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Ventre

Título original: Womb
  • 2010
  • Not Rated
  • 1 h 51 min
AVALIAÇÃO DA IMDb
6,3/10
16 mil
SUA AVALIAÇÃO
Eva Green in Ventre (2010)
A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.
Reproduzir trailer1:43
1 vídeo
94 fotos
DramaRomanceSci-Fi

O amor devorador de uma mulher a obriga a ter o clone de seu amante morto. Da infância à vida adulta, ela enfrenta as inevitáveis complexidades de sua decisão controversa.O amor devorador de uma mulher a obriga a ter o clone de seu amante morto. Da infância à vida adulta, ela enfrenta as inevitáveis complexidades de sua decisão controversa.O amor devorador de uma mulher a obriga a ter o clone de seu amante morto. Da infância à vida adulta, ela enfrenta as inevitáveis complexidades de sua decisão controversa.

  • Direção
    • Benedek Fliegauf
  • Roteirista
    • Benedek Fliegauf
  • Artistas
    • Eva Green
    • Matt Smith
    • Lesley Manville
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    16 mil
    SUA AVALIAÇÃO
    • Direção
      • Benedek Fliegauf
    • Roteirista
      • Benedek Fliegauf
    • Artistas
      • Eva Green
      • Matt Smith
      • Lesley Manville
    • 53Avaliações de usuários
    • 96Avaliações da crítica
    • 48Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Vídeos1

    U.S. Version
    Trailer 1:43
    U.S. Version

    Fotos94

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    Elenco principal26

    Editar
    Eva Green
    Eva Green
    • Rebecca
    Matt Smith
    Matt Smith
    • Thomas
    Lesley Manville
    Lesley Manville
    • Judith
    Peter Wight
    Peter Wight
    • Ralph
    István Lénárt
    • Henry
    Hannah Murray
    Hannah Murray
    • Monica
    Ruby O. Fee
    Ruby O. Fee
    • Rebecca - 9 Years
    Tristan Christopher
    • Thomas - 10 Years
    Jesse Hoffmann
    • Thomas - 5 Years
    Natalia Tena
    Natalia Tena
    • Rose
    Ella Smith
    Ella Smith
    • Molly
    Wunmi Mosaku
    Wunmi Mosaku
    • Erica
    Alexander Goeller
    • Marc
    Adrian Wahlen
    • Eric
    Gina Stiebitz
    Gina Stiebitz
    • Dima
    Amanda Lawrence
    Amanda Lawrence
    • Teacher
    Jennifer Lim
    Jennifer Lim
    • Mrs. Muju
    Tina Engel
    • Doctor
    • Direção
      • Benedek Fliegauf
    • Roteirista
      • Benedek Fliegauf
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários53

    6,315.8K
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    Avaliações em destaque

    10leonthesleepy

    A Delicate portrait of loneliness and lost love.

    Womb is an excellent drama that is unfortunately marketed the wrong way.

    If your first impression of the film is that its an Erotic drama on incest, you couldn't be further from the truth.

    The premise itself should be a guideline for whether or not you should watch this film.

    "After a tragic accident, a woman decides to clone her lover, and raise him from infancy to adult." The less you know about Womb, the better the experience will be. Suffice to say, its an extremely well made, and honest drama about not being able to let go, and the consequences that follow.

    The story centers around Tommy and Rebecca. After the accident, Rebecca makes the controversial decision to clone Tommy to raise him as a child.

    Why? To get back her lover? To raise the child she never had? The film never spoon feeds us, and we're left with Eva Greens brilliant performance to see Rebecca unravel.

    We see her care about the Tommy's clone, and genuinely wants to be a good mother, but there's an underlying foreboding with the possibility of incest. Rebecca struggles to keep her feelings to being a mother, but there's obvious jealously when women come into Tommy's life, and thats the main conflict of the film.

    Certainly, this taboo possibility is the main drive of the second half of the film, but its much more than that.

    Womb is brilliant because of how well its crafted.

    There is an isolation to the film, landscapes and vistas are limited to long stretches of seas and beaches.

    Music is sparse too, there's a haunting recurring theme that plays during decades, and emphasizes the long time span of the story.

    Dialogue is minimum , and the film never lingers on a certain time period.

    Yet we miss nothing. Womb focuses not on the conversations and events, but rather the emotions the characters go through. What we are left with is a deep morality love story that transcends decades.

    Regardless of how you feel about the inevitable outcome, the struggles presented on screen is one of the more complex modern love stories. Its not about Lust, but of how blind we can get in our desires to get our loved ones back.

    Its not for everyone though, due to the slow paced nature of the film, the more you give yourself to the film, the more you will get.

    Its also not exactly the happiest film made. The depressive tone of the film may be too much for some, but it stays true to itself, and benefits greatly from it.

    This paired with the taboo subject material, led with questionable marketing, will probably scare off people, which is a shame, because this is far from the pretentious love story people seem to think it is.

    See it if you can, its definitely a hauntingly beautiful film that makes you think long after the credits roll.

    P.S, this is my first real review, let me know what you guys think! THANKS!
    Stephen_Hawkwind

    Thanks, but no.

