A Cor Púrpura

I'll start by saying that several performances were REALLY good, particularly Shug and Sophia (hello, Oscar?). But the movie felt flat. I know this is a different version (from the Broadway show) and definitely not a remake of the Steven Spielberg film. And while the music was good, I found it distracting, inserted into the story rather than advancing the story like a musical should. The characters felt undeveloped and ultimately unresolved. We saw some of the brutality of Mister but not his cruelty. We saw kindness of Celie but not her true goodness. And finally the choreography. It was good, if this had been on stage. In the movie, the action of the story stops so the action of the dancing can begin. So it called attention to itself instead of, again, advancing the story without our noticing.

It's not a bad movie. It's just not really good.

This is a musical adaptation of the stage musical based on the book. After the 1985 classic film, the hurdle gets to be quite high. It is also part of the recent trend of surprise musicals. They are not pushing the fact that these are musicals and the less informed audience members are getting surprised. This has great actors doing all the skills. It is technically great. It looks great. The performers are working at top notch level. It is very choreographed stage musical and that may be the problem.

I am still unsettled on this idea. The subject matter is so dark that the musical genre takes away some of the needed grittiness. It's not only a musical. It's the old timey choreographed energetic dancing type. It is showy Broadway and that overwhelms the dark complex story. Yet others do it well, but I would suggest that they always do it better on the live stage. There is an artificiality to the production when it's on the screen. It can't help but feel fake.

Greetings again from the darkness. It all began with Alice Walker's 1982 novel, for which she was awarded a Pulitzer Prize. Shortly thereafter, Steven Spielberg turned it into the movie event of 1985, with a memorable cast including Whoopi Goldberg, Danny Glover, and yes, Oprah Winfrey. The film received eleven Oscar nominations, yet was shut out in all categories. Jumping ahead 20 years (2005), Marsha Norman created a musical stage book that turned into a smash hit on Broadway, receiving eleven Tony nominations. It was 2015 when the musical revival hit the stage, re-establishing the story as part of the fabric of the entertainment world. Along the way, Ms. Walker's book had been frequently banned and censored, and the adaptations were sure to pick and choose what to cover and how to do so. Here we are forty-one years after the book's publication, and director Blitz Bazawule (Beyonce's BLACK IS KING, 2020) delivers a moving and bold film version (screenplay by Marcus Gardley) based on the musicals, the novel, and the original film.

The film opens on the Georgia coast in 1909 by establishing the bond between young Celie (newcomer Phylicia Pearl Mpasi) and her sister Nettie (Halle Bailey, THE LITTLE MERMAID). When the two are forcefully separated, Celie loses the hope Nettie always provided, and soon she's living a miserable existence as one abused by Mister (a powerful Colman Domingo, RUSTIN) who treats her poorly by regularly taking out his frustrations. Assuming the role she made her own on Broadway is Fantasia Barrino as adult Celie, whose presence and spirit contain the heart of the story.

Memorable characters and performances are everywhere we turn in this production. Danielle Brooks ("Orange is the New Black") is a powerhouse as Sophia, a role she also owned on stage. Sophia is wife to Harpo (Corey Hawkins, STRAIGHT OUTTA COMPTON), one of the few men trying to break the tradition of abuse ... not that he has much choice. Taraji B Henson is a jolt of energy as singer Shug Avery, one of the few women from this neck of the woods who gained independence and made a life (mostly) on her terms.

The supporting cast is filled with talent and surprises. David Allen Grier appears as Reverend Avery, Shug's estranged dad. Aunjanue Ellis-Taylor (ORIGIN) appears in flashbacks as Celie's Mama. Elizabeth Marvel ("Homeland") is the unforgiving and racist wife of the Mayor, and one who has such an impact on Sophia's life. Oscar winner Lou Gossett Jr (now 87 years old) shows us exactly how his son Mister turned out the way he did. As this is a musical, we would expect musicians to play a part, though it's quite a treat to see H. E. R. As Squeak (Harpo's girlfriend), Jon Batiste as Grady (Shug's fashionable husband), and Ciara in a critical appearance as grown-up Nettie. There is also a well-placed cameo early on that harkens back to Spielberg's movie.

