Pontypool

I remember purchasing this book back in 2008 because it was a Canadian zombie story that takes place in a little nowhere Ontario town called Pontypool. The back of the book had me laughing and intrigued by the description.

A virus. Flesh eating zombies. A body count in the millions has decimated Ontario's population. What if you woke up and began your morning by devoting the rest of your life to a murderous rampage, a never-ending cannibalistic spree? And what if you were only one of thousands who shared the same compulsion? This novel depicts just such an epidemic. It's the compelling, terrifying story of a devastating virus.

I will not tell you how you catch it so as not to include spoilers, but once it has you, it leads you on a strange journey—into another world where the undead chase you down the streets of the smallest towns and largest cities.

If you are expecting a night of the living dead style film... this is not it. This movie does a fantastic job of drawing you into the world of the characters, their relationships and everything falling apart around them; you are not an outside observer. You are for all intensive purposes just another Pontypool citizen wondering "Wiskey-Tango-Foxtrot".

This movie is a great treat for four reasons 1) The focus on the actors as the actors were perfectly cast. You may recognize an actress from the recent release of Dark Room 2) The choice to follow the "Aliens" model of never placing the source of "fear and unease" front stage. By not letting you in on the whole thing and only providing glimpses, your imagination will take the scenes further than any expensive CGI ever could. 3) The writing and angle of the movie. You feel like you are part of the movie as you only know what the main actors know... nothing more! 4)The intro and the voice of the main actor really pull you in like a warm sedative as you spiral downward into the insanity of your own imagination.

Enjoy... we did!

Pontypool is one of the few horror movie that used a little creativity and proves you don't need a high budget to a make horror film. The story circles around a local radio station and its crew of three people. As the day moves on they slowly start to here reports of violence happening all over the region. This includes riots, people killing each other and intervention from the Canadian Government. Soon they find themselves hiding in the station from the horror out side they are reporting. If that was not bad enough, they can't figure what's going on. Pontypool takes a very different and more effective way at trying to scare its audience. Most western horror these days seem to mainly focus on jump scares or brutal kill scenes alone. Pontypool on the other hand gives a few vague descriptions on what's actually going on out there. For most of the movie you really are just listening to a broadcast and testimonies of eye witness. This leaves the viewer having his own imagination working against him for a big chunk of the film. For me this was the most strongest for the first half of the film when we don't know what's causing the hysteria. I actually only have one real complaint which I felt the ending could have been better. I didn't hate the ending it just feels kind of weak compared to what we see earlier. I would go into more detail but that would results in some spoilers.

Overall it's a fun creepy horror movie that could be enjoyable for Halloween. I give it a few extra points for what they were able to pull off on a low budget and for an interesting experiment in horror.

Thats why I give this radio broadcast from hell an 8 out of 10.

One of the things the great Orson Welles is known for is a radio broadcast reporting on an alien invasion. Credulous folks did not see the hoax. Pontypool follows a similar line with Martians replaced by zombies and hoax by satire.

In my hierarchy zombie films are the cheapjack of cinema. Surprising then I would be watching one. Nonetheless I stayed to the end of Pontypool on the strength of its various non-zombie elements.

First, the film brought to mind the radio days of yore, before TV arrived to pollute our living rooms. The evening serials for children with voices and sound effects elicited an imagery of thrilling adventures and exciting conflicts of good versus evil. Would not miss a single episode. In this there was a counterexample to the saying that a picture is worth a thousand words.

Second, the core conceit of a zombie-inducing disease transmitted by a word, or words, ties in nicely with the viral memes of Dawkins. (See his talk at TED for a short explanation.) If the word is mightier than the sword, here a word is more virulent than a bomb. The zombie state is a metaphor for anti-social acts that otherwise normal people are led to commit because their minds have been contaminated.

Third, the self-deprecating humor. The bits about the poisoning of the public airwaves. The chopper-riding reporter in the middle of a blinding snow storm reporting on the traffic. The irritating language tics -- you know -- of some, here captured by endless zombie repetitiveness and the tendency of the zombies to chew their own tongues into a bloody mass. In places the film elevates itself to satire and laughing at the silliness of the explicit plot happens often.

Finally, the superb performance of Stephen McHattie as the morning radio talk show host of the small AM 660 CLSY station in Pontypool. If there is a single reason to watch this film it is McHattie.

The film is beautifully economical. The entire action, except for the opening scene, takes places in a radio station. As such the film is mostly words. In that it is self-referential: a film about a day at a radio station's studio that is a purveyor of words. I would not be surprised to find Pontypool reach the level of cult film.

I avoided Pontypool for a long time mistaking it for a conventional zombie movie but it absolutely is not. Pontypool is a twist on both the zombie concept and the way the story is told which leaves a great deal to the audience's imagination. The lead actor is charismatic and has an incredible voice for radio and the professional chemistry with his producer is really exciting to watch. There is the occasional cliche and needless, clumsy exposition but there is a huge amount of originality which places this well into the upper echelons of psychological horror films. It's also very funny in places.

I would have watched a series with Stephen McHattie playing a small town DJ. With his cowboy hat on. Man he's good in this.