though not necessarily a threatening one – Justin Hammer. He is excellent in the part; an absolute delight to watch, whether irascibly mugging in a loss for words with his insubordinate partner Vanko or, in one of the movie's best moments, shamelessly accolading his own (faulty) inventions with juvenile zeal.
Unfortunately, with all these characters butting heads for screen time, co-stars Don Cheadle and Scarlett Johansson as Tony's pal Colonel James "Rhodey" Rhodes and eventual partner War Machine and alluring temptress of a new assistant Natalie Rushman, respectively, are given the short straw. Both are more than able of carrying a scene, but while the script lavishes Tony with many moments in which to brood his way into some fine character development, and to convey Pepper's many grievances, neither supporting character is as lucky. Cheadle's moments of potential are all obstructed by the War Machine suit, and everything otherwise requires him to lucidly voice reason as a foil to the devil may care Tony. Johansson is a non-event, her Natalie Rushman an amoral nothing role, and her Black Widow guise is not so much daring femme fatale as listless sex symbol. She acts as merely a vessel for fan service, be it in her skintight suit for the general audience or that she represents another stepping stone to an Avengers movie for esoteric comic book fans.
The movie is inter cut between the scenes of terse characterization and octane action. The latter is a dizzying combination of rapid vicissitudes and toe-to-toe skirmishes, high on CGI, low on genuine peril. In fact, Iron Man 2 could quite possibly have been a masterpiece of the genre had it lived up to its first forty minutes of exuberance and intrigue. But once the clumsy pugilism of Iron Man and Whiplash takes place, the movie falls flat. The power play is nonexistent, because it's hard to believe anyone could stand a chance against ol' Shellhead. And if no sense of alarm can be conveyed when Iron Man is caught in an unusually melee showdown, the flight sequences leave no impression. Yes, the special effects are astounding, but it's all for nothing if there's no dramatic undercurrent.
Otherwise, please, don't mistake my raving for fanboy hyperbole; Iron Man 2 is great. It's well-written, well-acted, and simultaneously a loving throwback to comic book norm and a break from recent tradition. It's a rare occurrence to be thankful for, because God knows if this follows the superhero trilogy formula, the third one will suck. Which would tragically make this movie's thrilling departure from cliché null and void.
At first, when a heard about a second installment, i thought, i was unsure in it, because Jon Favreau is relatively new on the director's chair, so could he pull of another classic superhero movie?The answer is simple-YES! I saw it in its opening day and the theatre was full.I went along with a few friends, and all of them loved it!Here are some things, we all agreed we liked.
CHARACTER DEVELOPMENT:It was pretty good in this movie-making aspect, although it is an action movie, there is some quite exciting development, especially the leads.Don Cheadle made a perfect substitute of Terrence Howard, and looked pretty good in the movie.So did the Gwyneth Paltrow and Scarlet Johansson's heroines.For me, Scarlet is one of the most gifted and talented and in the same time, the most beautiful actresses in the last decade and even more.And last, but not least, of course, the Iron Robert Downey Jr., making one of his unique, specifically for him, roles.He is smart, funny and in the same time, well, action hero type of guy-he adds so much to this otherwise, stereotyped role.Sam Rockwell was a little irritating, but that's what his role is supposed to be, and to those who have doubts, yes, Mickey Rourke made a decent and interesting role again.
TIMING:Almost perfect, except, maybe, the opening credits and a few over timed scenes afterwards, everything was alright and on the perfect spot.
PLOT/STORY:I finally can say it-YES, the day has come.A day, where superhero movies haven't got just CGI, put a pretty decent story, attached to the normal amount of CGI.Well, hard to say normal, a little bit over-the-top, but nonetheless fun, when you get use to the headache.The humor was perfect, brilliantly touched to the smallest line.And most importantly-it's not that predictable-i don't mean the ending, but the development, leading to it.Excecutet skilfully, when looked from this point of view.
CGI:10/10, nothing else to add.Believable Flawless.Perfect.
