AVALIAÇÃO DA IMDb
6,9/10
3,9 mil
SUA AVALIAÇÃO
Dois desconhecidos descobrem o destino de seus respectivos filhos nos ataques terroristas de 2005 em Londres.Dois desconhecidos descobrem o destino de seus respectivos filhos nos ataques terroristas de 2005 em Londres.Dois desconhecidos descobrem o destino de seus respectivos filhos nos ataques terroristas de 2005 em Londres.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 4 indicações no total
Marc Baylis
- Edward
- (as Marc Bayliss)
Salah Mohamed-Marich
- Locataire appartement
- (as Salah Mohamed-Mariche)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The tenth anniversary of the 7 July bombings has led to a flurry of programming including the somewhat disappointing and emotionally manipulative A Song for Jenny shown on BBC television.
Rachid Bouchareb who made the award winning Days of Glory has made this curious low budget film just a few years after the atrocities which is a mixture of English, French and Arabic.
Elisabeth (Brenda Blethyn) is a hard working farmer in Guernsey. After the July bombings she tries to contact her daughter who lives in London but she does not return her calls. Worried she makes her way to London and finds out that she is living in a flat in a predominantly Arab area.
Ousmane (Sotigui Kouyate) is an African Muslim working in a forest in France. He has come to London to look for his son who his family back in Africa cannot contact. Ousmane knows little about his son had he had to leave his family behind to work in France. At one point we discover that he believes that his son might had been one of the perpetrators of the London bombings.
Ousmane sees a photo of Elisabeth's daughter and realises that he has a picture of her and his son together and contacts her. Elisabeth is wary and distrustful of Ousmane and calls the police. It looks like the son and daughter were living together and her daughter was also learning Arabic. Elisabeth could not understand why she would be learning Arabic,hanging with a black African boy and living in a French-Arab area of London. Its all confusing to her.
Eventually Elisabeth realises that they are both on the same quest and team up together to look for their respective children. It seems that there is hope that their children are alive and went abroad on the day of the bombings.
Sotigui Kouyate gives Ousmane a quiet dignity, the actor was frail when he made the film but looks imposing with his big presence and dreadlocks. Brenda Blethyn specialises in playing frumps these days and here she very much hits the mark as someone who has grown in an environment a world away from multiculturalism of London.
When she comes to London she is confused especially as she tries to fathom how her daughter ended up in such an alien environment and felt comfortable with it.
The fact she comes from Guernsey helps get over the language barrier as she can communicate with Ousmane in French. Francis Magee plays a police inspector who speaks French in a bizarre Irish/Manx accent.
You always suspect that the film will inflict a sucker punch to the duo. It is just a shame that it took place in such a poor setting of some basement corridor full of pipes that was supposedly a police station.
It is a slow burning and thoughtful piece of two people looking for a glimmer of amongst despair and then dealing with their despair. Its simple premise is a big plus as you get pulled in with their search for their loved ones.
Rachid Bouchareb who made the award winning Days of Glory has made this curious low budget film just a few years after the atrocities which is a mixture of English, French and Arabic.
Elisabeth (Brenda Blethyn) is a hard working farmer in Guernsey. After the July bombings she tries to contact her daughter who lives in London but she does not return her calls. Worried she makes her way to London and finds out that she is living in a flat in a predominantly Arab area.
Ousmane (Sotigui Kouyate) is an African Muslim working in a forest in France. He has come to London to look for his son who his family back in Africa cannot contact. Ousmane knows little about his son had he had to leave his family behind to work in France. At one point we discover that he believes that his son might had been one of the perpetrators of the London bombings.
Ousmane sees a photo of Elisabeth's daughter and realises that he has a picture of her and his son together and contacts her. Elisabeth is wary and distrustful of Ousmane and calls the police. It looks like the son and daughter were living together and her daughter was also learning Arabic. Elisabeth could not understand why she would be learning Arabic,hanging with a black African boy and living in a French-Arab area of London. Its all confusing to her.
Eventually Elisabeth realises that they are both on the same quest and team up together to look for their respective children. It seems that there is hope that their children are alive and went abroad on the day of the bombings.
Sotigui Kouyate gives Ousmane a quiet dignity, the actor was frail when he made the film but looks imposing with his big presence and dreadlocks. Brenda Blethyn specialises in playing frumps these days and here she very much hits the mark as someone who has grown in an environment a world away from multiculturalism of London.
When she comes to London she is confused especially as she tries to fathom how her daughter ended up in such an alien environment and felt comfortable with it.
