Os Muppets

I must admit, I usually write reviews when i am angry, however in this case, I am writing this review because of pure love for the movie.

I went to this movie expecting few laughs and an enjoyable night. My expectations were met and more. the songs were great, the plot was classic Hollywood plot but they made fun of it so it didn't bother me at all. I laughed at all the jokes without exception. I didn't know the whole cast so the surprise appearances affected me emotionally.

most importantly, I felt that the people who are doing that movie didn't acted on that movie for the money, for the box office or for the fame, they did it for pure love for the Muppet's(most of them anyways) and I felt that. I was asking my self why I loved this movie? and this is was the answer I got. As long as these kinds of movies being made, there is still hope for Hollywood.

It's bad enough when you watch human actors doing a movie or a sequel that is obviously being done out of an ulterior motive, but with a bunch of F-in muppets?!?! Does the Henson estate owe taxes or are they losing their property? (which is the ridiculous premise of this movie) I really thought Segel would have done something special with this because of all of the attention given to his interests in this field and the fact that he put together a muppet-type play of his own. No! And!, he had someone help him with it as well (Stoller). I was even in a good mood when I rented it, expecting a new revitalized movie from a zealot in this field of entertainment. A random pick out of a lottery ball of kids' scripts would have been better than this, and because of this, my interest in Segel went far down. Cameos and "you sing it, audience!" are sure signs that the artist isn't secure with what is being performed and there are so many cameos that it even outshines the completely apathetic humor. Statler and Waldorf couldn't even trash this movie properly, and it's too bad because all of the resources were there.

Warm, charming and funny, just like the Muppets I remember from my childhood. I'm not often one for musicals, but this one - aided by the brilliant combination of fuzzy puppet singers and Flight of the Conchords composition - hits all the right notes. It's funny without nudging into blue territory, a talent that's becoming more scarce by the minute, with a heartwarming reunion storyline that slowly reintroduces the cast and reminds us why we grew to love them in the first place. Loaded with unexpected cameos and sly winks at the troupe's long history, it's clear that a lot of love went into the making of this picture; the screen positively resonates from beginning to end. Though I was hesitant to revisit this old territory at first, by the final act I was grinning warmly and nodding right along, utterly entranced.

In Disney's major release for the holiday season, they went with an old stand by, the Muppets, in a film simply called The Muppets. It's a strange blend of humor, nostalgia, and satire. Here we meet Walter, who we know just by looking at him is a little bit different. He is, well, for lack of a better word, a Muppet. The only thing is he is a Muppet living in the real world, and not, I stress not, a member of the Muppet gang. At a very young age he fell under their spell, through television and video rentals. Walter's dream was to walk through the studio that his beloved Muppet's walked through. He gets his chance to meet them when his brother Gary (Jason Segel, who also co-wrote the script) takes his girlfriend Mary (Amy Adams) to Los Angeles.

Walter finds out that the Muppets aren't as popular as they used to be. He finds only remnants of the glory days in a dusty studio, but winds up uncovering a sinister plot intending to bury the Muppet franchise for good. With so much at stake, Walter goes to great lengths to find his idols and bring them back together. With the help of Gary, Amy, Kermit, Fozzie, and the rest of the gang, Walter sets in motion a reunion scenario where if the Muppets put on one last show they can raise enough money to stop the maniacal Tex Richman (Chris Cooper) from ending the Muppet's hopes of survival.

It's almost like The Blues Brothers, where if "the band" gets back together all will be saved. The only difference is that for the audience it's like a reunion, too. We haven't seen the Muppets together save for a few commercials and music videos here and there. I would be lying if I said I didn't get goosebumps seeing Gonzo with his chickens, or the Swedish Chef and his man-hands. Without even trying this film grabs you right in the heart, squeezing every ounce of childhood you have left in there.

It is really evident that Segel took the task of acting and, more importantly, writing, very seriously. His heart really comes through. He didn't want to do an injustice to the franchise that gave him so much pleasure as a youngster. It's as if he wrote Walter as a Muppetization of himself (which really comes through during one particular musical number). He follows the Muppet formula of combining cultural references with the power of celebrity and the importance of silliness and childlike inhibition.

Has any of the magic left the Muppets? I don't think so. I must admit that some of the story points were a bit ridiculous, and sometimes a little too on the nose (yes, I am aware that it was trying to be, but doing it too much becomes tedious). I wasn't entering the film expecting completely revamped Muppet style. It was by the book, aimed appropriately at both children and adults, without ever stepping too far in either direction.

The BIG question remains...now what? The whole point of the movie is to show that the Muppet's have basically become an afterthought. A fond memory that quickly fades. Will this film attract a slew of Muppet followers? Will there be another film? Television show? Who knows. The movie ends optimistically, but how could it not? The thought of a world without the Muppets is scary. It's nice knowing that somewhere Kermit and the gang are waiting for their next queue. To light the lights, put on make up, and all that jazz.

So go treat yourself to a little taste of your childhood. It will do the soul good.

The Muppets may quite possibly be one of the best movies of 2011. I don't just mean that as a fan. The Muppets had everything spot on – it was clever, entertaining, adorable, heartwarming, and absolutely hilarious. The magical thing though is that The Muppets pleases everybody -- average moviegoers and Muppet purists alike, and that I believe is its greatest triumph. On one side is a modern comedy, chock full of hysterical celebrity cameos and pop culture references. And on the other side is a nostalgic throwback to the Muppets era. Those who remember the old series will unquestionably find delight in seeing their favorite puppets reunite for another big show, literally.

Funnily enough, the movie treats the Muppet characters as if they were real life actors, with The Muppets shows and movies being their past careers. The Muppets haven't seen any action in years (a fact also true in real life), and each muppet has taken his/her own path in life with varying degrees of success. When crisis arises, the old troupe is forced to find each other and give it another go.

It is all weaved through a fascinating metanarrative that begs the question, what happens to the Muppets when they aren't The Muppets? After all this time away, can The Muppets make a comeback through a reunion and relive their former glory days? – a question ultimately answered by the movie itself.

The film opens with a common puppet named Walter, whose childhood consists of watching The Muppets and dreaming of joining them. His older brother Gary (Jason Segel) extends the invitation to come with him and his girlfriend of 10 years Mary (Amy Adams) to Los Angeles so that he can visit the Muppet studio. Much to his disappointment, the Muppet theater is abandoned and Walter even overhears an oil tycoon's (Chris Cooper) plot to tear down the place. Walter and Gary quickly seek out Kermit the Frog to reunite the Muppet crew and remedy the situation, but all the while Mary is upset that the turn of events is ruining her 10 year anniversary with Gary.

As you can imagine from the premise alone, the movie is a tribute to the Muppets in every sense. It travels respectfully through the old Muppet history, and relives it instead of trying to replace it. In fact, seeing how each one branched off from the group like members of an old band and "grew up" gave, I would say, substantially more character to each Muppet than they ever had before. I think fans will agree that this is the best possible way the muppets could have returned.

Simply put, I can't imagine anyone with a heart not enjoying this film. There's something in it for everybody, especially if you're in the mood for laughter and catchy musical numbers. The creative humor was a breath of fresh air. There is plenty breaking of the fourth wall and oh so much of that lovely deadpan irony and absurdist humor, reminiscent of old comedies like Airplane! The audience in the theater was cracking up almost every other moment, myself included. And while humor is its strong suit, the movie is also an incredibly heartwarming tale of friends that go their separate ways but are still connected through their hearts. Moviegoers and Muppet fans alike, go see this movie!

9/10