Adicionar um enredo no seu idiomaWith her life at a crossroads, 25 year old Sophie Conway returns home to the small town she always wanted to forget. Once home, she is faced with the friends and lovers she left behind, a ta... Ler tudoWith her life at a crossroads, 25 year old Sophie Conway returns home to the small town she always wanted to forget. Once home, she is faced with the friends and lovers she left behind, a tangled relationship with her Mother, and Harry Pleasant, an Alzheimer's Disease patient who... Ler tudoWith her life at a crossroads, 25 year old Sophie Conway returns home to the small town she always wanted to forget. Once home, she is faced with the friends and lovers she left behind, a tangled relationship with her Mother, and Harry Pleasant, an Alzheimer's Disease patient who, in an opposing way, shares Sophie's struggle to remember.
- Annie
- (as Alyssa LeBlanc)
Avaliações em destaque
Deadly slow moving, overly sappy and sentimental with unlikable characters, with the possible exception of Hal Holbrook's character "Harry Pleasant". Sophie Conway (Maggie Grace of "taken" fame) plays a snotty little self-centered disrespectful brat. Her character's mother was equally as snotty and self centered who is dating a disgustingly poor excuse for a man. Sophie's main love interest (there were more than one) was a one-dimensional dull wimp.
In other words, it's difficult to like a movie when there's not one likable character in the bunch (other than Harry Pleasant).
The plot (if you can call it that) was so slow and plodding, just making it to the end without falling asleep was a challenge.
This was apparently a made-for-TV or a Direct-to-DVD production, not even worthy of its own hyper-link on Maggie Grace's Wikipedia filmography page. (Speaking of whom, Ms. Grace is a "one trick pony" and plays essentially the same character in any movie she is in. She did not disappoint this time around in that respect.)
No spoiler alert here, other than this movie was a real stinker.
Sincerely, my very best regards David Goulard
The overly simplistic plot points make little sense, i.e., NOTHING is explained in ways that are psychologically valid (very few explanations are given, and those that are aren't expanded or detailed enough to offer real insights, or make one care)- as if a none-to-bright ten year old wrote it. To make matters worse, little evolution is shown in the characters, a happy ending is just tacked on. If you can see anything of value in this mess, you're a better man than I Gunga Din (and I would secretly say you're a master or mistress of pure projection &/or wishful thinking). Shockingly bad. I'll add that it reminded me a bit of In Her Shoes, but THAT film does everything right, whereas for me, this one has no redeeming qualities whatsover.
The film opens with down on her luck Sophie Conway (Maggie Grace) stumbling through a drug and alcohol addled existence in Los Angeles, her life in shambles as she has sex on a bus with stranger Benji (Rick Gonzalez). With her life at a crossroads, the 25 year old Sophie returns home to the small town of Lompoc (a little town in Santa Barbara County) she always wanted to forget. Once home, she is faced with the friends - Mila (Nikki Deloach) - and lovers - Billy (Jonathan Tucker) - she left behind, a tangled relationship with her Mother (Christine Lahti) and her married paramour Steven (Cary Elwes), and Harry Pleasant (Hal Holbrook), an Alzheimer's Disease patient who, in an opposing way, shares Sophie's struggle to remember. Each of the characters in the story is trying to mentally escape a past that is painful and their interaction slowly reveals the truths of their past experiences, why they have grown apart, and how facing cloudy memories and struggling to make them clear can actually change their lives.
Hal Holbrook gives an incredibly thoughtful and eloquent portrayal of the cruelties of Alzheimer's Disease, Christine Lahti returns to the screen in a potent portrayal of a woman who attempts to disguise her life disappointments with alcohol, Maggie Grace completely inhabits the tough role of Sophie whose inability to remember the details of her father's suicide influences all of the characters' lives, and Jonathan Tucker is the epitome of a lad unable to forgive the past and move forward out of the small town into the world of adulthood. Derek Magyar directs Thomas Kuehl impeccable script with a natural ease -a factor that allows the story to unfold slowly like entering a strange other place for the first time. This is a very fine film that deserves a wide audience.
Grady Harp
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- Tempo de duração1 hora 44 minutos
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