The fact she comes from Guernsey helps get over the language barrier as she can communicate with Ousmane in French. Francis Magee plays a police inspector who speaks French in a bizarre Irish/Manx accent.
You always suspect that the film will inflict a sucker punch to the duo. It is just a shame that it took place in such a poor setting of some basement corridor full of pipes that was supposedly a police station.
It is a slow burning and thoughtful piece of two people looking for a glimmer of amongst despair and then dealing with their despair. Its simple premise is a big plus as you get pulled in with their search for their loved ones.
We enjoyed this touching film immensely. It was well written, well acted and well directed with a humanist representation of parental love, multiculturalism and xenophobia in today's London. The multilingual aspect was wonderful, and it is possibly more fun to watch it without subtitles so that just like in real life you cannot understand what is being said in languages that you don't speak. Both Brenda Blethyn and Sotigui Kouyaté were excellent with their understated portrayals of parents from very different backgrounds who meet on common ground. The underlying tensions of the plot is developed through the film, which remained believable throughout. Highly recommended.
Weeks after the terrorist attacks in London a mother calls her daughter, over and over again. She hasn't heard from her in a while and is getting more and more anxious about her, knowing she lived close to where the events took place. When she goes to London to find her she finds a man instead. A man who matches her in one important manner - he is searching for his son. The two of them continue their search together and slowly find out more about themselves and each other.
Dark and dreary, depressing and painful. Sometimes people get together for entirely the wrong reason and this is one of these occasions. They connect rather well and play their stories out in a believable way. As they go through their daily routine it becomes all too painfully clear where it will all end - but the real pain of this film is that it ends too quickly. It runs for 87 minutes and could have used another 15 without having grown less intense. The shortness makes it feel a little rushed, but only a little.
9 out of 10 steps in the dark
Dark and dreary, depressing and painful. Sometimes people get together for entirely the wrong reason and this is one of these occasions. They connect rather well and play their stories out in a believable way. As they go through their daily routine it becomes all too painfully clear where it will all end - but the real pain of this film is that it ends too quickly. It runs for 87 minutes and could have used another 15 without having grown less intense. The shortness makes it feel a little rushed, but only a little.
9 out of 10 steps in the dark
The bombing of several trains in London in 2005 shocked the world. Rachid Bouchareb's "London River" takes place in the immediate aftermath, with two people from dissimilar backgrounds trying to find out the fates of their loved ones. The protagonists are an English woman (Brenda Blethyn) looking for her daughter, and an African man (Sotigui Kouyaté in his final role) looking for his son. Beyond that, the movie also deals with stereotypes and prejudices, in particular about Muslims. No doubt these sorts of things were personal for the director, as he's an ancestrally Algerian man who grew up in France.
It didn't get a wide release, but deserves recognition. No CGI, fast-paced shots, or pulse-pounding soundtrack, just the focus on how the even affects these individuals. It forces the viewer to ask "What would you do in this situation?"
It didn't get a wide release, but deserves recognition. No CGI, fast-paced shots, or pulse-pounding soundtrack, just the focus on how the even affects these individuals. It forces the viewer to ask "What would you do in this situation?"
This movie is a gentle and deep melodrama using the July 2005 terrorist acts as a jumping off point for telling about clashing cultures united in grief. The story is certainly a hard look at racial biases and is strongly backed by Blethyn's character, whose repressed hysteria clashes with Kouyaté's attitude (more similar to a calm resignation). The director has also depicted a very serious and fascinating study on how Londoners were unprepared to react to such an emergency. Overall this is a poignant and insight-filled take on prejudice in post-11/7 London, well acted and directed. There have been other "Londoner" films about the same subject (or about terrorism in the UK) but this is the best by far in my opinion.
Você sabia?
- CuriosidadesThe film received a one-week run release in Los Angeles starting 13 November 2009 in order to qualify for the Academy Awards. However it wasn't released in New York until 7 December 2011.
- Erros de gravaçãoAlthough the film is set in July 2005, it was clearly filmed during the autumn/winter months, as evidenced by the characters' clothing and overcast skies.
- ConexõesFeatured in Breakfast: Episode dated 6 July 2010 (2010)
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- How long is London River?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- London River
- Locações de filme
- 47 Blackstock Road, Finsbury Park, Londres, Inglaterra, Reino Unido(The flat/butcher shop)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 7.200
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.044
- 11 de dez. de 2011
- Faturamento bruto mundial
- US$ 2.082.726
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