Insidious

I saw this movie in Florida in October and loved the naturalistic approach the director used in building the story and the visuals. He shot it simply, yet it has great depth, with some of the most beautiful and unusual New York City shots I have ever seen. The back ground music and songs have a haunting quality to them, and do not overpower the spoken words, like most movies I see these days that are music videos with some dialogue.

This is a mysterious film, with some very strong performances, especially the young man who portrays the lead role of Donny, and the gal that plays Arin. The story, intertwines a lot of New York characters that all come together toward the end of the film.

This movie has some great lines, that stick with you afterword's, and the story is really relevant in todays world. I have always loved films that let me make up my own mind about what is happening, rather than being force fed on what to think, and this film delivers that in spades.

They should do a sequel or turn this into an on going series on cable.

It is always a roll of the dice when watching a new movie. Will I (and the movie) roll a winner or crap out? I never expect much, considering the quality and state of re-makes and rehashed story lines in this new millennium.

I was pleasantly surprised by this independent drama, as it sucked me in to its multiple story lines, and kept me engaged until the final frame. What a great, refreshing, and creative way to communicate many slices of life as an experiential journey.

I was inspired by the conviction (and the performance) of the young character, Donny. A young man whose world comes crumbling down around him, and how he navigates the obstacles, as he continues driving toward his goal.

Loved the New York City locations, and the natural approach the director brought to the screen. I walked away a winner on this roll of the dice.

Finally caught this flick, and the arrogant a-hole critics missed it by a mile. This is a low budget independent film, not a $100 million dollar tent-pole movie that's been made a dozen times before. That kid, James Schram as 'Donny' was good, with a great look, energy and authenticity. There are so many things I liked about this film: the music, the treasure chest of characters and fresh faces, each scene like a short movie in it self, the transition shots, and the fact that I wanted more at the end. The writer director hit upon something; a gritty down and dirty story of New York City with a style of its own that deserves an encore. What a great idea for a future pay cable series.