Covering at least the decades of 1907 through 1945, we see how each character changes depending on their circumstances ... especially Celie and Sophia, as well as an attempt at redemption by Mister. At least three 'showstopper' songs are included here. Taraji B Henson offers a rousing "Push da Button", and Danielle Brooks is adamant about where she stands with "Hell No." Fantasia Barrino's "I'm Here" may be the highlight since it encapsulates her resilience and perseverance. The quality of the film is evident in all aspects: cinematography (Dan Laustsen), score (Kris Bowers), Production and Set Design (Oscar winner Paul D Austerberry, Larry Dias), and Costumes - especially Shug Avery's - (Francine Jamison Tanchuk, Rashad Corey). Serving as Producers are Steven Spielberg, Oprah Winfrey, Quincy Jones, Alice Walker, and Scott Sanders, to name a few with long time ties to the story. It's clearly a labor of love and passion for those involved, and ends with a tear-jerker reunion over Easter dinner. Not many follow the production trek of novel to film to musical to musical revival to musical film, and even fewer have ever done it this well.

Opens in theaters nationwide on Christmas Day.

Danielle Brooks truly stole the show as Sofia in the film, shining like a star. Her talent and beauty are simply awe-inspiring. Whenever she graced the screen, a smile would automatically appear on my face, and I couldn't help but feel a slight blush. Her performance was filled with sensitivity and power, making her the perfect fit for the role. I have no doubt that she will have a long and illustrious career, deserving of celebration.

I couldn't have asked for a better way to start my Christmas morning than being immersed in the timeless charm of this classic film's stunning visuals and captivating sound. I'm absolutely thrilled to keep playing the soundtrack on repeat!

Ok so I thought long & hard about my viewing of The Color Purple last night. I feel it's a bit sacrilegious to say it wasn't my favorite movie. Honestly, I was a little disappointed. I will tell you why, spoiler free!

First the good- the acting, cinematography & production were stellar! Costume & set design were top notch & the vocal performances were great. I LOVE Danielle Brooks and honestly wished she was on screen more (more into that later). Fantasia's acting performance was great, as was the rest of the cast. Colman Domingo, who played Mister, was good too.

Now the bad... ok, so this is a musical, which isn't an issue but I feel that part of the story was lost/glossed over, especially Celie's & Sophia's strife, for the sake of song & dance. I never read the book, nor saw the Broadway production so I can't only compare it to the Spielberg 80's production, which (I may add) is one of my favorite movies. I feel a hard time connecting with the characters and their story seemed to have gotten diminished. I think another 30 minutes could have easily been added to the movie to help with character development instead of displaying year stamps to show the passing of time. It felt too play-like in some parts too.

Celie had a messed up life (putting it mildly to avoid spoilers) which you kinda felt it but not really. Her story felt very rushed with a quick conclusion that felt a bit weak to me. Same with Sophia. Danielle Brooks is very comfortable in the Sophia role & played her so well, that her lack of screen time was felt. She dominated the scenes she was in but felt her character was thrown in a dark hole to just pop up every now & then to remind you she existed. Taraji P. Henson was good as Shug Avery but even she felt toned down, especially her relationship with the pastor, played by David Alan Grier.

I don't know... I love these characters. This movie felt like the abbreviated version of the story. I'm sure anyone who has never seen the original (or hasn't seen it in a long time) would really enjoy this. This movie will most likely be nominated for a bunch of awards. The Spielberg 80's production was nominated for 11 Academy Awards & woefully won none. The movie was robbed that year and should have won at least one. Whoopi Goldberg's (she should have won), Oprah's, & Danny Glover's performances are a hard act to follow but those that filled their shoes did a wonderful job.

The best way for me to describe the story was to compare it to episodic tv where a problem arose & was quickly solved within the 30 minute episode. Granted, the movie is much longer but there were a lot of problems. It seriously felt rushed. It lacks heart. I ball my eyes out at the end of Spielberg's version, but not this one.

Danielle Brooks is someone to keep your eye on (loved her in Orange is the New Black as Tastee). I will be rooting for her!

So, that's how I felt. If anything, the movie made me want to read Alice Walker's book even more. It's good & I will recommend it to people who I think the original may be a bit too much for them to handle, but I really will push the original film to get a better dramatic tellling of The Color Purple.