    This film, along with Never Let Me Go, might be the start of a new genre. Mumblecore science fiction, anyone? Both of these movies take a shot at delivering Very Profound Questions to an audience struggling to not burst out crying at the emotive depth of the incredibly touching human drama unfolding at snail's pace on screen. Or so the directors like to think. In Womb, The Great Idea circumnavigates the plot holes admirably, and the wafer-thin characters are brimming over with Love and struggling to come to terms with their sheer Humanity in virtually every shot. Its all rather dull, and, in a low-key fashion, incredibly pompous. Please, all you directors who feel a sudden urge to regale the audience with Deep Truths about Life - stay away from science fiction (unless you're Terrence Malick). Although I have to admit that Eva Green has perfected the enigmatic Mona Lisa-smile. From what I hear she's become pretty much unbeatable in the ring - she will floor you with that smile, flooding your mind with capitalised abstract nouns.
    8JimmyCollins

    Quiet, Cold, Stunning!

    Films with lingering shots of a beach or a face or a road to me can sometimes come off as pretentious dribble, not the case with Womb, I found this movie to be absolutely stunning. There's no other word for it, some people would easily find this movie to be boring due to the extremely slow pace and lack of dialogue, but in my opinion that all just adds to the atmosphere that the director was trying to create.

    There is no way at all to tell what year this film is set but I'm guessing it would be in the not too distant future, let's face it, the advances in science these days it's not too long before human cloning will be a part of our society. A lot of things I've heard about Womb quite often compare it to Birth, which is a pretty good comparison I think, both films have a lot of similarities. I couldn't help but pick up vibes from another film Never Let Me Go, the controversial subject matter is similar, the underlying sci-fi element, the moral question the viewer faces and the stillness of both films are very much the same.

    Eva Green is wonderful to watch, she gives such a wonderfully restrained performance that's it's surprising she didn't get noticed more for her role. Ever since I saw the terrific Cracks a few years ago I look forward to seeing what edgy role she decides to take on next, Matt Smith, who I'm not so familiar with also does a good job. The children at the beginning of the film deserve a mention too, it seems as though child actors are just getting better and better as time goes on.

    Certainly not a film for everyone, but for people who like a bit of a discussion after a film it's perfect.

    LOVED IT!!!
    9edumacated

    complex

    this is an emotionally and morally complex film.

    the setting is bare, the dialog minimal, and all to leave room for the context which is massive.

    the isolation serves to preserve the womb till the moment of all release, and therefore the moment of ultimate loss. there are many quiet metaphors in this film.

    and it is these quiet choices that show some brilliant forethought on the part of the film-makers. it is brilliant film-making. if you can get past the squirminess of it all. and no doubt some day soon, if science has its way -as it will- this story will come true. just over a hundred years ago most believed that man would never fly.
    9natamity

    Engrossing, well-made film

    This movie delivers everything I seek in cinema: Entrancing cinematography, engaging direction, stirring of emotions and challenging themes. It's beautiful, intense and had me engrossed throughout. The cold, stark and stunning set locations are as much a part of the story telling as the dialogue is, serving to enrich the feelings and situations conveyed by the characters. It is a quiet film filled with visual beauty and soul. This is one of those rare movies that pulls you into another world, one which lingers and haunts you long after the movie has ended. I watched this film yesterday and am already wanting to revisit it.

    Certain scenes made me feel uneasy, but rightfully so, given the subject matter. The sensitive story-line is conveyed well by all involved, enabling the viewer to empathise with both of the main characters rather than feeling alienated from them, which was a possibility with such a story-line. I think it was a clever move to not linger upon or delve much into the complexities of the actual cloning process and instead focus on the lives and emotions of the characters before and after that event. The film would have benefited from further developing the love formed between the two main characters as children so as we can better appreciate the intensity of their feelings when they meet again as adults. The director has said that they spent the whole summer together as children, yet this is not evident in the film. Still, I don't believe the movie suffered from this lapse as the acting by Eva Green is strong enough to convey her character's intensity and give reason to the choices she made.

    The topic of human cloning is a controversial and complex one and in this day and age is not as much science-fiction as it is a genuine possibility in our future. A fictional, two hour film cannot hope to provide any real answer to any of the concerns posed by such a topic, but what this film manages to do is take on some emotional aspects of the topic and turn them into a haunting and thoughtful work of art. 9/10.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The theme of this film is closely related to Sigmund Freud's famous theory of the 'Oedipus Complex', which states that there is an unconscious wish for a son to have sex with his mother. He also described the 'Electra Complex' which was the equivalent for females. A similar theme was explored in the 1974 movie 'The Savage is Loose'.
    • Erros de gravação
      If Tommy's laptop had been in a box for 20 years or so, then he would have to use the plug in the box to get it to work as no battery could keep a charge that long.
    • Citações

      [first lines]

      Rebecca: It's over. I will always speak to you. And I don't mind if you don't say anything. Just because you went away, it doesn't mean you're not here anymore. Perhaps all I ever needed was this gift.

      [rubbing her belly]

      Rebecca: The one you gave to me at the end

    • Cenas durante ou pós-créditos
      The ending credits scroll from top to bottom instead of usually bottom to top.

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    Perguntas frequentes

    • How long is Womb?
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    • What was the poem that was recited by Tommy's clone during the course of the film?

    Detalhes

    Editar
    • Data de lançamento
      • 7 de abril de 2011 (Alemanha)
    • Países de origem
      • Alemanha
      • Hungria
      • França
    • Centrais de atendimento oficiais
      • Official site (Germany)
      • Official site (Hungary)
    • Idioma
      • Inglês
    • Também conhecido como
      • Vientre
    • Locações de filme
      • Hallig Langeneß, Schleswig-Holstein, Alemanha
    • Empresas de produção
      • Razor Film Produktion GmbH
      • Inforg Stúdió
      • Asap Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • € 3.660.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 36.257
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 51 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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