With no big flaws or plot holes, very funny dialogue, skillful acting and good directing, Iron Man is definitely the best movie of the year so far.The perfect blockbuster as well.I'm glad a saw it, and if the first one didn't made me a fan, this one did.I can't wait to see it again.Cheers to Iron Man Amazing! I would've given this a ten, but with some very few weaknesses, i'll lower this a little, although it did make me a bigger fan than before...
My rate: 7.5/10
CHARACTER DEVELOPMENT:It was pretty good in this movie-making aspect, although it is an action movie, there is some quite exciting development, especially the leads.Don Cheadle made a perfect substitute of Terrence Howard, and looked pretty good in the movie.So did the Gwyneth Paltrow and Scarlet Johansson's heroines.For me, Scarlet is one of the most gifted and talented and in the same time, the most beautiful actresses in the last decade and even more.And last, but not least, of course, the Iron Robert Downey Jr., making one of his unique, specifically for him, roles.He is smart, funny and in the same time, well, action hero type of guy-he adds so much to this otherwise, stereotyped role.Sam Rockwell was a little irritating, but that's what his role is supposed to be, and to those who have doubts, yes, Mickey Rourke made a decent and interesting role again.
TIMING:Almost perfect, except, maybe, the opening credits and a few over timed scenes afterwards, everything was alright and on the perfect spot.
PLOT/STORY:I finally can say it-YES, the day has come.A day, where superhero movies haven't got just CGI, put a pretty decent story, attached to the normal amount of CGI.Well, hard to say normal, a little bit over-the-top, but nonetheless fun, when you get use to the headache.The humor was perfect, brilliantly touched to the smallest line.And most importantly-it's not that predictable-i don't mean the ending, but the development, leading to it.Excecutet skilfully, when looked from this point of view.
CGI:10/10, nothing else to add.Believable Flawless.Perfect.
With no big flaws or plot holes, very funny dialogue, skillful acting and good directing, Iron Man is definitely the best movie of the year so far.The perfect blockbuster as well.I'm glad a saw it, and if the first one didn't made me a fan, this one did.I can't wait to see it again.Cheers to Iron Man Amazing! I would've given this a ten, but with some very few weaknesses, i'll lower this a little, although it did make me a bigger fan than before...
My rate: 7.5/10
Você sabia?
- CuriosidadesScarlett Johansson dyed her hair red before she even got the part of Natasha Romanoff, a.k.a. Black Widow, because she wanted the role so badly.
- Erros de gravação(at around 1h 3 mins) When Nick Fury and Natalie Rushman are with Tony Stark and give him a vaccination to cure his blood from poisoning him, Nick Fury gives him a syringe filled with what he says is "Lithium Dioxide". However, lithium ions have a single positive charge while oxygen ions have a double negative charge. As such, lithium oxides have two atoms of lithium per atom of oxygen, not two atoms of oxygen per lithium as "Lithium Dioxide" would suggest. In addition, any oxide of lithium would decompose immediately in any kind of water solution, such as would be required to inject it into a person.
- Cenas durante ou pós-créditosThere is a scene after the closing credits: Agent Coulson arrives in New Mexico and locates a crater in which lies the war hammer Mjolnir. This was a contracted version of the same scene from Thor (2011).
- Versões alternativasThe mainland Chinese release obscures Vanko's nationality by reversing all Russian references on the soundtrack. For example, the word "Russia" comes out as something like "Ashar", and "Siberia" as "Ayuribias". The subtitles and the Mandarin-dubbed version simply delete these references altogether.
- Trilhas sonorasShoot to Thrill
Written by Angus Young, Malcolm Young and Brian Johnson
Performed by AC/DC
Courtesy of Columbia Records
By Arrangement with Sony Music Entertainment
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Iron Man 2
- Locações de filme
- SpaceX - Rocket Road, Hawthorne, Califórnia, EUA(Hammer Industries Factory)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 200.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 312.433.331
- Fim de semana de estreia nos EUA e Canadá
- US$ 128.122.480
- 9 de mai. de 2010
- Faturamento bruto mundial
- US$ 623.933.331
- Tempo de duração2 horas 4 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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