Mother: A Busca pela Verdade

Was looking forward to this film after enjoying the director's earlier films, Memories of murder, The host n Snowpiercer. The film is about a mentally challenged kid who is also being overprotected by his single mother who is a specialist in herbs n acupuncture. The kid is arrested n charged with the murder of a young girl but the mother believes he is innocent n she goes out to prove his innocence. The best part about this film is the acting by the lady who played the mother. Another good aspect is the details. When the dead body of the girl is kept on the terrace of a dilapidated house for the whole town to see, we as viewers really wants to know the reason n the reason is explained towards the end well suiting. The direction n cinematography were brilliant. The only problem was the editing. Found it to be a bit slow n long.

It's too bad that because this film is ostensibly about an old lady it must be considered a "smaller" film in Bong's oeuvre. It's not. It is every bit as brilliant, and as large, as Memories of Murder, in my opinion.

In many ways this is the natural, and equal, follow-up to Memories of Murder. It's every bit the caper film that one was, and, although slightly more somber in tone, the film keeps unraveling in directions you don't expect making it much more a plot driven movie than a character study. Kim Hye-ja is, however, magnificent as the titular (gawd I hate that word but I'm using it anyway) mother. There is a scene in this film where she tells the family of the victim her son didn't do it and her eyes are so electrically charged it made me jump back from the screen. Mother fires on all cylinders. The direction, cinematography, script, and acting are all grade A. It's one of those films where each of the secondary characters steals the show for a brief period. (How 'bout that cop who kicks the apple from Won Bin's mouth?) Bong does a remarkable job of populating the world of this film with real people and manages to give them depth and development in a very short period of time. I confess to having a little trouble tracking the other female characters in the film, but no matter. There is a scene (without spoiling anything here) where Kim Hye-ja asks the other 'retarded' kid if he has a mother and it's one of the most complex and heart-rending scenes in cinematic history. Hyperbole notwithstanding, just freakin' WOW! on that one when you ponder just why she is crying.

I wasn't sure where Bong was going to end up going as a film maker. Barking Dogs Never Bite was a reasonable debut. Memories of Murder, a masterpiece. But was it a lucky shot? I'm glad I don't have to consider the dismal Antarctic Journal a Bong film if I don't want to. The Host was lots-o-fun, but that's the one that worried me. Maybe he was going to start making blockbuster type films. But now, after recently seeing his contribution to Tokyo!, and now Mother, I have every reason to believe he is going to kick my butt with interesting film for a long time.

As quirky and original as you'd expect from the South Koreans. MOTHER is a lengthy mystery film featuring an unusual storyline about a mother who seeks justice for her unfairly imprisoned son. Along the way, there's all the kind of bizarre supporting characters, atypical incident and genuinely surprising plot twists that you'd expect from a Korean film. This is a movie that keeps you watching throughout despite the slow pacing and lack of action.

The character development is excellent: fully natural, low key throughout, and thoroughly involving. Unsurprisingly, the actors selected to pay the various characters are just right for the part, particularly Hye-ja Kim who we only ever know as 'mother'. She's a unique choice of lead and fits the role perfectly. Won Bin, who made an excellent action hero in THE MAN FROM NOWHERE, is equally excellent here as the slow-witted son and he really gets his teeth into the part.

MOTHER may be a slow burner of a film, but it has a subtle way of truly involving the viewer in the storyline. The tension builds as the climax nears, and then the movie hits you with some moments of quiet devastation that prove a shock to the core. Fans expecting another pulse-pounding thriller like THE YELLOW SEA may be disappointed, but those with open minds will have a ball.

This is a decent film with a good plot line. However the delivery is slow and could be better. The lead character who plays the Mother, typifies a classic maternal figure. She dotes on her son and is constantly worrying for, and nagging her son. He sleeps next to her every-night and the son is the Mother's world.

When her son (the brilliant Bin Won) is accused of murder, the Mother fights for his justice and attempts to seek out the truth. At this point the story goes through a slow pace and a series of clues and knowledge is gathered, but the viewer is left wondering where this is leading and how this is going to progress.

Suddenly, the last half an hour of the film, the plot begins to get interesting again and we see the true characteristics of the Mother which is superbly portrayed. The conclusion of the film is somewhat shocking, but, on reflection of the entire film, is not surprising.

Overall, this has a good plot and is definitely one to watch, albeit slow moving at times.

In a province in Pusan, South Korea, the slow Yoon Do-joon (Bin Won) is a young man overprotected by his mother (Hye-ja Kim) that works with acupuncture and herbs and does not like his worthless and reckless friend Jin-tae (Goo Jin). When a Mercedes runs over Do-joon, Jin-tae follows the hit-and-run driver with Do-joon and find the car parked in a golf club. Jin-tae breaks the side mirror of the car and Do-joon collects golf balls lost in a lake. When they see the cart with the driver and passengers of the Mercedes, there is a fight and they end in the police station. During the night, Do-joon walks to the bar Manhattan to meet Jin-tae that does not arrive; when Do-joon returns home, he sees the easy Moon Ah-jung (Mun-hee Na) walking alone in an alley and entering in an abandoned house. On the next morning, Ah-jung is found dead on the terrace of the house. The incompetent detectives find a golf ball near her body and they conclude that Do-joon is the killer. Doo- joon is arrested; signs a confession and is charged of murder. However, his mother follows her instincts believing that her son is innocent and the scapegoat of the incompetent police department and seeks the truth disclosing a dreadful reality.

"Madeo" is an original and dramatic South Korean thriller that has an engaging story with a surprising plot point and many twists. The director Joon-ho Bong of "Gwoemul" makes a simple but effective film with a credible story of a single woman that does everything possible and impossible to prove the innocence of her son that is slow probably because he was poisoned when he was five. The performance of Hye-ja Kim deserves a nomination to the Oscar in the role of a dedicated loving mother that pursues the truth about the murder of a teenager student. With the exception of one review of a user that probably has difficulties to read subtitles; the nine wins, six nominations and the favorable reviews of twenty-three IMDb users are practically an unanimous indication that "Madeo" is a great film indeed. My vote is eight.

Title (Brazil): "Mother - A Busca Pela Verdade" ("Mother – Seeking the Truth")